交響樂團performer

開季音樂會──瓦格與格斯坦音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

指揮：吉博．瓦格‬‬‬‬‬‬‬ Gilbert Varga吉博．瓦格，知名匈牙利小提琴家提伯．瓦格（Tibor Varga）之子，指揮獨特且才華洋溢。一上台即充分展露權威的他，每每受到讚賞的就是他擁有一種讓樂團展現出豐富色彩以及豐沛情感的魔力。瓦格以細膩雅緻的指揮技巧聞名於世，常以指揮或客席指揮的身分與世界許多重要樂團合作演出。瓦格經常受邀與北美洲各交響樂團合作如明尼蘇達、納許維爾、聖路易斯等交響樂團。亦於歐洲各大音樂廳演奏的他，足跡遍佈各大交響樂團包括蘇格蘭皇家國家交響樂團、法蘭克福博物館學會、利物浦皇家愛樂管弦樂團等。2015 / 16 樂季中，他很期待將與下奧省藝術家交響樂團於維也納金色大廳的首次合作，並也將遠赴澳門交響樂團演出。2013 年 5 月受聘為臺北市立交響樂團首席指揮。瓦格曾分別追隨三位風格迥異的指揮大師學習：法蘭柯．費拉拉（Franco Ferrara）、塞吉．傑利畢達克（SergiuCelibidache）與查爾斯．布魯克（Charles Bruck）。在瓦格早年的指揮生涯裡，尤其在成為頗富聲望的交響樂團指揮之前，他主要致力於與室內樂團合作，特別是提伯．瓦格室內樂團。他曾任宮廷交響樂團的首席指揮（1980 年 1985 年）、匈牙利愛樂的首席指揮（1985 年 1990 年），並率領該團與曼紐因合作共同於匈牙利境內作首度的巡迴演出。他也曾任斯圖加特室內樂團常任客席指揮一職（1991 年 1995 年）與瑪爾摩交響樂團的首席客席指揮（1997 年 2000 年）。從 1997 年到 2008年，他則擔任巴斯克國家樂團的音樂總監，率領該團在英國、德國、西班牙與南美洲各地巡迴演出。瓦格的唱片發行有 ASV、Koch Inter national 與 ClavsRecordings 等唱片公司。他最近錄音發行於 2011 年 1 月，由 Naïve Records 出版，安娜．維尼斯卡亞（鋼琴）與柏林德意志交響樂團的拉威爾和普羅科菲夫協奏曲，榮獲了BBC 音樂雜誌五星獎。鋼琴：基里爾．格斯坦 ‬‬‬Kirill Gerstein2016年8月，格斯坦再度受BBC逍遙音樂節之邀，與湯瑪斯‧道斯加德指揮的BBC蘇格蘭交響樂團演出柴科夫斯基第一號鋼琴協奏曲（1879年版），【獨立報】評論其演出為：「無瑕的技巧並充滿良好的說服力，出人意表的美感遍佈在整場演出中，很少看到觀眾爆發出如此由衷而發的欣喜。」格斯坦最近完成了與維也納愛樂、柏林愛樂、阿姆斯特丹皇家音樂會堂管弦樂團的首次合作。在2016/17樂季中，他與BBC交響樂團同臺，參與畢契科夫策劃的柴科夫斯基音樂節，演出柴氏的第二與第三號鋼琴協奏曲，並首次與法國國家管弦樂團合作演出，並再次受邀至萊比錫布商大廈管弦樂團、柏林德意志交響樂團、科隆西德廣播交響樂團演出。作為經常與美國各大樂團合作的格斯坦，這個樂季的演出還包括與波士頓交響樂團合作的布梭尼C大調鋼琴協奏曲、與克里夫蘭管弦樂團合作演出荀貝格鋼琴協奏曲、與紐約愛樂合作柴科夫斯基第一號鋼琴協奏曲（1879年版本）。在獨奏會方面，他的演出身影在維也納音樂廳、漢堡的易北愛樂廳、皇家利物浦愛樂廳，以及布魯塞爾的弗拉耶音樂廳。格斯坦的專輯由myrios classics發行。他根據俄羅斯克林的柴科夫斯基博物館發行、柴科夫斯基於1879年親自修訂的最終版組總譜，錄製了世界第一張1879年版柴科夫斯基第一號鋼琴協奏曲，於2015年出版。這張專輯獲得ECHO Klassik獎「年度協奏曲錄音」的殊榮。「這就是那種嚴謹、充滿理解、名家技藝的音樂創作，正是這樣的存在，使古典音樂繼續活著。」英國【觀察家報】如是評述。在此之前，他收錄了舒曼、李斯特與奧利佛‧克努森作品的首張專輯，被紐約時報選為2010年最佳錄音之一。其也與中提琴家塔貝亞‧齊瑪曼合作了兩張專輯，曲目包括雷貝卡‧克拉克、維歐當、布拉姆斯、舒伯特與法朗克的中提琴奏鳴曲。格斯坦最新的專輯─李斯特的《超技練習曲》在2016年7月發行，【金融時報】曾這樣評論：「格斯坦的演奏沒有過度的渲染，而是花時間創造詩意與戲劇性，卻又不過於張揚，為眾所熟悉、喜愛的〈鬼火〉像是一個奇蹟，〈狩獵〉則同時兼具了猛然的追逐與收斂，在這些充滿想像的演奏中，為整組樂曲創造了一加一大於二的效果。」格斯坦出生於俄羅斯沃羅涅日，在培養資優兒童的音樂學校學習古典鋼琴，14歲時，他從俄羅斯遷往美國，成為波士頓柏克利音樂學院最年輕的學生，師事Dmitri Bashkirov 與Ferenc Rados，繼續專攻鋼琴。2001年，他獲得第十屆魯賓斯坦鋼琴大賽首獎，2010年榮獲吉爾摩藝術家大獎，使其得以委託提摩‧安德烈、亞歷山大‧高爾、奧利佛‧克努森、甚至爵士音樂家奇克‧柯瑞亞、布瑞德‧梅爾道等人譜寫新作品。格斯坦的好奇心與多才多藝使他得以探索廣袤的曲目與風格，從巴赫到阿德斯，他的演奏因為獨到的智慧、精湛的技藝，以及清晰的表現力而格外出眾，他曾被這樣描述：「極其自在，無需擔心技術上的困難，他讓鋼琴歌唱，這首我們聽過多次的協奏曲，獲得了新的生命。」─【萊比錫人民報】「無瑕的技巧並充滿良好的說服力，出人意表的美感遍佈在整場演出中，很少看到觀眾爆發出如此由衷而發的欣喜。」─【獨立報】，2016「基里爾‧格斯坦與柏林愛樂令人振奮的首次合作獲得了滿堂喝采，隨著鐘聲般的序奏，格斯坦手上響起的漸強像魔法一樣，其表現讓自己成為管絃樂團的真正的夥伴……他擁有李斯特般名家的風采與流動性，同時具有室內樂音樂家般的洞察力。」─德國【每日鏡報】，2016「這就是那種嚴謹、充滿理解、名家技藝的音樂創作，正是這樣的存在，使古典音樂繼續活著。」─英國【《觀察家報】，2015

純粹西貝流士音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

指揮：奧科．卡姆‬‬‬‬‬‬‬‬‬‬ Okko Kamu「在卡姆看似輕鬆的指揮下，蘇格蘭室內管弦樂團撼動人心，就如當（布拉姆斯）這位26歲作曲家所譜的D小調（鋼琴協奏曲）鉅作在1859年首次公演時告訴所有困惑的觀眾，音樂聽起來該如何新異震撼的感受一般，並且閃閃發光，至少從我在亞瑟廳的座位聽起來，就像是特別清澈的柏林愛樂。」─大衛‧耐斯，【The Arts Desk】音樂雜誌，2014年11月14日奧科‧卡姆，「……一位富有能量與洞察力的指揮」（雷德‧班乃特，【古典今日電子報】），以敏銳、自律淬鍊不慍不火自然而生的內斂名聲享譽樂壇。他成功地擔任故鄉芬蘭享譽國際的拉赫蒂交響樂團（Lahti Symphony Orchestra）的首席指揮，直到2016年6月。在任期間與該團為BIS唱片錄製西貝流士交響曲全集。過去他曾與卡拉揚分別帶領柏林愛樂共同錄製西貝流士交響曲全集，由DG唱片出版。他繼續擔任新加坡交響樂團的首席客席指揮，過去曾擔任首席指揮的樂團包括芬蘭廣播交響樂團、奧斯陸愛樂管弦樂團、赫爾辛基愛樂管弦樂團以及荷蘭廣播交響樂團、芬蘭國家歌劇院、瑞典皇家歌劇院，在伯明罕市立交響樂團、洛桑室內管弦樂團擔任首席客席指揮。1969年贏得柏林第一屆卡拉揚國際指揮大賽，讓他首次獲得大眾注意，成功使他獲得歐洲與美洲的音樂會邀約，並且與柏林愛樂錄製最早的幾張專輯。奧科‧卡姆擔任過許多主要樂團、歌劇院的客席指揮，包括波士頓、芝加哥、舊金山、洛杉磯、柏林愛樂、柏林交響樂團、斯圖加特廣播交響樂團、維也納交響樂團、蘇黎世音樂廳管弦樂團、以色列愛樂、捷克愛樂、俄羅斯愛樂、日本讀賣交響樂團、新加坡交響樂團、大都會歌劇院管弦樂團、日本愛樂、東京愛樂、東京交響樂團等，以及倫敦愛樂、倫敦交響樂團、愛樂管弦樂團、英國皇家愛樂、哈勒管弦樂團（任何指揮能讓非捷克樂團聽起來像捷克樂團是很不容易的事，卡姆就有這樣的能力……5月10日），伯明罕市立交響樂團、皇家利物浦愛樂管弦樂團、蘇格蘭室內管弦樂團、英國的各室內管弦樂團等。合作過的歌劇院則包括紐約大都會歌劇院、柯芬園皇家歌劇院、俄羅斯波修瓦歌劇院、基洛夫歌劇院，以及蘇黎世歌劇院、哥特堡歌劇院。目前他赴世界各地的音樂廳指揮，與其他指揮家不同的是，他堅持在音樂生涯外不忘生活，這種生活態度讓他造訪足以充實他的內在精神的有趣地方，所以他成為瑞典赫爾辛堡交響樂團、丹麥西蘭大交響樂團以及新加坡交響樂團的指揮。奧科．卡姆出生於一個赫爾辛基的音樂世家。父親在赫爾辛基愛樂擔任低音提琴，他在兩歲時開始跟隨他第一位老師，同時也是赫爾辛基愛樂的樂團首席法依納．艾爾雅瓦學習小提琴，之後他前往西貝流士音樂學院與歐尼．舒昂奈學習小提琴，同時也學習鋼琴。隨後，他成為舒昂奈弦樂四重奏團的首席，在20歲時，成為芬蘭國家歌劇交響樂團首席，之後成為該團的駐團指揮。他錄製超過一百張唱片，合作的唱片公司包括芬蘭的Finlandia、Musica Sveciae唱片公司等。其中與那索斯唱片錄製佛朗茲．貝瓦爾德四首交響曲及鋼琴協奏曲專輯雙雙獲得法國古典樂大賞Diapason d'Or金音叉獎。在古典及浪漫樂派時期外，錄製非主流曲目的唱片包括芬蘭作曲家奧利斯．薩利南的《弦樂團音樂全集》、彭德瑞茲基、武滿徹及薩利南的長笛協奏曲。奧科．卡姆從1994年起成為瑞典皇家音樂院院士。小提琴：鮑里斯．貝爾金 Boris Belkin鮑里斯‧貝爾金六歲習琴，七歲時在孔德拉辛指揮下首次公開演出；早年就讀莫斯科音樂學院中央音樂學校，師隨殷科以維茲（Yankeievitz）、葛利札羅巴（Maya Glezarova），與安卓夫斯基（Felix Andrievsky）等教授，在學生時期，他便已以獨奏家的身分與蘇聯各國首屈一指的樂團合作，於蘇聯各處巡迴演出，更在1973年贏得蘇聯國家小提琴大賽首獎（Soviet Union’s National Competition for Violinists）。1974年，貝爾金移居西方後活躍於國際樂壇，從此定期與指揮家伯恩斯坦、阿胥肯納吉、祖賓‧梅塔、馬捷爾、慕提、小澤征爾、庫爾特‧桑德霖、泰密卡諾夫、杜南伊、杜特華、賽門‧拉圖、海汀克與柯岡等指揮家合作。貝爾金與許多世界頂尖的樂團合作，包括波士頓交響樂團、克里夫蘭管弦、柏林愛樂、以色列愛樂、洛杉磯愛樂、費城管弦樂團、匹茲堡交響樂團、蒙特婁交響樂團、巴伐利亞廣播交響樂團、阿姆斯特丹皇家音樂會堂管弦樂團以及英國各大樂團。自從貝爾金在1997年獲小提琴大師史坦（Isaac Stern）邀請，於米亞札奇音樂節（Miyazaki Festival）中與其共同演出後，便時常回到該音樂節演奏。他也與中提琴家巴許密特（Yuri Bashmet）、大提琴家麥斯基（Mischa Maisky）、鋼琴家普魯德馬謝爾（Georges Pludermacher）等獨奏家合作演出室內樂。2011年，貝爾金與泰密卡諾夫（Yuri Temirkanov）以及聖彼得堡愛樂管弦樂團在莫斯科舉行的第一屆羅斯托波維奇音樂節中演出。在2012至2013年間他與泰密卡諾夫所領導的聖彼得堡愛樂管弦樂團於巴黎、莫斯科以及西班牙等地進行數場演出，也與莫斯科愛樂管弦樂團於西班牙與南美洲各地巡迴演奏。貝爾金曾在數部電視作品中參與演奏，包括一部關於西貝流士的電影(貝爾金在電影中與指揮家阿胥肯納吉及瑞典廣播交響樂團演奏了他的協奏曲)、與伯恩斯坦及紐約愛樂合作演出柴科夫斯基的協奏曲、與伯恩斯坦以及法國國家管弦樂團演奏拉威爾的《吉普賽舞曲》以及和荷蘭指揮大師海汀克與阿姆斯特丹皇家音樂會堂管弦樂團演出莫札特以及帕格尼尼的第1號協奏曲。貝爾金廣受各方盛譽的首張錄音，是與祖賓‧梅塔以及以色列愛樂合作演出的帕格尼尼第1號協奏曲。他為Decca錄製的其它專輯包括了與指揮家阿胥肯納吉及愛樂管弦樂團合作演出的柴科夫斯基以及西貝流士的協奏曲、與指揮家阿胥肯納吉及柏林廣播樂團合作演出的理查‧史特勞斯的協奏曲、與孔德拉辛及巴夏帶領的倫敦愛樂合作的普羅高菲夫第1及第2號協奏曲、及與費雪的倫敦交響樂團共同演出的布拉姆斯協奏曲。他也為Denon錄製了包含與名指揮家麥克爾‧史坦及蘇黎世音樂廳管弦樂團合作演奏的兩首普羅科菲夫協奏曲、與日本知名指揮家廣上淳一（Junichi Hirokami）以及皇家愛樂共同演奏的西貝流士、布魯赫，葛拉祖諾夫的協奏曲，以及蕭士塔科維契的第1號協奏曲、與麥克爾‧史坦帶領的倫敦愛樂合作的柴科夫斯基協奏曲、與薩爾茲堡獨奏家室內樂團協同演奏的莫札特A大調協奏曲及交響協奏曲，K. 219、還有與法國國寶級鋼琴家米謝‧達貝多（Michel Dalberto）共同演奏的布拉姆斯奏鳴曲。自1985年起，貝爾金便於義大利西恩那著名的音樂節（Accademia Chigiana）開設大師班授課。

聽城─TSO美巡行前音樂會音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

指揮：吉博．瓦格‬‬‬‬‬‬‬ Gilbert Varga吉博．瓦格，知名匈牙利小提琴家提伯．瓦格（Tibor Varga）之子，指揮獨特且才華洋溢。一上台即充分展露權威的他，每每受到讚賞的就是他擁有一種讓樂團展現出豐富色彩以及豐沛情感的魔力。瓦格以細膩雅緻的指揮技巧聞名於世，常以指揮或客席指揮的身分與世界許多重要樂團合作演出。瓦格經常受邀與北美洲各交響樂團合作如明尼蘇達、納許維爾、聖路易斯等交響樂團。亦於歐洲各大音樂廳演奏的他，足跡遍佈各大交響樂團包括蘇格蘭皇家國家交響樂團、法蘭克福博物館學會、利物浦皇家愛樂管弦樂團等。2015 / 16 樂季中，他很期待將與下奧省藝術家交響樂團於維也納金色大廳的首次合作，並也將遠赴澳門交響樂團演出。2013 年 5 月受聘為臺北市立交響樂團首席指揮。瓦格曾分別追隨三位風格迥異的指揮大師學習：法蘭柯．費拉拉（Franco Ferrara）、塞吉．傑利畢達克（SergiuCelibidache）與查爾斯．布魯克（Charles Bruck）。在瓦格早年的指揮生涯裡，尤其在成為頗富聲望的交響樂團指揮之前，他主要致力於與室內樂團合作，特別是提伯．瓦格室內樂團。他曾任宮廷交響樂團的首席指揮（1980 年 1985 年）、匈牙利愛樂的首席指揮（1985 年 1990 年），並率領該團與曼紐因合作共同於匈牙利境內作首度的巡迴演出。他也曾任斯圖加特室內樂團常任客席指揮一職（1991 年 1995 年）與瑪爾摩交響樂團的首席客席指揮（1997 年 2000 年）。從 1997 年到 2008年，他則擔任巴斯克國家樂團的音樂總監，率領該團在英國、德國、西班牙與南美洲各地巡迴演出。瓦格的唱片發行有 ASV、Koch Inter national 與 ClavsRecordings 等唱片公司。他最近錄音發行於 2011 年 1 月，由 Naïve Records 出版，安娜．維尼斯卡亞（鋼琴）與柏林德意志交響樂團的拉威爾和普羅科菲夫協奏曲，榮獲了BBC 音樂雜誌五星獎。小提琴：黃俊文 Paul Huang臺裔美籍的小提琴家黃俊文以強烈的表現力、特別的音色、自在展現的技藝接連獲得了2015年艾維理‧費雪事獎，以及2017年林肯中心新銳藝術家獎，首度在林肯中心登臺後，《華盛頓郵報》旋即表示：「黃俊文絕對是一位具備良好條件，擁有遠大演奏生涯的藝術家。」他近期的活動包括了與休士頓交響樂團、太平洋交響樂團、奧馬哈交響樂團、聖芭芭拉室內管絃樂團、路易斯安納愛樂、首爾愛樂的初次合作，以及與底特律交響樂團、阿拉巴馬交響樂團、西班牙畢爾包交響樂團、墨西哥國家交響樂團、臺灣國家交響樂團的再度合作。他也受葛濟夫之邀，於聖彼得堡舉辦的白夜音樂節中參與演出，並再次受棕櫚灘室內樂協會、卡拉莫爾音樂節新星系列之邀演出，同時，他也是卡梅拉塔太平洋室內樂團的首席藝術家。2015年，黃俊文接替宓多里，與史特拉金指揮的底特律交響樂團合作演出西貝流士小提琴協奏曲，備受好評。他亦曾在被臨時通知的情況下與阿拉巴馬交響樂團演出華爾頓的小提琴協奏曲。此外，樂季中的重要演出也包括了在林肯中心與聖路加管弦樂團演出巴伯的小提琴協奏曲，同時也包括其首次在林肯中心「傑出演奏家系列」演出的那場完售的獨奏會。黃俊文近期的獨奏會包括了在林肯中心、甘迺迪中心、喬治亞表演藝術大學、佛羅里達表演藝術大學、史翠斯摩藝術中心、華盛頓的菲利普美術館、水牛城室內樂協會、波士頓伊莎貝拉嘉納藝術博物館、喬登音樂廳、巴黎羅浮宮、首爾藝術中心，以及臺灣的國家音樂廳。他的首張獨奏專輯《熟悉的靈感》彙集了最受喜愛的炫技曲目與浪漫小品，由奇美發行，此外，他錄製了哈比森（John Harbison）為小提琴獨奏而寫的《獨處的四首歌》，與卡梅拉塔太平洋室內樂團演出其它哈比森的作品整彙成輯，由Harmonia Mundi於2014年秋天出版。身為林肯中心室內樂協會CMS Two計劃成員，也作為一位備受讚譽的室內樂音樂家，黃俊文廣受世界各地音樂節邀請演出，足跡曾及東京香奈兒音樂節、加州Music@Menlo室內音樂節、La Jolla藝術節、德國的莫里茨堡音樂節，基辛根之夏音樂節、瑞士汐昂音樂節、韓國的大關嶺國際音樂節。其合作的對象包括了吉爾‧夏漢、林昭亮、今井信子、勞倫斯‧鮑爾、馬辛‧雷薩諾夫、米夏‧麥斯基、王健、法蘭斯‧海默森、馬克-安卓‧漢默林。黃俊文2011年曾獲得美國青年音樂會藝術家國際大賽，於紐約與華盛頓的甘迺迪中心進行了受盛讚的音樂會，其他的獲獎經歷包括2009年瑞士汐昂國際小提琴大賽首獎、同年獲臺灣奇美文化基金會以「碩果與新芽」為主題頒發的奇美藝術獎，2013年獲Salon de Virtuosi獎學金，2014年獲古典錄音基金會的青年藝術家獎。臺灣出生的黃俊文七歲開始習琴，在茱莉亞音樂院師事姜孝（Hyo Kang）與李宜濠，在學期間，曾榮獲茱莉亞音樂院柯夫納獎學金。他目前演奏的小提琴是1742年製耶穌‧瓜奈里「維尼奧夫斯基」，由芝加哥斯特拉第瓦利協會的協助下慷慨借用。

葛林戈斯的夢之樹音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

指揮：吉博．瓦格‬‬‬‬‬‬‬ Gilbert Varga吉博．瓦格，知名匈牙利小提琴家提伯．瓦格（Tibor Varga）之子，指揮獨特且才華洋溢。一上台即充分展露權威的他，每每受到讚賞的就是他擁有一種讓樂團展現出豐富色彩以及豐沛情感的魔力。瓦格以細膩雅緻的指揮技巧聞名於世，常以指揮或客席指揮的身分與世界許多重要樂團合作演出。瓦格經常受邀與北美洲各交響樂團合作如明尼蘇達、納許維爾、聖路易斯等交響樂團。亦於歐洲各大音樂廳演奏的他，足跡遍佈各大交響樂團包括蘇格蘭皇家國家交響樂團、法蘭克福博物館學會、利物浦皇家愛樂管弦樂團等。2015 / 16 樂季中，他很期待將與下奧省藝術家交響樂團於維也納金色大廳的首次合作，並也將遠赴澳門交響樂團演出。2013 年 5 月受聘為臺北市立交響樂團首席指揮。瓦格曾分別追隨三位風格迥異的指揮大師學習：法蘭柯．費拉拉（Franco Ferrara）、塞吉．傑利畢達克（SergiuCelibidache）與查爾斯．布魯克（Charles Bruck）。在瓦格早年的指揮生涯裡，尤其在成為頗富聲望的交響樂團指揮之前，他主要致力於與室內樂團合作，特別是提伯．瓦格室內樂團。他曾任宮廷交響樂團的首席指揮（1980 年 1985 年）、匈牙利愛樂的首席指揮（1985 年 1990 年），並率領該團與曼紐因合作共同於匈牙利境內作首度的巡迴演出。他也曾任斯圖加特室內樂團常任客席指揮一職（1991 年 1995 年）與瑪爾摩交響樂團的首席客席指揮（1997 年 2000 年）。從 1997 年到 2008年，他則擔任巴斯克國家樂團的音樂總監，率領該團在英國、德國、西班牙與南美洲各地巡迴演出。瓦格的唱片發行有 ASV、Koch Inter national 與 ClavsRecordings 等唱片公司。他最近錄音發行於 2011 年 1 月，由 Naïve Records 出版，安娜．維尼斯卡亞（鋼琴）與柏林德意志交響樂團的拉威爾和普羅科菲夫協奏曲，榮獲了BBC 音樂雜誌五星獎。小提琴：伊利亞．葛林戈斯 Ilya Gringolts過去，我們滿足於演奏家讓人嘆為觀止的炫技；現在，因為見識到葛林戈斯的演奏——他精準地掌握時間點，又極其專注於演奏時的各種決定性因素——我們終於聽到了音樂。—【留聲機】雜誌葛林戈斯以其名家風範與細緻的詮釋方法，擄獲滿堂聽眾的心，而且隨時都在找尋新的音樂挑戰。身為一名廣受邀約的獨奏家，他不只為經典管絃樂曲目奉獻心力，也樂於嘗試當代音樂，以及鮮少被演奏的作品。就當代音樂而論，他曾擔任彼得‧馬克斯韋爾‧戴維斯、奧古斯塔‧里德‧湯馬士、克里斯托夫‧貝特朗與麥可‧夏瑞爾作品的首演。除此之外，他也對具歷史意義的音樂表演很有興趣，最近便與芬蘭巴羅克交響樂團合作，擔任獨奏家兼指揮，以原版本的調性演繹帕格尼尼第一號小提琴獨奏曲。最近，他還受到牛津愛樂管弦樂團的獨奏邀請。葛林戈斯與世界各地許多重要的管弦樂團都合作過，包括皇家利物浦愛樂樂團、BBC交響樂團、柏林德意志交響樂團、聖彼得堡愛樂管弦樂團、洛杉磯愛樂管弦樂團、芝加哥交響樂團、墨爾本交響樂團、NHK 交響樂團、馬勒室內管弦樂團、聖保羅國立交響樂團、以色列愛樂管弦樂團、哈雷管弦樂團，以及西南德廣播公司旗下的兩個樂團。最近重要的合作樂團則包括，班貝格交響樂團、華沙愛樂管弦樂團、BBC蘇格蘭交響樂團、哥本哈根愛樂管弦樂團、伯明罕市立交響樂團，以及新加坡交響樂團。2016/17樂季，他首度與巴伐利亞廣播交響樂團合作，演出李蓋悌的小提琴協奏曲；也與他過去的老師帕爾曼指揮的以色列愛樂管弦樂團一起巡迴演出。葛林戈斯在他於2008年所創立的葛林戈斯四重奏中，擔任第一小提琴手。葛林戈斯四重奏在薩爾茲堡音樂節、琉森音樂節、梅紐因音樂節以及威尼斯鳳凰劇院等地的演出，都極為成功。葛林戈斯也活躍於室內樂演奏，曾與尤里‧巴什梅特、大衛‧卡都赫、伊塔馬爾‧戈蘭、彼得‧洛爾、亞歷山大‧馬札爾、尼古拉斯‧阿爾斯達德、安德烈斯‧奧登薩默、安東‧塔梅斯提、約格‧魏德曼等音樂家合作。他亦定期在瑞士盧森、芬蘭庫赫莫、韋爾比耶、法國柯瑪、羅馬尼亞布加勒斯特等地的音樂節、倫敦威格摩爾演奏廳、威尼斯的音樂晚會，以及聖彼得堡愛樂音樂廳客席演出。葛林戈斯與Deutsche Grammophon、BIS唱片及Hyperion錄製的曲目，受到無數樂評肯定。繼之，葛林戈斯致力於留下羅伯特‧舒曼室內樂作品的錄音，2010至2011年間與Onyx合作完成了三張CD的錄製。2013/14樂季，許多樂評都給予格林斯哥與Orchid Classics合作錄製的24首帕格尼尼無伴奏小提琴隨想曲很高的評價。管弦樂曲方面，2015年與華沙愛樂管弦樂團錄製的米奇斯瓦夫‧魏因貝格小提琴協奏曲極為成功，最近更完成了兩個錄製計畫，分別是與布拉格愛樂管弦樂團合作的德弗乍克小提琴協奏曲，以及與哥本哈根愛樂管弦樂團合作的柯恩哥德及亞當斯的小提琴協奏曲（兩者都是由Orchid Classics發行）。葛林戈斯在聖彼得堡師隨塔提亞娜‧里貝洛娃（Tatiana Liberova）以及潔安娜‧瑪塔莉迪（Jeanna Metallidi）學習小提琴和作曲後，在茱莉亞音樂學院師事伊扎克‧帕爾曼。1998年，他獲得帕格尼尼國際小提琴大賽首獎，是該獎歷年來最年輕的得主。葛林戈斯不僅是蘇黎世藝術學院的小提琴教授，也是位於格拉斯哥的皇家蘇格蘭音樂暨戲劇學院的國際院士。他使用一把私人收藏出借，由製琴名師耶穌‧瓜奈里於1742-43年在克雷莫納製造的小提琴。

絕對匈牙利音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

指揮：吉博．瓦格‬‬‬‬‬‬‬ Gilbert Varga吉博．瓦格，知名匈牙利小提琴家提伯．瓦格（Tibor Varga）之子，指揮獨特且才華洋溢。一上台即充分展露權威的他，每每受到讚賞的就是他擁有一種讓樂團展現出豐富色彩以及豐沛情感的魔力。瓦格以細膩雅緻的指揮技巧聞名於世，常以指揮或客席指揮的身分與世界許多重要樂團合作演出。瓦格經常受邀與北美洲各交響樂團合作如明尼蘇達、納許維爾、聖路易斯等交響樂團。亦於歐洲各大音樂廳演奏的他，足跡遍佈各大交響樂團包括蘇格蘭皇家國家交響樂團、法蘭克福博物館學會、利物浦皇家愛樂管弦樂團等。2015 / 16 樂季中，他很期待將與下奧省藝術家交響樂團於維也納金色大廳的首次合作，並也將遠赴澳門交響樂團演出。2013 年 5 月受聘為臺北市立交響樂團首席指揮。瓦格曾分別追隨三位風格迥異的指揮大師學習：法蘭柯．費拉拉（Franco Ferrara）、塞吉．傑利畢達克（SergiuCelibidache）與查爾斯．布魯克（Charles Bruck）。在瓦格早年的指揮生涯裡，尤其在成為頗富聲望的交響樂團指揮之前，他主要致力於與室內樂團合作，特別是提伯．瓦格室內樂團。他曾任宮廷交響樂團的首席指揮（1980 年 1985 年）、匈牙利愛樂的首席指揮（1985 年 1990 年），並率領該團與曼紐因合作共同於匈牙利境內作首度的巡迴演出。他也曾任斯圖加特室內樂團常任客席指揮一職（1991 年 1995 年）與瑪爾摩交響樂團的首席客席指揮（1997 年 2000 年）。從 1997 年到 2008年，他則擔任巴斯克國家樂團的音樂總監，率領該團在英國、德國、西班牙與南美洲各地巡迴演出。瓦格的唱片發行有 ASV、Koch Inter national 與 ClavsRecordings 等唱片公司。他最近錄音發行於 2011 年 1 月，由 Naïve Records 出版，安娜．維尼斯卡亞（鋼琴）與柏林德意志交響樂團的拉威爾和普羅科菲夫協奏曲，榮獲了BBC 音樂雜誌五星獎。大提琴：奧赫利安．帕斯卡‬‬‬ Aurélien Pascal｢19歲的帕斯卡技巧精湛、極具吸引力的非凡演奏，讓我們對音樂的將來感到樂觀。」─勞倫斯‧維茨，【留聲機】雜誌專欄作家法國大提琴家奧利安‧帕斯卡在19歲大時，就一舉奪得2014年傅爾曼大提琴大賽首獎、觀眾票選獎、以及恩斯特‧托赫大提琴協奏曲最佳演奏的特別獎項。更早在帕斯卡11歲時，他贏得羅斯托波維奇青少年音樂大賽，2011年也在法國土魯斯的納瓦拉國際大提琴大賽上獲獎。2013年帕斯卡於芬蘭赫爾辛基舉辦的保羅國際大提琴大賽奪得二獎，由大提琴家諾拉斯率領的大賽評審團，盛讚在法國新生代演奏家中，帕斯卡的演奏富有罕見能量，在與赫爾辛基愛樂及指揮家斯托加德同台，演出法國作曲家杜提耶《遙遠的世界》一作時，更凸顯了帕斯卡精湛與優雅兼具的音樂天賦。帕斯卡出身於音樂世家，就讀巴黎高等音樂學院期間，師從大提琴家菲利浦‧穆勒，也曾師事大提琴家威斯佩維，更多次在傳奇大提琴巨擘亞諾斯‧史塔克的大師班接受指導。現於德國克倫貝格音樂學院師事大提琴名家海默生。2013年帕斯卡在法國阿爾比「音樂之鄰」室內樂音樂節、橘園音樂節、「音樂相遇」音樂節、法國南特「熱狂之日」、日本「熱狂之日」等多個音樂節登台，2014年再度受邀於法國南特與日本「熱狂之日」音樂節演出，並在法國佛拉摩瑞的「拉威爾之日」音樂節、橘園音樂節、西班牙普拉德斯的卡薩爾斯音樂節，以及富盛名的拉羅克‧昂迪戎國際鋼琴音樂節，登台演出室內樂，而同年夏季於法國廣播公司主辦的蒙佩利爾音樂節中的四場演出更是受到了高度好評。2015年帕斯卡獲得瑞士奧芬基金會青年獨奏家獎助，在瑞士蘇黎世市政廳與俄國指揮大師費多雪夫，及其率領的莫斯科柴科夫斯基交響樂團同台演出，另外也參與了德國波昂貝多芬音樂節、漢堡俄羅斯室內樂音樂節，以及在法國柯爾馬、蘭斯、阿爾比等地的音樂節，更在德國梅克倫堡─波莫瑞音樂節獲得觀眾票選獎項，以及多次與香港小交響樂團及指揮家波彭合作，於日本新方舟音樂廳演出多場協奏曲與獨奏音樂會。帕斯卡在2016年與法國薩瓦省國立管弦樂團、日本廣島交響樂團合作演出聖桑的大提琴協奏曲，並與德國紐倫堡交響樂團及指揮海姆瑞斯合作，演出柴科夫斯基著名的羅可可主題變奏曲。而德弗乍克經典的大提琴協奏曲，帕斯卡不僅與法國蒙地卡羅愛樂管弦樂團同台演出，也成為他與指揮家杜梅及日本關西愛樂管弦樂團，首度造訪大阪與東京的曲目。頻繁的演出行程外，帕斯卡並受邀與指揮家葛里菲斯及慕尼黑室內樂團，共同錄製德國作曲家丹濟的大提琴協奏曲。今年帕斯卡不僅將與德意志薩爾布魯根廣播愛樂管弦樂團合作，演出艾爾加的大提琴協奏曲，並與西班牙巴塞隆納交響樂團、德國法蘭克福布蘭登堡國立管弦樂團、法國薩瓦省國立管弦樂團等樂團合作，更將首度登上頗富盛名的柏林音樂廳舉行獨奏會。而帕斯卡與小提琴名家杜梅、魯塞夫、席瓦、大提琴家德馬凱特等音樂家合作的布拉姆斯弦樂六重奏，以及由指揮家葛里菲斯率領慕尼黑室內樂團，所共同錄製的丹濟大提琴協奏曲錄音也將在今年發行。帕斯卡的演奏用琴，是1850年由法國製琴師查爾斯─阿道夫‧甘德所製造的大提琴。

德意志安魂曲音樂家簡介

Mon, 14 Aug 2017 16:00:00 GMT

鋼琴│基里爾．格斯坦 ‬‬‬Kirill Gerstein

Mon, 17 Jul 2017 16:00:00 GMT

格斯坦的好奇心與多才多藝使他得以探索廣袤的曲目與風格，從巴赫到阿德斯，他的演奏因為獨到的智慧、精湛的技藝，以及清晰的表現力而格外出眾，他曾被這樣描述：「極其自在，無需擔心技術上的困難，他讓鋼琴歌唱，這首我們聽過多次的協奏曲，獲得了新的生命。」─【萊比錫人民報】2016年8月，格斯坦再度受BBC逍遙音樂節之邀，與湯瑪斯．道斯加德指揮的BBC蘇格蘭交響樂團演出柴科夫斯基第一號鋼琴協奏曲（1879年版），【獨立報】評論其演出為：「無瑕的技巧並充滿良好的說服力，出人意表的美感遍佈在整場演出中，很少看到觀眾爆發出如此由衷而發的欣喜。」格斯坦最近完成了與維也納愛樂、柏林愛樂、阿姆斯特丹皇家音樂會堂管弦樂團的首次合作。在2016/17樂季中，他與BBC交響樂團同臺，參與畢契科夫策劃的柴科夫斯基音樂節，演出柴氏的第二與第三號鋼琴協奏曲，並首次與法國國家管弦樂團合作演出，並再次受邀至萊比錫布商大廈管弦樂團、柏林德意志交響樂團、科隆西德廣播交響樂團演出。作為經常與美國各大樂團合作的格斯坦，這個樂季的演出還包括與波士頓交響樂團合作的布梭尼C大調鋼琴協奏曲、與克里夫蘭管弦樂團合作演出荀貝格鋼琴協奏曲、與紐約愛樂合作柴科夫斯基第一號鋼琴協奏曲（1879年版本）。在獨奏會方面，他在維也納音樂廳、漢堡的易北愛樂廳、皇家利物浦愛樂廳，以及布魯塞爾的弗拉耶音樂廳將現身演出。格斯坦的專輯由myrios classics發行。他根據俄羅斯克林的柴科夫斯基博物館發行、柴科夫斯基於1879年親自修訂的最終版總譜，錄製了世界第一張1879年版柴科夫斯基第一號鋼琴協奏曲，於2015年出版。這張專輯獲得ECHO Klassik獎「年度協奏曲錄音」的殊榮。「這就是那種嚴謹、充滿理解、名家技藝的音樂創作，正是這樣的存在，使古典音樂繼續活著。」英國【觀察家報】如是評述。在此之前，他收錄了舒曼、李斯特與奧利佛．克努森作品的首張專輯，被紐約時報選為2010年最佳錄音之一。其也與中提琴家塔貝亞．齊瑪曼合作了兩張專輯，曲目包括雷貝卡．克拉克、維歐當、布拉姆斯、舒伯特與法朗克的中提琴奏鳴曲。格斯坦最新的專輯─李斯特的《超技練習曲》在2016年7月發行，【金融時報】曾這樣評論：「格斯坦的演奏沒有過度的渲染，而是花時間創造詩意與戲劇性，卻又不過於張揚，為眾所熟悉、喜愛的〈鬼火〉像是一個奇蹟，〈狩獵〉則同時兼具了猛然的追逐與收斂，在這些充滿想像的演奏中，為整組樂曲創造了一加一大於二的效果。」格斯坦出生於俄羅斯沃羅涅日，在培養資優兒童的音樂學校學習古典鋼琴，14歲時，他從俄羅斯遷往美國，成為波士頓柏克利音樂學院最年輕的學生，師事Dmitri Bashkirov 與Ferenc Rados，繼續專攻鋼琴。2001年，他獲得第十屆魯賓斯坦鋼琴大賽首獎，2010年榮獲吉爾摩藝術家大獎，使其得以委託提摩．安德烈、亞歷山大．高爾、奧利佛．克努森、甚至爵士音樂家奇克．柯瑞亞、布瑞德．梅爾道等人譜寫新作品。「無瑕的技巧並充滿良好的說服力，出人意表的美感遍佈在整場演出中，很少看到觀眾爆發出如此由衷而發的欣喜。」─【獨立報】，2016「基里爾．格斯坦與柏林愛樂令人振奮的首次合作獲得了滿堂喝采，隨著鐘聲般的序奏，格斯坦手上響起的漸強像魔法一樣，其表現讓自己成為管絃樂團的真正的夥伴……他擁有李斯特般名家的風采與流動性，同時具有室內樂音樂家般的洞察力。」─德國【每日鏡報】，2016「這就是那種嚴謹、充滿理解、名家技藝的音樂創作，正是這樣的存在，使古典音樂繼續活著。」─英國【觀察家報】，2015Kirill Gerstein’s curiosity and versatility has led him to explore a wide range of repertoire and styles. From Bach to Adès, his playing is distinguished by a discerning intelligence, great virtuosity and a clarity of expression. He has been described as “Gloriously free and unfazed by technical difficulties, he made the piano sing… The concerto that we’ve heard so many times before gained new life.” (Leipziger Volkszeitung)In August 2016, Gerstein returned to the BBC Proms in a performance of Tchaikovsky’s First Piano Concerto (1879 version) with the BBC Scottish Symphony Orchestra and Thomas Dausgaard. The Independent wrote of his performance: “Technically flawless and imbued with benign authority, his performance was studded with moments of unexpected beauty; one seldom sees an audience erupt with such spontaneous delight.”Gerstein has recently made his debut with the Vienna Philharmonic, Berlin Philharmonic and Royal Concertgebouw Orchestra. In the 2016/17 season he will appear with the BBC Symphony Orchestra as part of their Tchaikovsky Festival curated by Semyon Bychkov performing the composer’s Second and Third Piano Concertos, make his debut with the Orchestre National de France, and will return to the Gewandhausorchester Leipzig, Deutsches Symphonie-Orchester Berlin, and WDR Sinfonieorchester Köln. A regular guest of all the major orchestras in the USA, this season Gerstein performs Busoni’s Piano Concerto in C with the Boston Symphony, Schonberg’s Piano Concerto with the Cleveland Orchestra and Tchaikovsky’s First Piano Concerto (1879 version) with the New York Philharmonic. In recital he performs at the Vienna Konzerthaus, the new Elbphilharmonie in Hamburg, Royal Liverpool Philharmonic Hall and Flagey in Brussels.Gerstein records for myrios classics. His world premiere recording of Tchaikovsky’s First Piano Concerto in the author’s own final 1879 version published by the Tchaikovsky Museum in Klin, Russia, was released in 2015. The disc won an ECHO Klassik Award for Concerto Recording of the Year. “This is the kind of serious, intelligent and virtuosic music-making that keeps classical music alive.” (Observer). Prior to this, his first solo recording of works by Schumann, Liszt and Oliver Knussen was chosen by the New York Times as one of the best recordings of 2010. He has collaborated with Tabea Zimmerman on two recordings of sonatas for viola and piano by Rebecca Clarke, Henri Vieuxtemps, Brahms, Schubert and Franck. Gerstein’s latest recording of Liszt’s Transcendental Études was released in July 2016 to widespread acclaim: “Gerstein plays them without any sense of being stretched, finds time to create poetry and drama, and is sparing with his big guns. ‘Feux follets’, a familiar favourite, is magical. ‘Wilde Jagd’ is at once a headlong chase and a model of restraint. In these imaginative performances the whole set adds up to more than the sum of its parts.” (Financial Times)Born in Voronezh, Russia, Gerstein studied classical piano at a special music school for gifted children. The youngest student to attend Boston’s Berklee College of Music, Kirill Gerstein was 14 when he moved from Russia to the USA to study the piano. Kirill Gerstein counts Dmitri Bashkirov and Ferenc Rados as his principal teachers. In 2001, he won First Prize at the 10th Arthur Rubinstein Competition, and in 2010, was awarded the prestigious Gilmore Artist Award which allowed him to commission new works from Timothy Andres, Chick Corea, Alexander Goehr, Oliver Knussen and Brad Mehldau.“Technically flawless and imbued with benign authority, his performance was studded with moments of unexpected beauty; one seldom sees an audience erupt with such spontaneous delight.”The Independent, August 2016“Kirill Gerstein… brought the house down with his rapturously acclaimed debut with the Berlin Philharmonic Orchestra. With the massive bell-like introduction, which in Kirill Gerstein’s hands crescendoed like a magical force, he presented himself as a true partner to the orchestra… He has the touch and fluidity of a Liszt virtuoso and at the same time the intuition of a chamber musician.”Der Tagesspiel, April 2016“This is the kind of serious, intelligent and virtuosic music-making that keeps classical music alive. ”Observer, May 2015

指揮│奧科．卡姆‬‬‬‬‬‬‬‬‬‬ Okko Kamu

Mon, 17 Jul 2017 16:00:00 GMT

「在卡姆看似輕鬆的指揮下，蘇格蘭室內管弦樂團撼動人心，就如當（布拉姆斯）這位26歲作曲家所譜的D小調（鋼琴協奏曲）鉅作在1859年首次公演時告訴所有困惑的觀眾，音樂聽起來該如何新異震撼的感受一般，並且閃閃發光，至少從我在亞瑟廳的座位聽起來，就像是特別清澈的柏林愛樂。」─大衛．耐斯，【The Arts Desk】音樂雜誌，2014年11月14日奧科．卡姆，「……一位富有能量與洞察力的指揮」（雷德．班乃特，【古典今日電子報】），以敏銳、自律淬鍊、不慍不火、自然而生的內斂名聲享譽樂壇。他成功地擔任故鄉芬蘭享譽國際的拉赫蒂交響樂團的首席指揮，直到2016年6月。在任期間與該團為BIS唱片錄製西貝流士交響曲全集。過去他曾與卡拉揚分別帶領柏林愛樂共同錄製西貝流士交響曲全集，由DG唱片出版。他繼續擔任新加坡交響樂團的首席客席指揮，過去曾擔任首席指揮的樂團包括芬蘭廣播交響樂團、奧斯陸愛樂管弦樂團、赫爾辛基愛樂管弦樂團以及荷蘭廣播交響樂團、芬蘭國家歌劇院、瑞典皇家歌劇院，在伯明罕市立交響樂團、洛桑室內管弦樂團擔任首席客席指揮。1969年贏得柏林第一屆卡拉揚國際指揮大賽，讓他首次獲得大眾注意，成功使他獲得歐洲與美洲的音樂會邀約，並且與柏林愛樂錄製最早的幾張專輯。奧科．卡姆擔任過許多主要樂團、歌劇院的客席指揮，包括波士頓、芝加哥、舊金山、洛杉磯、柏林愛樂、柏林交響樂團、斯圖加特廣播交響樂團、維也納交響樂團、蘇黎世音樂廳管弦樂團、以色列愛樂、捷克愛樂、俄羅斯愛樂、讀賣日本交響樂團、新加坡交響樂團、大都會歌劇院管弦樂團、日本愛樂、東京愛樂、東京交響樂團等，以及倫敦愛樂、倫敦交響樂團、愛樂管弦樂團、英國皇家愛樂、哈勒管弦樂團（任何指揮能讓非捷克樂團聽起來像捷克樂團是很不容易的事，卡姆就有這樣的能力……5月10日），伯明罕市立交響樂團、皇家利物浦愛樂管弦樂團、蘇格蘭室內管弦樂團、英國的各室內管弦樂團等。合作過的歌劇院則包括紐約大都會歌劇院、柯芬園皇家歌劇院、俄羅斯波修瓦歌劇院、基洛夫歌劇院，以及蘇黎世歌劇院、哥特堡歌劇院。目前他赴世界各地的音樂廳指揮，與其他指揮家不同的是，他堅持在音樂生涯外不忘生活，這種生活態度讓他造訪足以充實他的內在精神的有趣地方，所以他成為瑞典赫爾辛堡交響樂團、丹麥西蘭大交響樂團以及新加坡交響樂團的指揮。奧科．卡姆出生於一個赫爾辛基的音樂世家。父親在赫爾辛基愛樂擔任低音提琴，他在兩歲時開始跟隨他第一位老師，同時也是赫爾辛基愛樂的樂團首席法依納．艾爾雅瓦學習小提琴，之後他前往西貝流士音樂學院與歐尼．舒昂奈學習小提琴，同時也學習鋼琴。隨後，他成為舒昂奈弦樂四重奏團的首席，在20歲時，成為芬蘭國家歌劇交響樂團首席，之後成為該團的駐團指揮。他錄製超過一百張唱片，合作的唱片公司包括芬蘭的Finlandia、Musica Sveciae唱片公司等。其中與那索斯唱片錄製佛朗茲．貝瓦爾德四首交響曲及鋼琴協奏曲專輯雙雙獲得法國古典樂大賞Diapason d'Or金音叉獎。在古典及浪漫樂派時期外，錄製非主流曲目的唱片包括芬蘭作曲家奧利斯．薩利南的《弦樂團音樂全集》、彭德瑞茲基、武滿徹及薩利南的長笛協奏曲。奧科．卡姆從1994年起成為瑞典皇家音樂院院士。“Under Kamu's seemingly effortless command, the SCO thundered into life, giving us a sense of how shockingly new it must have sounded to puzzled audiences when [Brahms] the 26-year-old composer’s D minor giant was first unleashed in 1859, and gleaming, at least from my seat in the Usher Hall, like an especially translucent Berlin Philharmonic.”David Nice – The Arts Desk, 14th November ‘14Okko Kamu, "....a conductor of great energy and insight" (Rad Bennet: Classics Today), enjoys a reputation for spontaneity tempered by sensitivity and disciplined feeling. He ended an incredibly successful period as chief conductor of the world famous Lahti Symphony Orchestra in his native Finland in June '16 having finished recording a complete Sibelius cycle for BIS which followed an earlier one he shared with Herbert von Karajan and the Berlin Philharmoniker for Deutsche Grammophon. He remains Principal Guest Conductor of the Singapore Symphony Orchestra with many previous titles which have included chief conductorships with the Finnish Radio Symphony Orchestra, the Oslo Philharmonic and Helsinki Philharmonic Orchestras as well as the Nederlands Radio Symphony Orchestra alongside positions with the Finnish National Opera, Swedish Royal Opera and as Principal Guest Conductor of the City of Birmingham Symphony Orchestra and the Lausanne Chamber Orchestra. He came to prominence in 1969 by winning the first Karajan International Conducting Competition in Berlin, an achievement which led to engagements in Europe and the USA and the first recordings he made with the Berlin Philharmoniker.Okko Kamu’s guest appearances read as a roll call of major orchestras and opera houses around the world including Boston, Chicago, San Francisco and Los Angeles, the Berlin Philharmonic and Symphonie Orchester Berlin, Stuttgart Radio, Vienna Symphony, Zurich Tonhalle, Israel Philharmonic, Czech Philharmonic, Russian Philharmonic, the Yomiuri, Sapporo, Metropolitan, Japan Philharmonic, Tokyo Philharmonic and Tokyo Symphony orchestras in Japan as well as the LPO, LSO, Philharmonia Orchestra and RPO in London alongside The Hallé Orchestra (“Any conductor that gets a non-Czech orchestra sounding like one is exceptional and Kamu achieved the feat ..... “ May ’10), CBSO and RLPO, Scottish Chamber and English Chamber orchestras in the UK. Amongst the opera houses are New York’s Metropolitan, Royal Opera at Covent Garden, The Bolshoi and Kirov in Russia plus Zürich and Göteborg. Today he conducts in the world’s musical centres, although unusually amongst conductors he also insists on having a life outside music making which has led to him appearing regularly in interesting places which feed his inner spirit and brought him titles with the Helsingborg Symphony Orchestra, Sjaelland Symphony Orchestra and Singapore Symphony Orchestra.Okko Kamu was born into a musical family in Helsinki. His father played double bass in the Helsinki Philharmonic and he began playing the violin at the age of two with his first teacher, Väinö Arjava, who led his father’s orchestra, before he continued lessons with Onni Suhonen at the Sibelius Academy where he also studied the piano. Later he became leader of the Suhonen Quartet and, at the age of 20, concertmaster of Finnish National Opera Orchestra before becoming a staff conductor there. He has recorded more than 100 CDs for labels like Finlandia and Musica Sveciae, amongst others, and his recordings of Berwald’s four symphonies and piano concerto for Naxos have both received the distinguished and rare “Diapason d'Or” award. Recorded repertoire of music outside the mainstream has included Aulis Sallinen’s “Complete Music for String Orchestra” and flute concertos by Penderecki, Takemitsu and Sallinen alongside more central music of the classical and romantic eras.Okko Kamu has been a member of the Swedish Royal Music Academy since 1994.

小提琴│鮑里斯．貝爾金 Boris Belkin

Mon, 17 Jul 2017 16:00:00 GMT

鮑里斯．貝爾金六歲習琴，七歲時在孔德拉辛指揮下首次公開演出；早年就讀莫斯科音樂學院中央音樂學校，師隨殷科以維茲（Yankeievitz）、葛利札羅巴（Maya Glezarova），與安卓夫斯基（Felix Andrievsky）等教授，在學生時期，他便已以獨奏家的身分與蘇聯各國首屈一指的樂團合作，於蘇聯各處巡迴演出，更在1973年贏得蘇聯國家小提琴大賽首獎（Soviet Union’s National Competition for Violinists）。1974年，貝爾金移居西方後活躍於國際樂壇，從此定期與指揮家伯恩斯坦、阿胥肯納吉、祖賓．梅塔、馬捷爾、慕提、小澤征爾、庫爾特．桑德霖、泰密卡諾夫、杜南伊、杜特華、賽門．拉圖、海汀克與柯岡等指揮家合作。貝爾金與許多世界頂尖的樂團合作，包括波士頓交響樂團、克里夫蘭管弦樂團、柏林愛樂、以色列愛樂、洛杉磯愛樂、費城管弦樂團、匹茲堡交響樂團、蒙特婁交響樂團、巴伐利亞廣播交響樂團、阿姆斯特丹皇家音樂會堂管弦樂團以及英國各大樂團。自從貝爾金在1997年獲小提琴大師史坦（Isaac Stern）邀請，於米亞札奇音樂節（Miyazaki Festival）中共同演出後，便時常回到該音樂節演奏。他也與中提琴家巴許密特（Yuri Bashmet）、大提琴家麥斯基（Mischa Maisky）、鋼琴家普魯德馬謝爾（Georges Pludermacher）等獨奏家合作演出室內樂。2011年，貝爾金與泰密卡諾夫（Yuri Temirkanov）以及聖彼得堡愛樂管弦樂團在莫斯科舉行的第一屆羅斯托波維奇音樂節中演出。在2012至2013年間他與泰密卡諾夫所領導的聖彼得堡愛樂管弦樂團於巴黎、莫斯科以及西班牙等地進行數場演出，也與莫斯科愛樂管弦樂團於西班牙與南美洲各地巡迴演奏。貝爾金曾在數部電視作品中參與演奏，包括一部關於西貝流士的電影（貝爾金在電影中與指揮家阿胥肯納吉及瑞典廣播交響樂團演奏了他的協奏曲）、與伯恩斯坦及紐約愛樂合作演出柴科夫斯基的協奏曲、與伯恩斯坦以及法國國家管弦樂團演奏拉威爾的《吉普賽舞曲》以及和荷蘭指揮大師海汀克與阿姆斯特丹皇家音樂會堂管弦樂團演出莫札特以及帕格尼尼的第一號協奏曲。貝爾金廣受各方盛譽的首張錄音，是與祖賓．梅塔以及以色列愛樂合作演出的帕格尼尼第一號協奏曲。他為Decca錄製的其它專輯包括了與指揮家阿胥肯納吉及愛樂管弦樂團合作演出的柴科夫斯基以及西貝流士的協奏曲、與指揮家阿胥肯納吉及柏林廣播樂團合作演出的理查．史特勞斯的協奏曲、與孔德拉辛及巴夏帶領的倫敦愛樂合作的普羅科菲夫第一及第二號協奏曲、及與費雪的倫敦交響樂團共同演出的布拉姆斯協奏曲。他也為Denon錄製了包含與名指揮家麥克爾．史坦及蘇黎世音樂廳管弦樂團合作演奏的兩首普羅科菲夫協奏曲、與日本知名指揮家廣上淳一（Junichi Hirokami）以及皇家愛樂共同演奏的西貝流士、布魯赫、葛拉祖諾夫的協奏曲，以及蕭士塔科維契的第一號協奏曲、與麥克爾．史坦帶領的倫敦愛樂合作的柴科夫斯基協奏曲、與薩爾茲堡獨奏家室內樂團協同演奏的莫札特A大調協奏曲及交響協奏曲，K. 219、還有與法國國寶級鋼琴家米謝．達貝多（Michel Dalberto）共同演奏的布拉姆斯奏鳴曲。自1985年起，貝爾金便於義大利西恩那著名的音樂節（Accademia Chigiana）開設大師班授課。Boris Belkin began studying the violin at the age of six and made his first public appearance when he was seven with the great conductor Kyrill Kondrashin. He studied first at the Central Music School of the Moscow Conservatory with Professors Yankeievitz, Glezarova and Andrievsky, very quickly playing as a soloist all over the Soviet Union with its leading national orchestras whilst he was a student, and in 1973 won first prize in the Soviet Union’s National Competition for Violinists.Boris Belkin played in Moscow at the inaugural 1st Rostropovich Festival in 2011 with Temirkanov and the St Petersburg Philharmonic Orchestra. He emigrated to the west in 1974 and since regularly worked with conductors like Bernstein, Ashkenazy, Mehta, Maazel, Muti, Ozawa, Kurt Sanderling, Temirkanov, Dohnányi, Dutoit, Gelmetti, Herbig, Tennstedt, Rattle, Haitink, Berglund, Mata, Chung, Hirokami, Fedoseyev, Ahronovitch, Welser-Most, Lazalev, Simonov, Gelmetti and Kogan, alongside many others, performing with the world’s leading orchestras including the Boston Symphony, Cleveland, Berlin Philharmonic, Israel Philharmonic, Los Angeles Philharmonic, Philadelphia, Pittsburgh Symphony, Montreal Symphony, Bayerischer Rundfunk, Royal Concertgebouw and the major British Orchestras. Boris Belkin has regularly returned to the Miyazaki Festival since he was first asked by Isaac Stern to perform with him at it in 1997 and he plays chamber music with artists such as Yuri Bashmet, Mischa Maisky, Georges Pludermacher, and many others. Season ‘12/13 includes several concerts in Paris, Moscow and Spain with the St. Petersburg Philharmonic and Yuri Temirkanov, and tours to South America and Spain with the Moscow Philharmonic.Boris Belkin has featured in several television productions which include a film on Jean Sibelius (performing the Concerto with the Swedish Radio Orchestra and Vladimir Ashkenazy), with Leonard Bernstein and the New York Philharmonic playing the Tchaikovsky Concerto, with Bernstein and the Orchestra National de France playing Ravel's Tzigane and with Bernard Haitink and the Royal Concertgebouw Orchestra in Mozart and Paganini’s Concerto No.1.Boris Belkin’s first recording, Paganini’s 1st Violin Concerto, was with the Israel Philharmonic and Zubin Mehta and was extremely highly praised. His other discs for Decca include the Tchaikovsky’s and Sibelius’ Concertos with The Philharmonia and Ashkenazy, Richard Strauss’s Concerto with Berlin Radio and Ashkenazy, Prokofiev’s Concertos No.1 and No.2 with the London Philharmonic under Kondrashin and Barshai and the Brahms’ Concerto with the LSO and Fischer. For Denon he has recorded the Prokofiev’s Concertos with the Zurich Tonhalle and Michael Stern, the concertos by Sibelius, Bruch and Glazunov plus Shostakovich’s 1st Concerto with the Royal Philharmonic and Junichi Hirokami, Tchaikovsky’s Concerto with the London Philharmonic conducted by Michael Stern, Mozart’s Concerto in A major K. 219 and Sinfonia Concertante with the Salzburg Chamber Soloists and Brahms’ Sonatas with Michel Dalberto.Boris Belkin has held master classes in Siena, Italy, at the famed Accademia Chigiana, since 1985.

小提琴│黃俊文 Paul Huang

Mon, 17 Jul 2017 16:00:00 GMT

臺裔美籍的小提琴家黃俊文以強烈的表現力、特別的音色、自在展現的技藝接連獲得了2015年艾維理．費雪事獎，以及2017年林肯中心新銳藝術家獎，首度在林肯中心登臺後，【華盛頓郵報】旋即表示：「黃俊文絕對是一位具備良好條件，擁有遠大演奏生涯的藝術家。」他近期的活動包括了與休士頓交響樂團、太平洋交響樂團、奧馬哈交響樂團、聖芭芭拉室內管弦樂團、路易斯安納愛樂、首爾愛樂的初次合作，以及與底特律交響樂團、阿拉巴馬交響樂團、西班牙畢爾包交響樂團、墨西哥國家交響樂團、臺灣國家交響樂團的再度合作。他也受葛濟夫之邀，於聖彼得堡舉辦的白夜音樂節中參與演出，並再次受棕櫚灘室內樂協會、卡拉莫爾音樂節新星系列之邀演出，同時，他也是卡梅拉塔太平洋室內樂團的首席藝術家。2015年，黃俊文接替宓多里，與史特拉金指揮的底特律交響樂團合作演出西貝流士小提琴協奏曲，備受好評。他亦曾在被臨時通知的情況下與阿拉巴馬交響樂團演出華爾頓的小提琴協奏曲。此外，樂季中的重要演出也包括了在林肯中心與聖路加管弦樂團演出巴伯的小提琴協奏曲，同時也包括其首次在林肯中心「傑出演奏家系列」演出的那場完售的獨奏會。黃俊文近期的獨奏會包括了在林肯中心、甘迺迪中心、喬治亞表演藝術大學、佛羅里達表演藝術大學、史翠斯摩藝術中心、華盛頓的菲利普美術館、水牛城室內樂協會、波士頓伊莎貝拉嘉納藝術博物館、喬登音樂廳、巴黎羅浮宮、首爾藝術中心，以及臺灣的國家音樂廳。他的首張獨奏專輯《熟悉的靈感》彙集了最受喜愛的炫技曲目與浪漫小品，由奇美發行，此外，他錄製了哈比森（John Harbison）為小提琴獨奏而寫的《獨處的四首歌》，與卡梅拉塔太平洋室內樂團演出其它哈比森的作品整彙成輯，由Harmonia Mundi於2014年秋天出版。身為林肯中心室內樂協會CMS Two計劃成員，也作為一位備受讚譽的室內樂音樂家，黃俊文廣受世界各地音樂節邀請演出，足跡曾及東京香奈兒音樂節、加州Music@Menlo室內音樂節、La Jolla藝術節、德國的莫里茨堡音樂節，基辛根之夏音樂節、瑞士汐昂音樂節、韓國的大關嶺國際音樂節。其合作的對象包括了吉爾．夏漢、林昭亮、今井信子、勞倫斯．鮑爾、馬辛．雷薩諾夫、米夏．麥斯基、王健、法蘭斯．海默森、馬克-安卓．漢默林。黃俊文2011年曾獲得美國青年音樂會藝術家國際大賽，於紐約與華盛頓的甘迺迪中心演出備受盛讚的音樂會，其他的獲獎經歷包括2009年瑞士汐昂國際小提琴大賽首獎、同年獲臺灣奇美文化基金會以「碩果與新芽」為主題頒發的奇美藝術獎，2013年獲Salon de Virtuosi獎學金，2014年獲古典錄音基金會的青年藝術家獎。臺灣出生的黃俊文七歲開始習琴，在茱莉亞音樂院師事姜孝（Hyo Kang）與李宜濠，在學期間，曾榮獲茱莉亞音樂院柯夫納獎學金。他目前演奏的小提琴是1742年製耶穌．瓜奈里「維尼奧夫斯基」，由芝加哥斯特拉第瓦利協會的協助下慷慨借用。Recipient of the prestigious 2015 Avery Fisher Career Grant and 2017 Lincoln Center Award for Emerging Artists, Taiwanese-American violinist Paul Huang is already recognized for his intensely expressive music making, distinctive sound, and effortless virtuosity. Following his Kennedy Center debut, The Washington Post proclaimed: “Huang is definitely an artist with the goods for a significant career.” His recent and upcoming engagements include debuts with the Houston, Pacific, Omaha Symphonies, Santa Barbara Chamber Orchestra, Louisiana and Seoul Philharmonics, as well as return engagements with the Detroit, Alabama, Bilbao Symphonies, and National Symphonies of Mexico and Taiwan. He also appears at White Nights Festival in St. Petersburg at the invitation of Valery Gergiev, and returns to the Chamber Music Society of Palm Beach, Caramoor Festival’s Rising Stars series, and Camerata Pacifica as their Principal Artist. In 2015, Mr. Huang stepped in for Midori to appear with the Detroit Symphony Orchestra under the baton of Leonard Slatkin performing the Siblieus’ Concerto to critical acclaim. He also appeared with the Alabama Symphony on short notice to perform the Walton’s Concerto. Other season highlights included his Lincoln Center debut performing the Barber’s Concerto with the Orchestra of St. Luke’s, as well as his sold-out solo recital debut on Lincoln Center's “Great Performers” Series. Mr. Huang's recent recital appearances include performances for Lincoln Center, the Kennedy Center, University of Georgia Performing Arts, University of Florida Performing Arts, the Strathmore Center, the Phillips Collection in Washington D.C., Buffalo Chamber Music Society, Isabella Stewart Gardner Museum, Jordan Hall, the Louvre in Paris, Seoul Arts Center, and National Concert Hall in Taiwan. His first solo CD, Intimate Inspiration, is a collection of favorite virtuoso and romantic encore pieces released on the CHIMEI label. In association with Camerata Pacifica, he recorded Four Songs of Solitude for solo violin on their album of John Harbison works. The album was released on the harmonia mundi label in fall 2014. An acclaimed chamber musician, Mr. Huang appears as a member of the prestigious Chamber Music Society of Lincoln Center’s CMS Two. A frequent guest artist at music festivals worldwide, he has performed at Tokyo's CHANEL Music Festival, Music@Menlo, La Jolla, the Moritzburg Festival and Kissinger Sommer in Germany, the Sion Music Festival in Switzerland, and the Great Mountains Music Festival in Korea. His collaborators have included Gil Shaham, Cho-Liang Lin, Nobuko Imai, Lawrence Power, Maxim Rysanov, Misha Maisky, Jian Wang, Frans Helmerson, and Marc-Andre Hamelin. Winner of the 2011 Young Concert Artists International Auditions, Mr. Huang made critically acclaimed recital debuts in New York and in Washington D.C. at the Kennedy Center. Other honors include First Prize at the 2009 International Violin Competition Sion-Valais in Switzerland, the 2009 Chi-Mei Cultural Foundation Arts Award for Taiwan’s Most Promising Young Artists, the 2013 Salon de Virtuosi Career Grant, and 2014 Classical Recording Foundation Young Artist Award. Born in Taiwan, Mr. Huang began violin lessons at the age of seven. He is a proud recipient of the inaugural Kovner Fellowship at The Juilliard School, where he earned his Bachelor’s and Master’s degrees under Hyo Kang and I-Hao Lee. He plays on the 1742 ex-Wieniawski Guarneri del Gesù on loan through the generous efforts of the Stradivari Society of Chicago.

小提琴│伊利亞．葛林戈斯 Ilya Gringolts

Mon, 17 Jul 2017 16:00:00 GMT

「過去，我們滿足於演奏家讓人嘆為觀止的炫技；現在，因為見識到葛林戈斯的演奏——他精準地掌握時間點，又極其專注於演奏時的各種決定性因素——我們終於聽到了音樂。」—【留聲機】雜誌葛林戈斯以其名家風範與細緻的詮釋方法，擄獲滿堂聽眾的心，而且隨時都在找尋新的音樂挑戰。身為一名廣受邀約的獨奏家，他不只為經典管弦樂曲目奉獻心力，也樂於嘗試當代音樂，以及鮮少被演奏的作品。就當代音樂而論，他曾擔任彼得．馬克斯韋爾．戴維斯、奧古斯塔．里德．湯馬士、克里斯托夫．貝特朗與麥可．夏瑞爾作品的首演。除此之外，他也對具歷史意義的音樂表演很有興趣，最近便與芬蘭巴羅克交響樂團合作，擔任獨奏家兼指揮，以原版本的調性演繹帕格尼尼第一號小提琴獨奏曲。最近，他還受到牛津愛樂管弦樂團的獨奏邀請。葛林戈斯與世界各地許多重要的管弦樂團都合作過，包括皇家利物浦愛樂樂團、BBC交響樂團、柏林德意志交響樂團、聖彼得堡愛樂管弦樂團、洛杉磯愛樂管弦樂團、芝加哥交響樂團、墨爾本交響樂團、NHK 交響樂團、馬勒室內管弦樂團、聖保羅國家交響樂團、以色列愛樂管弦樂團、哈雷管弦樂團，以及西南德廣播公司旗下的兩個樂團。最近重要的合作樂團則包括，班貝格交響樂團、華沙愛樂管弦樂團、BBC蘇格蘭交響樂團、哥本哈根愛樂管弦樂團、伯明罕市立交響樂團，以及新加坡交響樂團。2016/17樂季，他首度與巴伐利亞廣播交響樂團合作，演出李格悌的小提琴協奏曲；也與他過去的老師帕爾曼指揮的以色列愛樂管弦樂團一起巡迴演出。葛林戈斯在他於2008年所創立的葛林戈斯四重奏中，擔任第一小提琴手。葛林戈斯四重奏在薩爾茲堡音樂節、琉森音樂節、梅紐因音樂節以及威尼斯鳳凰劇院等地的演出，都極為成功。葛林戈斯也活躍於室內樂演奏，曾與尤里．巴什梅特、大衛．卡都赫、伊塔馬爾．戈蘭、彼得．洛爾、亞歷山大．馬札爾、尼古拉斯．阿爾斯達德、安德烈斯．奧登薩默、安東．塔梅斯提、約格．魏德曼等音樂家合作。他亦定期在瑞士盧森、芬蘭庫赫莫、韋爾比耶、法國柯瑪、羅馬尼亞布加勒斯特等地的音樂節、倫敦威格摩爾演奏廳、威尼斯的音樂晚會，以及聖彼得堡愛樂音樂廳客席演出。葛林戈斯與德意志留聲機、BIS唱片及Hyperion錄製的曲目，受到無數樂評肯定。繼之，葛林戈斯致力於留下羅伯特．舒曼室內樂作品的錄音，2010至2011年間與Onyx合作完成了三張CD的錄製。2013/14樂季，許多樂評都給予格林斯哥與Orchid Classics合作錄製的二十四首帕格尼尼無伴奏小提琴隨想曲很高的評價。管弦樂曲方面，2015年與華沙愛樂管弦樂團錄製的米奇斯瓦夫．魏因貝格小提琴協奏曲極為成功，最近更完成了兩個錄製計畫，分別是與布拉格愛樂管弦樂團合作的德弗乍克小提琴協奏曲，以及與哥本哈根愛樂管弦樂團合作的柯恩哥德及亞當斯的小提琴協奏曲（兩者都是由Orchid Classics發行）。葛林戈斯在聖彼得堡師隨塔提亞娜．里貝洛娃（Tatiana Liberova）以及潔安娜‧瑪塔莉迪（Jeanna Metallidi）學習小提琴和作曲後，在茱莉亞音樂學院師事伊扎克‧帕爾曼。1998年，他獲得帕格尼尼國際小提琴大賽首獎，是該獎歷年來最年輕的得主。葛林戈斯不僅是蘇黎世藝術學院的小提琴教授，也是位於格拉斯哥的皇家蘇格蘭音樂暨戲劇學院的國際院士。他使用一把私人收藏出借，由製琴名師耶穌‧瓜奈里於1742至43年在克雷莫納製造的小提琴。Where we were once content simply to marvel at the pyrotechnics, now, because of Gringolts’ acute sense of timing and close attention to dynamics, we hear the music. (Gramophone)The Russian violinist Ilya Gringolts wins over audiences with his extremely virtuosic playing and sensitive interpretations, and is always looking for new musical challenges. As a sought-after soloist, he devotes himself to the great orchestral repertoire but also to contemporary and seldom-played works. He has premiered compositions by Peter Maxwell Davies, Augusta Read Thomas, Christophe Bertrand and Michael Jarrell. In addition, he is interested in historical performance practice: most recently he could be seen in a play-conduct role performing Paganini’s Violin Concerto No. 1 in its original key with the Finnish Baroque Orchestra, and was invited as soloist with the Oxford Philharmonia.Ilya Gringolts has performed with leading orchestras around the world such as the Royal Liverpool Philharmonic, BBC Symphony, Deutsches Symphonie-Orchester Berlin, St. Petersburg Philharmonic, Los Angeles Philharmonic, Chicago Symphony, Melbourne Symphony, NHK Symphony, Mahler Chamber Orchestra, Sao Paulo State Symphony, Israel Philharmonic, Hallé Orchestra and both orchestras of Southwest German Radio. Recent highlights included projects with the Bamberg Symphony, Warsaw Philharmonic, BBC Scottish Symphony, Copenhagen Philharmonic, City of Birmingham Symphony Orchestra and Singapore Symphony. In 2016/17, highlights include his debut with the Bavarian Radio Symphony with Ligeti’s Violin Concerto and a tour with the Israel Philharmonic Orchestra under the baton of his former teacher Itzhak Perlman. He is also the first violinist of the Gringolts Quartet, which he founded in 2008 and which enjoys great success with performances at the Salzburg Festival, Lucerne Festival, Menuhin Festival Gstaad and Teatro La Fenice in Venice, among others. As a keen chamber musician, Ilya Gringolts collaborates with artists such as Yuri Bashmet, David Kadouch, Itamar Golan, Peter Laul, Aleksandar Madzar, Nicolas Altstaedt, Andreas Ottensamer, Antoine Tamestit and Jörg Widmann, and is a regular guest at the festivals in Lucerne, Kuhmo, Verbier, Colmar and Bucharest (Enescu Festival), as well as at Wigmore Hall, the Serate Musicali in Milan and St. Petersburg Philharmonia.Following numerous critically praised recordings on the Deutsche Grammophon, BIS and Hyperion labels, Ilya Gringolts devoted himself to the chamber music of Robert Schumann from 2010 to 2011, releasing three CDs on Onyx. In 2013/14 his recording of Paganini’s 24 Caprices for solo violin on Orchid Classics received many outstanding reviews, and in the orchestral realm, following his highly successful recording of Mieczysław Weinberg’s Violin Concerto with the Warsaw Philharmonic Orchestra in 2015, most recently two new recordings have been released: Dvorak’s violin concerto with Prague Philharmonia for Deutsche Grammophon, and the concertos by Korngold and Adams with Copenhagen Philharmonic (Orchid Classics). After studying violin and composition in St. Petersburg with Tatiana Liberova and Jeanna Metallidi, he attended the Juilliard School of Music where he studied with Itzhak Perlman. In 1998 he won the International Violin Competition Premio Paganini, as the youngest first prize winner in the history of the competition.As well as his position as violin professor at the Zurich Academy of the Arts, he is also a Violin International Fellow at the Royal Scottish Academy of Music and Drama in Glasgow. Ilya Gringolts plays a Giuseppe Guarneri "del Gesù" violin, Cremona 1742-43, on loan from a private collection.

大提琴│奧赫利安．帕斯卡‬‬‬ Aurélien Pascal

Mon, 17 Jul 2017 16:00:00 GMT

｢19歲的帕斯卡技巧精湛、極具吸引力的非凡演奏，讓我們對音樂的將來感到樂觀。」─勞倫斯．維茨，【留聲機】雜誌專欄作家法國大提琴家奧赫利安‧帕斯卡在十九歲時，就一舉奪得2014年傅爾曼大提琴大賽首獎、觀眾票選獎、以及恩斯特．托赫大提琴協奏曲最佳演奏的特別獎項。更早在帕斯卡十一歲時，他贏得羅斯托波維奇青少年音樂大賽，2011年也在法國土魯斯的納瓦拉國際大提琴大賽上獲獎。2013年帕斯卡於芬蘭赫爾辛基舉辦的保羅國際大提琴大賽奪得二獎，由大提琴家諾拉斯率領的大賽評審團，盛讚在法國新生代演奏家中，帕斯卡的演奏富有罕見能量，在與赫爾辛基愛樂及指揮家斯托加德同台，演出法國作曲家杜替耶《遙遠的世界》一作時，更凸顯了帕斯卡精湛與優雅兼具的音樂天賦。帕斯卡出身於音樂世家，就讀巴黎高等音樂學院期間，師從大提琴家菲利浦．穆勒，也曾師事大提琴家威斯佩維，更多次在傳奇大提琴巨擘亞諾斯．史塔克的大師班接受指導。現於德國克倫貝格音樂學院師事大提琴名家海默生。2013年帕斯卡在法國阿爾比「音樂之鄰」室內樂音樂節、橘園音樂節、「音樂相遇」音樂節、法國南特「熱狂之日」、日本「熱狂之日」等多個音樂節登台，2014年再度受邀於法國南特與日本「熱狂之日」音樂節演出，並在法國佛拉摩瑞的「拉威爾之日」音樂節、橘園音樂節、西班牙普拉德斯的卡薩爾斯音樂節，以及富盛名的拉羅克．昂迪戎國際鋼琴音樂節，登台演出室內樂，而同年夏季於法國廣播公司主辦的蒙佩利爾音樂節中的四場演出更是受到了高度好評。2015年帕斯卡獲得瑞士奧芬基金會青年獨奏家獎助，在瑞士蘇黎世市政廳與俄國指揮大師費多雪夫，及其率領的莫斯科柴科夫斯基交響樂團同台演出，另外也參與了德國波昂貝多芬音樂節、漢堡俄羅斯室內樂音樂節，以及在法國柯爾馬、蘭斯、阿爾比等地的音樂節，更在德國梅克倫堡─波莫瑞音樂節獲得觀眾票選獎項，以及多次與香港小交響樂團及指揮家波彭合作，於日本新方舟音樂廳演出多場協奏曲與獨奏音樂會。帕斯卡在2016年與法國薩瓦省國立管弦樂團、日本廣島交響樂團合作演出聖桑的大提琴協奏曲，並與德國紐倫堡交響樂團及指揮海姆瑞斯合作，演出柴科夫斯基著名的洛可可主題變奏曲。而德弗乍克經典的大提琴協奏曲，帕斯卡不僅與法國蒙地卡羅愛樂管弦樂團同台演出，也成為他與指揮家杜梅及日本關西愛樂管弦樂團，首度造訪大阪與東京的曲目。頻繁的演出行程外，帕斯卡並受邀與指揮家葛里菲斯及慕尼黑室內樂團，共同錄製德國作曲家丹濟的大提琴協奏曲。今年帕斯卡不僅將與德意志薩爾布魯根廣播愛樂管弦樂團合作，演出艾爾加的大提琴協奏曲，並與西班牙巴塞隆納交響樂團、德國法蘭克福布蘭登堡國立管弦樂團、法國薩瓦省國立管弦樂團等樂團合作，更將首度登上頗富盛名的柏林音樂廳舉行獨奏會。而帕斯卡與小提琴名家杜梅、魯塞夫、席瓦、大提琴家德馬凱特等音樂家合作的布拉姆斯弦樂六重奏，以及由指揮家葛里菲斯率領慕尼黑室內樂團，所共同錄製的丹濟大提琴協奏曲錄音也將在今年發行。帕斯卡的演奏用琴，是1850年由法國製琴師查爾斯─阿道夫．甘德所製造的大提琴。“In an extraordinary display of dazzling virtuosity and riveting music making, 19-year Aurélien Pascal confirmed that the future of music is in good hands.” –Laurence VittesAt only 19 years old, French cellist Aurélien Pascal was awarded the Grand Prix, Audience Prize and Special Prize for the best performance of a concerto by Ernst Toch at the 2014 Emanuel Feuermann Competition under the patronage of Daniel Barenboim. Prior to that in 2013, he was 2nd Prize-winner at the International Paulo Cello Competition in Helsinki, the prestigious jury led by Arto Noras praised the emergence of a new French talent gifted with both rare power and superb elegance. These qualities were highlighted in his interpretation of Dutilleux ‘Tout un monde lointain’ during the final performed with the Helsinki Philharmonic Orchestra conducted by John Storgårds. Already, at the age of 11, Aurélien was named winner of the 1st Rostropovitch Junior Competition and in 2011 was awarded the Guy Bonnemain Prize for the best new talent at the International André Navarra Competition in Toulouse. Born into a family of musicians, Aurélien Pascal studied at the CNSMDP with Philippe Müller and attended master classes given by the legendary János Starker in Paris, Basel and Bloomington, as well as studying with Frans Helmerson at the Prades Festival Academy and with Peter Wispelwey in Beauvais. He is currently a student of Frans Helmerson at the Kronberg Academy in Germany.In 2013, Aurélien performed at the 7th edition of the Tons Voisins Festival in Albi, at the Orangerie de Sceaux Festival as well as at the Rencontres Musicales de Calenzana and La Folle Journée de Nantes, after which he was immediately invited to give five concerts in several cities for La Folle Journée au Japon. In 2014, Aurélien was invited to La Folle Journée in Japan (5 concerts) after his success in La Folle Journée de Nantes. Summer 2014 saw him give four highly acclaimed concerts at the Festival de Radio – France in Montpellier before he performs chamber music at La Roque d’Anthéron International Piano Festival, at Les Journées Ravel in Montfort L’Amaury, again at the Orangerie de Sceaux Festival and at the Casals Festival in Prades. In 2015, Aurélien Pascal was accepted into the Sponsorship Programme of the Orpheum Foundation for the Advancement of Young Soloists. This featured a performance in the Zurich Tonhalle together with the Moscow Tchaikovsky Symphony Orchestra and Vladimir Fedoseyev, following this, and invitation to record the Danzi concerto with Howard Griffiths and the Munich Chamber Orchestra in May 2016. The same year saw his debut in Tokyo in May then in Osaka where he performed the Dvořák Concerto with the Kansai Philharmonic Orchestra under Augustin Dumay. Summer 2015 saw Aurélien perform at the Beethoven Festival in Bonn, Russian Chamber Music Festival in Hamburg, Festspiele Mecklenburg-Vorpommern, where he was awarded the “Prix du public” and was re-invited, as well as many festivals in France such as those in Colmar, Reims, Prades, Albi. He has recently given concerts with the Hong Kong Sinfonietta and Christoph Poppen and a recital and concerto performance in the Ark Nova mobile concert hall, Japan.At the beginning of 2016, Aurélien performed a series of concerts with the Orchestre national des Pays de la Loire and Pascal Rophé, the Hiroshima Symphony and Clemens Schuldt (Saint-Saens). He went on to play with the Monte Carlo Philharmonic Orchestra (Dvořák), Nuremberg Symphony and Michael Helmrath (Rococo Variations). In early 2017 will give performances of the Elgar’s Concerto with the Deutsche Radio Philharmonie Saarbrucken, the Barcelona Symphony Orchestra, Brandenburg Staatsorchester Frankfurt and l’Orchestre des Pays de Savoie. Aurélien will also give his debut recital at the prestigious Berlin Konzerthaus.Aurélien’s first recording of the Brahms Sextet with Augustin Dumay, Henri Demarquette, Miguel da Silva, Svetlin Roussev was followed by his CD of the Danzi Cello Concerto with Howard Griffiths and the Munich Chamber Orchestra to be released in 2017.Aurélien Pascal plays a French cello made in 1850 by Charles-Adolphe Gand.

女高音│西沃恩．斯塔格 ‬Siobhan Stagg

Mon, 17 Jul 2017 16:00:00 GMT

澳大利亞籍女高音斯塔格剛展開演唱生涯就擁有耀眼的國際聲譽，她曾贏得重要的國際聲樂比賽，被知名女高音克里斯塔‧露德薇希譽為「我聽過最美的聲音之一。」她於2015年1月與提勒曼指揮柏林愛樂合作的三場布拉姆斯《安魂曲》音樂會及世界播出的錄影擄獲無數觀眾的心。近年重要的演出包括：於倫敦的皇家歌劇院演出羅西《奧菲斯》，與肯特‧長野合作伯恩斯坦《一個安靜的地方》，於日內瓦大劇院演出《費黛里歐》與《阿爾辛娜》，於漢堡國立歌劇院演出《李爾王》與《後宮的誘逃》，於柏林德意志歌劇院演出《後宮的誘逃》、《玫瑰騎士》、《弄臣》與《魔笛》。斯塔格曾赴德國各地、倫敦、阿姆斯特丹、華沙、第戎與巴黎等地演出，並於澳洲巡演。Australian soprano Siobhan Stagg is a young artist at the beginning of an exciting international career. She has won prizes at major vocal competitions. Even the great Christa Ludwig has described her voice as “one of the most beautiful I have ever heard.”In January 2015, Siobhan won the hearts of many when she stepped in at short notice for three concerts and a worldwide video broadcast of Brahms' Requiem with Christian Thielemann and the Berliner Philharmoniker. She recently made important debuts in Rossi’s Orpheus at the Royal Opera House in London, with Kent Nagano in Bernstein’s A Quiet Place, and in Fidelio and Alcina at the Grand Théâtre de Genève.She performed in Die Entführung aus dem Serail and Reimann’s Lear at the Hamburg State Opera, in Die Entführung aus dem Serail, Der Rosenkavalier, Rigoletto, and Die Zauberflöte at Deutsche Oper Berlin.

男中音│克雷希米爾．斯特拉什那 Krešimir Stražanac

Mon, 17 Jul 2017 16:00:00 GMT

克羅埃西亞低男中音史特拉札納茨畢業自斯圖加特國立音樂與表演大學，師事Dunja Vejzović及Cornelis Witthoefft。曾贏得包括拜魯特的國際柔聲曲調大賽等多項比賽。他曾演出歌劇艾特沃許《三姊妹》、《杜蘭朵》、《納克索斯島上的阿麗雅德妮》、《費黛里歐》、《安德烈．謝尼耶》及許威默《金銀島》（世界首演），神劇及音樂會曲目則涵蓋了早期巴洛克至現代的作品，並經常舉行獨唱會。他在2017-2018樂季將與法蘭德斯皇家愛樂、德國聲之控樂團、阿姆斯特丹皇家大會堂管弦、萊比錫布商大廈管弦、波爾多音樂廳交響及與奧斯陸愛樂合作。他曾錄製《卡門》、《費黛里歐》、《紐倫堡的名歌手》、《約翰受難曲》、《詩篇》及《馬太受難曲》等CD／DVD。Croatian bass-baritone, Krešimir Stražanac studied voice with Dunja Vejzović and art song interpretation with Cornelis Witthoefft at the State University of Music and Performing Arts in Stuttgart. He is the winner of several prestigious vocal competitions, including the International Cantilena Competition in Bayreuth (Opera/Operetta Division).Mr. Stražanac appeared in Péter Eötvös’s Three Sisters, Turandot, Ariadne auf Naxos, Fidelio, Andrea Chénier, and the world premiere of Frank Schwemmer’s Die Schatzinsel. In addition he has an extensive oratorio and concert repertoire, containing works spanning early Baroque to contemporary music. He frequently performs vocal recitals (art songs and operatic arias).Mr. Stražanac will collaborate with the Royal Philharmonic Orchestra of Flanders, Orchestre of Klangverwaltung, Royal Concertgebouw Orchestra, Gewandhaus Orchestra, Orquestra Sinfónica do Porto Casa da Música, and the Oslo Philharmonic in the 2017-2018 season.On CD/DVD Mr. Stražanac is featured in recordings of Carmen, Fidelio. Die Meistersinger von Nürnberg, St. John Passion, Psalms, and St. Matthew Passion.

國立實驗合唱團 Taiwan National Choir

Mon, 17 Jul 2017 16:00:00 GMT

女高音/安琪拉‧蓋兒基爾 Angela Gheorghiu

Mon, 20 Mar 2017 16:00:00 GMT

超級巨星安琪拉‧蓋兒基爾，當代最迷人、最具天賦的歌劇演唱家，出生於羅馬尼亞小鎮阿德茹德。她自幼兒時期便已注定要成為歌者，她的天命在音樂。她就讀布加勒斯特的音樂學校，後畢業於布加勒斯特國立音樂大學，師承卓越的音樂教育家米亞‧巴布。蓋兒基爾女士華美的聲音與耀眼的舞台風采，使她成為獨一無二的國際歌劇超級巨星。安琪拉‧蓋兒基爾在國際上的初次登台，是1992年於倫敦皇家歌劇院柯芬園的《波希米亞人》。同一年她也登上了紐約大都會歌劇院和維也納國立歌劇院的舞台。1994年，她在皇家歌劇院柯芬園首次飾唱她備受讚譽的《茶花女》，英國廣播公司（BBC）為轉播這場歌劇演出，排開了原定節目。有次排練時，指揮喬治‧蕭提爵士說：「我哭了。我必須離開一下。這女孩太完美了。她甚麼都辦得到。」這場演出亦由迪卡唱片公司錄影和錄音。報紙和雜誌宣告「一個明星誕生了」。自此，蓋兒基爾女士不斷收到來自世界各地歌劇院和音樂廳的邀約：紐約、倫敦、巴黎、薩爾茲堡、柏林、東京、羅馬、首爾、威尼斯、雅典、蒙地卡羅、芝加哥、費城（和費城管絃樂團）、聖保羅、洛杉磯、里斯本、瓦倫西亞、巴勒摩、巴勒貝克、阿姆斯特丹、吉隆坡、蘇黎世、維也納、薩爾茲堡、馬德里、巴塞隆納、瓦倫西亞、布拉格、蒙特婁、莫斯科、台北、聖胡安、盧比安納。1995年她和迪卡唱片公司簽下第一張個人唱片合約，並和迪卡合作錄下數張專輯，包括DVD：和皇家歌劇院柯芬園管絃樂團的《茶花女》、和里昂歌劇院管絃樂團的《愛情靈藥》、和米蘭斯卡拉大劇院管絃樂團的《波希米亞人》；以及CD：和杜林皇家劇院管絃樂團的《歌劇詠唱調集》、和米蘭威爾第交響樂團的《威爾第之女英雄名曲》、和倫敦愛樂樂團的《我的世界》和《神秘》。1998年她和EMI古典唱片公司簽下另一個人唱片合約。她和羅伯托‧阿藍尼亞及皇家歌劇院柯芬園管絃樂團錄製二重唱與詠唱調的專輯，和倫敦交響樂團錄下浦契尼很少被錄製的歌劇《燕子》，和國立土魯斯市政廳管絃樂團錄下古諾的《羅密歐與茱麗葉》，和羅伯托‧阿藍尼亞錄製第二張二重唱專輯《威爾第歌劇二重唱》時，是和指揮家阿巴多與柏林愛樂樂團合作。其他在EMI錄製的專輯包括：浦契尼《三聯劇》中的《強尼‧史基基》、和倫敦交響樂團的馬斯奈《維特》、和布魯塞爾鑄幣局交響樂團的馬斯奈《瑪儂》、和倫敦交響樂團的威爾第《遊唱詩人》、和國立土魯斯市政廳管絃樂團的比才《卡門》、荷蘭女王碧翠克絲登基廿五週年紀念音樂會（2005年四月，CD和DVD）以及米蘭斯卡拉大劇院獨唱會現場。在獨唱會《聖潔的女神》之後，是和德勒斯登國立樂團合作的《夏夜古典》音樂會現場錄音、和柏林愛樂樂團合作的威爾第《安魂曲》、以及2001年在皇家歌劇院的獨唱會，全都同步發行CD和DVD。2008年浦契尼歌劇詠唱調的獨唱會現場錄音，再次證明了蓋兒基爾女士深刻的音樂才能。安琪拉‧蓋兒基爾最近發行的專輯包括馬斯卡尼《友人弗利茲》和喬大諾《費朵拉》的全本歌劇錄音（兩者皆由德意志留聲機公司（DG）發行）。大都會歌劇院《燕子》的現場演出（2009）以及皇家歌劇院的《浮士德》（2004）均在2011年由EMI古典唱片公司發行DVD。《阿德萊雅娜‧勒庫烏勒》（2010年錄製的皇家歌劇院製作）於2012年發行DVD。2011年十一月，安琪拉‧蓋兒基爾發行了《向卡拉絲致敬》，一套受到瑪莉亞‧卡拉絲的事業和錄音所啟發，出自法語和義語劇目的著名歌劇詠唱調選集。馬可‧亞米利亞托指揮皇家愛樂樂團。2015年三月，華納古典唱片公司發行了8片CD加1片DVD的套裝精選輯《親筆簽名》，以慶祝職業生涯廿五週年。她的所有CD均獲廣泛好評，且奪得許多獎項，如留聲機雜誌獎、金音叉唱片獎、法國世界音樂獎、比利時聖則濟利亞獎、德意志唱片評論獎、回聲唱片獎、義大利音樂與唱片的外語抒情製作獎、美國評論人獎等等。蓋兒基爾女士於2001和2010年兩度榮獲全英音樂獎「年度女性藝術家」頭銜。1999年她極為成功地參與了慕尼黑的「麥可‧傑克森與朋友們」慈善音樂會。蓋兒基爾女士為皇家歌劇院柯芬園（1999年十二月）及威尼斯馬利布蘭劇院（2001年五月廿三日）重新開幕的演出獻唱，也參與了西班牙王后蘇菲亞出席的巴倫西亞新歌劇院的開幕演出（2005年十月）。她也為2002年六月一日的英國女王伊麗莎白二世登基五十週年古典逍遙音樂會的歷史盛會獻唱，該場音樂會亦有DVD發行。她也曾在其他場合為威爾斯親王查爾斯獻唱。2003年她受邀參與諾貝爾和平獎音樂會。2000年十二月，蓋兒基爾女士在班諾‧賈克執導的《托斯卡》電影版中飾唱同名主角。電影在世界各地的戲院上映，且獲得大眾和評論者一致盛讚：「她是所有托斯卡中最感性的一位……安琪拉‧蓋兒基爾的激情與美，造就完美的托斯卡，簡直像是結合了卡拉絲和泰巴爾迪之詮釋當中最好的部分。」（美國《歌劇新聞》雜誌）。安琪拉‧蓋兒基爾出席了該電影2001年於威尼斯電影節的首映。蓋兒基爾女士也在《羅密歐與茱麗葉》電影版中詮釋茱麗葉，該電影的DVD由線上古典發行。過去十年重要的演出經歷包括在皇家歌劇院受高度讚賞的《燕子》和《丑角》、奧朗日歌劇節和薩爾茲堡藝術節的《羅密歐與茱麗葉》、紐約大都會歌劇院、皇家歌劇院和蒙地卡羅歌劇院的《浮士德》、皇家歌劇院的《西蒙‧波卡涅拉》。還有在薩爾茲堡（薩爾茲堡藝術節）和維也納（黃金廳）的獨唱會，以及許多重要的音樂會如阿姆斯特丹（荷蘭女王碧翠克絲登基廿五週年紀念）、紐約（和紐約愛樂樂團的跨年音樂會）、費城（和費城管絃樂團），洛杉磯、溫哥華與多倫多（2011年四月），首爾、上海、瓦拉多利德（2011年五月），在倫敦O2體育館和普拉西多‧多明哥合作（2011年七月），2011年十二月杜哈卡塔拉圓形劇場開幕的音樂會（演出范吉利斯特地為此場合創作的作品），在阿曼的音樂會（2012年四月）並在布宜諾斯艾利斯哥倫布劇院的慶典音樂會和羅伯托‧阿藍尼亞合作（2012年四月）。這所有的演出都獲得絕佳的評價。2006年一月，她在紐約大都會歌劇院的《茶花女》大獲成功。三個月後，四月，她以一場獨唱會初次登上米蘭斯卡拉大劇院的舞台，五月她為坎城影展揭開序幕。2006年六月，她在倫敦皇家歌劇院為她量身打造的《托斯卡》新製作裡初次登台飾唱托斯卡。接著她回到維也納國立歌劇院參與《波希米亞人》的演出（2006年十一月）然後是大都會歌劇院的《西蒙‧波卡涅拉》以及《茶花女》的慶典演出（2007年三月）。2007年安琪拉‧蓋兒基爾於羅馬和米蘭再度參與《茶花女》的演出。她也在巴黎（普蕾亞音樂廳和加尼葉歌劇院）和洛杉磯舉辦了多場備受讚賞的音樂會。2007年九月，她在弗拉迪米爾‧柯斯瑪的歌劇《馬里斯和芳妮》於馬賽歌劇院的世界首演，擔綱飾唱女主角。接著她在舊金山參與《燕子》一系列極受讚譽的演出。蓋兒基爾女士在紐約大都會飾唱《波希米亞人》時，演出透過戲院傳送到超過一百五十萬名觀眾眼前。其他透過戲院轉播的演出包括米蘭和羅馬的《茶花女》及舊金山和紐約的《燕子》。皇家歌劇院的2011/12新影院季透過世界各地數百間戲院轉播，開季的三個製作均由安琪拉‧蓋兒基爾擔任女主角：《浮士德》，現場直播（2011年九月）、《阿德萊雅娜‧勒庫烏勒》（2011年十月）和《托斯卡》（2011年十一月）。2010年她初次登台演唱齊雷亞的《阿德萊雅娜‧勒庫烏勒》，皇家歌劇院柯芬園的新製作，演出備受讚賞。《觀察家報》讚道：「很難想像還有誰能在這部分表現得比安琪拉‧蓋兒基爾更好。她的聲音，輕如毛、稠似脂卻又有堅強的核心，正與她舞台上流暢的動作相稱。她是個天生的演員，不甚合理的死亡場景在她的詮釋下令人心碎地可信服，她的標誌詠唱調〈可憐的花〉簡直令人難以忘懷。」2011年七月她在安東尼歐‧帕帕諾帶領的全明星卡司《托斯卡》製作裡飾唱同名主角。2011年九月她回到倫敦參與《浮士德》的重新上演，該製作透過戲院現場直播。2012年六月，安琪拉‧蓋兒基爾慶祝她在倫敦皇家歌劇院初次登台飾唱《波希米亞人》滿廿週年。2014年，蓋兒基爾女士在維也納演出《阿德萊雅娜‧勒庫烏勒》、《托斯卡》和《波希米亞人》，也參與阿姆斯特丹、倫敦、布拉格、慕尼黑、漢堡和維也納（維也納音樂廳）等地的音樂會，並在巴塞隆納（利塞奧大劇院）和米蘭（斯卡拉大劇院）舉辦獨唱會。2015年三月，她在弗瑞德立克‧查斯林指揮棒下，於維也納國立劇院初次登台飾唱《維特》。蓋兒基爾女士獲贈「巴黎市朱紅勳章」，並獲法國文化部和她的祖國羅馬尼亞頒發「藝術與文學軍官勳位」和「藝術與文學騎士勳位」。2010年十二月，她獲得羅馬尼亞雅西的藝術大學頒贈「榮譽博士」榮銜，並由羅馬尼亞總統授予「羅馬尼亞之星」最高級勳章。2012年十月，獲米哈伊一世國王陛下授予「無天主無存有」王室勳章，以表彰她將羅馬尼亞文化價值發揚至世界各地的功績。2014年十月，安琪拉‧蓋兒基爾獲羅馬尼亞克盧日納波卡的蓋兒基‧迪馬音樂學院頒贈「榮譽博士」榮銜。未來的合約包括歐洲（韋比爾、都柏林、維也納、倫敦）和美國（洛杉磯和印第安納）的各式音樂會，首次澳洲巡演，在墨爾本和雪梨的音樂會，以及薩爾茲堡（《維特》）、紐約、維也納和倫敦（《托斯卡》）等地的歌劇演出。Angela Gheorghiu SopranoSuperstar Angela Gheorghiu, the most glamorous and gifted opera singer of our time, was born in the small Romanian town Adjud. From early childhood it was obvious that she will become a singer, her destiny was the music. She attended the Music School in Bucharest and graduated the National University of Music Bucharest, where she studied with the remarkable music teacher Mia Barbu. Ms. Gheorghiu’s magnificent voice and dazzling stage presence have established her as a unique international opera superstar.Angela Gheorghiu made her international debut in 1992 at Royal Opera House Covent Garden with La Bohème. In the same year she made her debut at the Metropolitan Opera New York and at the Vienna State Opera. It was in the Royal Opera House Covent Garden that she first sang her much acclaimed La Traviata in 1994, when the BBC cleared out its schedules to broadcast the opera. At one rehearsal the conductor Sir Georg Solti said: “I was in tears. I had to go out. The girl is wonderful. She can do everything.” The performance was also filmed and recorded by Decca. Newspapers and magazines noticed that “A star is born”. Since then Ms Gheorghiu has been in constant demand in opera houses and concert halls around the world: New York, London, Paris, Salzburg, Berlin, Tokyo, Rome, Seoul, Venice, Athens, Monte Carlo, Chicago, Philadelphia (with Philadelphia Orchestra), Sao Paolo, Los Angeles, Lisbon, Valencia, Palermo, Balbeck, Amsterdam, Kuala Lumpur, Zürich, Vienna, Salzburg, Madrid, Barcelona, Valencia, Prague, Montreal, Moscow, Taipei, San Juan, Ljubljana.Her first exclusive recording contract was signed in 1995 with Decca for whom she made several recordings: on DVD: La Traviata with the Orchestra of the Royal Opera House Covent Garden, L’elisir d’amore with Orchestre de l'Opéra de Lyon, La Boheme with Orchestra del Teatro alla Scala di Milano, and on CD: Arias with the Orchestra del Teatro Regio di Torino, Verdi Heroines with the Orchestra Sinfonica di MIlano “Giuseppe Verdi”, My World and Mysterium with the London Philharmonic Orchestra.Her next exclusive recording agreement was signed in 1998 with EMI Classics. She recorded an album of duets and arias with Roberto Alagna and the Orchestra of the Royal Opera House Covent Garden, Puccini’s rarely recorded opera La Rondine with London Symphony Orchestra, Gounod’s Romeo et Juliette with Orchestre National du Capitole du Toulouse and for the second album of duets with Roberto Alagna, Verdi per due, she worked together with Berliner Philharmoniker, conducted by Claudio Abbado.Other EMI recordings are: Puccini’s Gianni Schicchi from Il Trittico, Massenet’s Werther with London Symphony Orchestra, Massenet’s Manon with Orchestre Symphonique de la Monnaie Brussels, Verdi’s Il Trovatore with London Symphony Orchestra and Bizet’s Carmen with Orchestre National du Capitole du Toulouse, the concert for Queen Beatrix’s Jubilee in Amsterdam (April 2005, CD and DVD) and the recital at Teatro alla Scala di Milano.Her recital Casta Diva was followed by a live recording of Classics on a Summer’s Evening, the concert performed alongside with Staatskapelle Dresden, by Verdi’s Requiem with Berliner Philharmoniker and by the recital at the Royal Opera House in 2001, all released both on CD and DVD. The recording of a recital of Puccini arias in 2008 proved once more Ms. Gheorghiu’s profound musicality.Angela Gheorghiu’s latest releases are the complete opera recordings of L’Amico Fritz by Pietro Mascagni and Fedora by Umberto Giordano (both with Deutsche Grammophon). The live performance of La Rondine in the Metropolitan Opera (2009) as well as Faust from Royal Opera House (2004)were released on DVD by EMI Classics in 2011. Adriana Lecouvreur (a Royal Opera House production recorded in 2010) was released on DVD in 2012.In November 2011 Angela Gheorghiu releasd Homage to Maria Callas, a collection of beloved opera arias from French and Italian repertoire inspired by Maria Callas’s career and recordings. Marco Armiliato conducts the Royal Philharmonic Orchestra.In March 2015 Warner Classics released an 8 CD + 1DVD box set entitled Autograph, celebrating 25 years of career.All her CDs have received widespread critical acclaim and have been awarded many prizes such as Gramophone Awards, Diapason d’Or Awards, Choc du Monde de la Musique in France, Cecilia Prize in Belgium, Deutsche Schallplattenkritik-Preis in Germany, the Echo Award, the Italian Musica e dischi Foreign Lyric Production Award, the USA Critics’ Award etc. Mrs Gheorghiu won the title of “Female Artist of the Year” at the Classical Brit Awards in 2001 and 2010.In 1999 she took part with great success in a concert “Michael Jackson and Friends” in Munich. Mrs. Gheorghiu sang at the reopening of the Royal Opera House Covent Garden (December 1999) and Teatro Malibran in Venice (23 May 2001) and at the opening new opera house in Valencia in the presence of the Queen Sofia of Spain (October 2005) . She sang at the historic performance Prom at the Palace on June,1, 2002 which marked the Jubilee of Queen Elizabeth II, a concert that is also available on DVD. She sang for HRH Prince of Wales on different occasions. In 2003 she performed at the Nobel Peace Prize Concert.In December 2000 Ms Gheorghiu performed the title role in Tosca, the movie directed by Benoit Jacquot. The film was released in theatres around the world and received popular and critical acclaim: “She is one of the most sensuous Toscas imaginable… Angela Gheorghiu’s passion and beauty are ideal for Tosca, as if the best qualities of Callas’ and Tebaldi’s portrayals had come together.” (Opera News, USA). Angela Gheorghiu attended the Venice Film Festival in 2001 when the movie was premiered. Ms. Gheorghiu also interpreted Juliette in the movie Romeo et Juliette released on DVD by Online Classics.Among major appearances in the last ten years were the much acclaimed performances of La Rondine and Pagliacci at the Royal Opera House, Romeo et Juliette at the Choregies d’Orange and Salzburg Festival, Faust at the Metropolitan Opera in New York, Royal Opera House and Monte Carlo Opera, Simon Boccanegra at the Royal Opera House. There were also recitals in Salzburg (Salzburg Festival) and in Vienna (Musikverein) and concerts in Amsterdam (Queen Beatrix Jubilee Gala), in New York (the New Year’s Eve concert with the New York Philharmonic), Philadelphia (with Philadelphia Orchestra) and Los Angeles, Vancouver and Toronto (April 2011), Seoul, Shanghai, Valladolid (May 2011) in London at O2 Arena together with Placido Domingo (July 2011), a concert for the opening of Katara Amphitheater in Doha, Qatar in December 2011 (performing in a piece especially composed for this event by Vangelis), concert in Oman (April 2012) and a gala concert at Teatro Colon Buenos Aires with Roberto Alagna (April 2012). All these appearances earned spectacular reviews.In January 2006 she triumphed with La Traviata at the Metropolitan Opera in New York. Three months later, in April, she made her debut in Teatro alla Scala in Milano with a recital, in May she opened the Film Festival in Cannes. In June 2006 she made her stage debut in Tosca at the Royal Opera House in London in a new production that was dedicated to her. Then she returned to the Vienna State Opera for performances of La Boheme (November 2006) and to the Metropolitan Opera a run of Simon Boccanegra and a gala performance of La Traviata (March 2007).Angela Gheorghiu performed again in La Traviata in Rome and Milano in 2007. She also had some much-acclaimed concerts in Paris (Salle Pleyel and Palais Garnier) and in Los Angeles. In September 2007 she performed the title role in the world premiere of the opera Marius et Fanny by Vladimir Cosma at Marseille Opera. Then she sang a series of much-praised performances of La Rondine in San Francisco. When Ms. Gheorghiu sang La Boheme at the Metropolitan in New York, the performance was transmitted in theatres to an audience of over one million and five hundred thousand people. Other performances broadcasted in theatres were La Traviata in Milan and in Rome and La Rondine in San Francisco and New York.The new Royal Opera House Cinema Season 2011/12 relayed in hundreds of theaters around the world started with three productions having Angela Gheorghiu in the title role: Faust, broadcast live (September 2011), Adriana Lecouvreur (October 2011) and Tosca (November 2011).In 2010 she made her much-acclaimed debut in Cilea’s Adriana Lecouvreur, a new production of the Royal Opera House Covent Garden. The Observer wrote: "It's hard to imagine anyone bettering Angela Gheorghiu in this part. Her voice, feather-light and creamy yet with a core of steel, matches the liquid way she moves on stage. She's a natural actress and made the improbable death scene heartbreakingly believable and her signature aria "Poveri fiori" simply unforgettable." In July 2011 she sung the title role in Tosca with a stellar cast led by Antonio Pappano. In September 2011 she came back to London for the revival of Faust, performance broadcast live in cinemas. In June 2012 Angela Gheorghiu celebrated 20 years from her debut at Royal Opera House in London performing in La BohemeIn 2014, Ms. Gheorghiu had performances of Adriana Lecouvreur, Tosca and La Bohème in Vienna, as well as concerts in Amsterdam, London, Prague, Munich, Hamburg and Vienna (Konzerthaus) and recitals in Barcelona (Gran Teatre del Liceu) and Milan (Teatro alla Scala).In March 2015 she made her debut in Werther at the Vienna State Opera, under Frederic Chaslin's baton.Ms. Gheorghiu was honoured with “La Medaille Vermeille de la Ville de Paris” and she was appointed an “Officier de l’Ordre des Arts et Lettres” and “Chevalier de l’Ordre des Arts et Lettres” by the French Ministry of Culture and by her native country Romania. In December 2010 she was awarded the honorific title of “Doctor Honoris Causa” by the University of Arts in Iasi (Romania) and the “Star of Romania”, the highest decoration given by the by the President of Romania. In October 2012 she was conferred the “Nihil Sine Deo” royal decoration from His Majesty King Michael I for promoting Romanian cultural values abroad. In October 2014, Angela Gheorghiu was awarded the Doctor Honoris Causa honorary title from the Gheorghe Dima Music Academy in Cluj Napoca (Romania).Future engagements include various concerts in Europe (Verbier, Dublin, Vienna, London) and United Stated of America (Los Angeles and Indiana), the first tour in Australia, with concerts in Melbourne and Sydney as well as opera performances Salzburg (Werther), New York, Vienna and London (Tosca).

鋼琴/法佐．賽依 Fazil Say

Mon, 19 Dec 2016 16:00:00 GMT

超過25年，法佐．賽依用他不凡的鋼琴才華，感動了許多聽眾和評論家。在這趨於唯物主義和過度裝飾的古典音樂界無疑是不可多得的一股清流。每一場演奏會，都因著他的加入而顯得不同。他表現出來的音樂更直接敞開也更使人振奮，甚至可以說，是直接觸摸了聽眾的心。在1986年，作曲家阿里伯特•萊曼便在安卡拉有了這樣的感受；因著一次的機遇下，或著可以說是一次的偶然，他欣賞了這位鋼琴家當年16歲時的演奏。萊曼立刻詢問當時陪他旅行的美國鋼琴家大衛．列文到市立音樂學院來，當時他是這麼說的"你一定要來聽他彈琴，他的音樂充滿魔性"，這句話現在依然常被引用來介紹這位音樂家。法佐．賽依的最開始師事Mithat Fenmen，這位在巴黎與鋼琴家阿爾弗雷德•德尼•科爾托學習過的鋼琴家，或許看出了這位學生的天賦，便要求他每天在基本的鋼琴練習中，加入跟日常生活貼近的即興演奏。這種自由形式的創作練習過程，造就他極大的即興演奏能力和獨特審美觀，更塑造了今日的名鋼琴家、作曲家。他也曾受邀為薩爾茲堡音樂節、WDR（西德廣播公司）、德國多特蒙德音樂廳、德國石荷州音樂節、梅克倫堡-前波莫瑞音樂節來譜曲。他的作品包括鍵盤獨奏和室內樂，以及獨奏協奏曲和大型管弦樂曲。從1987年開始，法佐．賽依追隨大衛．列文先後在德國的杜塞道夫羅伯特－舒曼音樂學院及柏林學習，並在他的技巧上做了些細微的調整。這樣的學習經歷，特別形塑了他在詮釋莫札特和舒伯特的樂曲有獨樹一格的美感。他卓越的技巧使他很快就能掌握彈奏的能力，甚至能輕鬆的完成被稱為「戰馬」的艱深曲目。正是因為融合了巴哈、海頓和莫札特這些精細的彈奏技巧，又擁有李斯特樂曲中那種美學的光彩，使他在1994年於紐約贏得了美國青年音樂會藝術家國際比賽。法佐．賽依也從那時開始便開始與各著名的歐美管弦樂團、眾多先鋒指揮家合作；從巴哈、維也納古典樂派（海頓、莫札特及貝多芬）、浪漫樂派、當代音樂甚至是他自己的鋼琴奏鳴曲，合作演奏了多元的曲目。法佐．賽依常以嘉賓身分出席無數國家的音樂會，法國報紙Le Figaro更稱他為「天才」。他也持續的和小提琴家柏翠西亞合作室內樂的演奏，並且亦和知名的俄國小提琴神童馬克西姆．凡格羅夫、伊斯坦堡的Borusan Quartet和大提琴家尼古拉斯．阿爾斯達德合作過。從2005年到2010年，法佐．賽依是德國多特蒙德音樂廳的駐留音樂家，在2010/11樂季，他也擔任柏林音樂廳的駐留音樂家。他更是2011年夏天德國石荷州音樂節的一大焦點，並且在巴黎、日本、梅拉諾、漢堡及伊斯坦堡駐留過。其駐留經歷有：2012/13樂季，德國黑森廣播公司的法蘭克福廣播交響樂團駐留、2013萊茵高音樂節駐留並獲得Preis獎。2014年他駐住波登湖音樂節並演奏了14場之多的音樂會。2015年4月，他與奧菲斯室內樂團在紐約的卡內基音樂廳合作了十分成功的音樂會，隨後也到歐洲各地去舉行音樂會。2015/16樂季則受邀到法蘭克福歌劇院及蘇黎世Zürcher Kammerorchester音樂廳駐留。他所錄製的巴哈、莫札特、貝多芬、蓋希文及斯特拉文斯基的樂曲也獲得樂評高度的評價並贏得多項獎項，其中甚至包含三次ECHO回聲古典唱片大獎。2014年，他發行了CD《Say plays Say》，演出貝多芬第三鋼琴協奏曲（與黑森州立廣播交響樂團及指揮家迦南德里亞合作）以及貝多芬的鋼琴奏鳴曲Op.111和Op.27/2 月光及他自己的鋼琴奏鳴曲。自2016年起，法佐．賽依也擔任華納古典的專屬音樂家。Fazil SayPianoWith his extraordinary pianistic talents, Fazil Say has been touching audiences and critics alike for more than twenty-five years, in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something different. They are more direct, more open, more exciting; in short, they go straight to the heart. Which is exactly what the composer Aribert Reimann thought in 1986 when, during a visit to Ankara, he had the opportunity, more or less by chance, to appreciate the playing of the sixteen-year-old pianist. He immediately asked the American pianist David Levine, who was accompanying him on the trip, to come to the city’s conservatory, using the now much-quoted words: “You absolutely must hear him, this boy plays like a devil.”Fazıl Say had his first piano lessons from Mithat Fenmen, who had himself studied with Alfred Cortot in Paris. Perhaps sensing just how talented his pupil was, Fenmen asked the boy to improvise every day on themes to do with his daily life before going on to complete his essential piano exercises and studies. This contact with free creative processes and forms is seen as the source of the immense improvisatory talent and the aesthetic outlook that make Fazıl Say the pianist and composer he is today. He has been commissioned to write music for, among others, the Salzburg Festival, the WDR, the Dortmund Konzerthaus and the Schleswig-Holstein and Mecklenburg-Vorpommern festivals. His work includes compositions for solo keyboard and chamber music, as well as solo concertos and large-scale orchestral works. From 1987 onwards, Fazıl Say fine-tuned his skills as a classical pianist with David Levine, first at the Musikhochschule Robert Schumann in Düsseldorf and later in Berlin. This formed the aesthetic basis for his Mozart and Schubert interpretations, in particular. His outstanding technique very quickly enabled him to master the so-called warhorses of the repertoire with masterful ease. It is precisely this blend of refinement (in Bach, Haydn, and Mozart) and virtuoso brilliance in the works of Liszt, Mussorgsky and Beethoven that gained him victory at the Young Concert Artists international competition in New York in 1994. Since then he has played with all of the renowned American and European orchestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.

大提琴/巴勃羅．費蘭德斯 Pablo Ferrández

Mon, 19 Dec 2016 16:00:00 GMT

「他是一位頂尖的年輕大提琴家，而且擁有一切大提琴家所需要的特質:絢麗的技巧、深刻的音樂表現以及難以抗拒的魅力」－名音樂家克里斯多福．埃申巴赫巴勃羅．費蘭德斯最近才在2016國際古典音樂大獎ICMA 贏得夢寐以求的「年度青年音樂家獎」，並且也在柴可夫斯基國際音樂比賽XV和V 保羅國際大提琴比賽中雙雙獲獎；透過他的音樂表現，證明了他的確是。他濃烈的情緒和個性，在各個舞台上驚艷了全球的聽眾。他真摯的情感特質時常被讚美，甚至連樂評都稱他為「頂尖的大提琴家之一」（音叉雜誌－雷米．路易斯）。25歲的費蘭德斯也持續和國際聞名的音樂家、世界領導級樂團合作，因此亦逐步建造他亮眼的職業生涯。費蘭德斯擔任過獨奏並合作的樂團有許多：馬林斯基歌劇院管弦樂團、維也納交響樂團、聖彼得堡愛樂樂團、斯圖加特愛樂樂團、波羅的海弦樂團、塔皮奧拉小交響樂團、日本兵庫縣表演藝術中心樂團、墨西哥國家交響樂團、馬德里RTVE廣播交響樂團以及佛羅倫斯五月音樂節管弦樂團。他更合作過許多著名音樂家像是：祖賓．梅塔、瓦列里．格吉耶夫、尤里．捷米爾卡諾夫、亞當．費雪、海因里希．席夫、丹尼斯．羅素．戴維斯、约翰．斯托爾高兹、基東．克雷默、吉特里斯和安娜－蘇菲．穆特。身為一位狂熱的室內音樂家，費蘭德斯經常被邀請參與各種國際性的音樂節，像是: 韋爾比耶音樂節、格施塔德頂級音樂會、語調音樂節、熱狂之日音樂節、卡薩爾斯音樂節、梅克倫堡波莫瑞州音樂節、斯皮瓦科夫音樂節、皮亞第果斯基國際大提琴音樂節、克龍貝爾格大提琴音樂節、桑坦德國際音樂節以及萊茵高音樂節。費蘭德斯也在萊茵高音樂節獲得了2015音樂節獎。費蘭德斯最近在巴黎羅浮宮、巴塞隆納加泰羅尼亞音樂宮以及馬德里國際音樂廳的演出，也獲得如潮佳評。擁有吸引目光的技巧，這位迷人的表演者亦被萊茵高音樂節的評委形容為「一位鼓舞人心、豐沛表現樂曲能力，並且能夠盡情揮灑技巧來配合作曲家的獨奏家」、「在費蘭德斯身上找不到一點虛榮與自大」。巴勃羅．費蘭德斯與拉鐸斯拉夫．修爾茲指揮的斯圖加特愛樂管弦樂團合作的第一張CD，演奏德弗札克與舒曼的大提琴協奏曲，廣獲好評。英國衛報的評論家提姆．阿什利提到：「巴勃羅．費蘭德斯是一位優秀的表演者，他的表演有溫暖的音調，亦有怦然的悸動。更深入地說，他抒情的表演方式，就是那帶點憂鬱的優雅和閃爍水晶般的機智表達方式，使他成為了舒曼協奏曲的最佳傳譯。」弦樂雜誌的評論家珍妮克．班克斯也說:「透過演奏德弗札克的樂曲，費蘭德斯再次證明他是傑出的大提琴家。他維持了傳譯樂曲時的輕與自由度卻又能駕馭深重的情緒而不過分沉溺。」費蘭德斯和小提琴家基頓克萊曼亦有長時間的藝術友好關係，基頓克萊曼是他主要的支持者之一。巴勃羅．費蘭德斯第二張錄製中的CD便和海因里希．席夫指揮的波羅的海弦樂團合作，演出義大利作曲家羅西尼和梅諾蒂的曲子。2016/17樂季的眾多亮點，包含他即將在柏林愛樂廳與柏林德意志交響樂團合作首次登台，與璜侯．梅納指揮的BBC愛樂樂團合作，與指揮家克里斯托弗．埃申巴赫、法蘭克福廣播交響樂團及西班牙國家交響樂團合作演出舒曼的大提琴協奏曲，回到祖賓•梅塔指揮的佛羅倫斯五月音樂節演出、在埃爾毛宮、馬林斯基劇院舉行獨奏會，與小提琴家基頓克萊曼及波羅的海弦樂團舉行歐洲巡迴演出，參與耶路撒冷國際室內音樂節、羅斯托波維契音樂節，與RAI國立交響樂團合作首次登臺；並與巴塞隆納交響樂團、卡斯蒂利亞－莱昂交響樂團、大卡納尼亞愛樂樂團、慕尼黑交響樂團、愛沙尼亞國立交響樂團、巴西交響樂團、臺北市立交響樂團和昆士蘭交響樂團皆會陸續合作。也會和小提琴家安娜－蘇菲．穆特和倫敦愛樂樂團及合作演出布拉姆斯雙重奏協奏曲。1991年出生於馬德里的音樂世家，巴勃羅．費蘭德斯13歲進入擁有高度聲望的蘇菲亞王后高等音樂學院師事沙霍夫斯卡雅，在那之後他進入克隆勃格音樂學院師事法蘭斯．海莫森。費蘭德斯所用的琴是日本音樂基金會提供的1696年史特拉第瓦里製的名琴「艾勒斯佛公爵」，並對此銘謝於心。Pablo Ferrández Cello"He is the top young cellist. He has everything: splendid technique, profound musicality and an overwhelming charisma!" - Maestro Christoph EschenbachRecently awarded the coveted ICMA 2016 “Young Artist of the Year”, and prizewinner at the XV International Tchaikovsky Competition and at the V Paulo International Cello Competition, Pablo Ferrández announces himself as a musician of stature. His emotional intensity and personality on stage have wowed audiences around the globe. Praised by his authenticity and hailed by the critics as “one of the top cellists” (Rémy Louis, Diapason Magazine), the 25-year-old Pablo Ferrández continues building a brilliant career through collaborations with international renowned artists and world leading orchestras. He has appeared as a soloist with the Mariinsky Orchestra, Vienna Symphony Orchestra, St. Petersburg Philharmonic, Stuttgart Philharmonic, Kremerata Baltica, Helsinki Philharmonic, Tapiola Sinfonietta, Hyogo Performing Arts Center Orchestra, Mexico National Symphony Orchestra, Spanish National Orchestra, RTVE Orchestra, Maggio Musicale Fiorentino, and collaborated with such artists as Zubin Mehta, Valery Gergiev, Yuri Temirkanov, Adam Fischer, Heinrich Schiff, Dennis Russell Davies, John Storgårds, Gidon Kremer, Ivry Gitlis and Anne-Sophie Mutter.An avid chamber musician, Pablo is frequently invited to international festivals such as Verbier, Sommets Musicaux de Gstaad, Intonations Festival, La Folle Journée, Casals, Mecklenburg-Vorpommern, Spivakov, Piatigorsky, Kronberg, Santander, and the Rheingau Music Festival, where Mr. Ferrández was awarded with the Music Festival Award 2015.　Ferrández has recently appeared in recital at the Louvre Museum in Paris, at the Palau de la Música de Barcelona, and at the Auditorio Nacional de Música de Madrid, obtaining rave reviews. A captivating performer with a compelling technique, he is described as “an inspirational and expressive soloist who always places his skills at the service of the composer.” “Personal vanity is alien to Ferrández” (Rheingau Festival Award Jury). Pablo Ferrández recorded his first CD, featuring Dvorak and Schumann cello concertos, with the Stuttgart Philharmonic Orchestra conducted by Radoslaw Szulc, which was received with great acclaim: “Pablo Ferrández is a fine performer, with a warm tone and an impulsive, if refined, lyricism that makes him a natural interpreter for Schumann's concerto, with its melancholic elegance and flashes of mercurial wit.” (Tim Ashley, The Guardian), “It is in Dvorak that Ferrández announces himself as a cellist of stature” “(he) manages to play with huge emotion while still keeping his interpretation light and free from overindulgence” (Janet Banks, The Strad). Ferrández is proud of his long-standing artistic friendship with Gidon Kremer, one of his major supporters. Pablo’s second recording featured Italian works by Rossini and Menotti with the Kremerata Baltica, conducted by Heinrich Schiff.Highlights of the 2016/17 season include his debut at the Berliner Philharmonie with the Deutsches Symphonie-Orchester Berlin, the appereance with BBC Philharmonic under Juanjo Mena, collaborations with Christoph Eschenbach playing Schumann’s cello concerto with the HR-Sinfonieorchester and the Spanish National Symphony, the return to Maggio Musicale Fiorentino under Zubin Mehta, recitals at Schloss Elmau and the Mariinsky Theater, a European tour with Kremerata Baltica and Gidon Kremer, appearances at the Jerusalem International Chamber Music Festival and the Rostropovich Festival, debuts with Orchestra Sinfonica Nazionale RAI, Barcelona Symphony Orchestra, Castilla y Leon Symphony, Gran Canaria Philharmonic, Munich Symphony, Estonian National Symphony, Orchestra Sinfonica Brasileira, Taipei Symphony Orchestra, Queensland Symphony Orchestra, and the performance of Brahms' double concerto with Anne-Sophie Mutter and the London Philharmonic Orchestra.Born in Madrid in 1991, in a family of musicians, Pablo Ferrández joined the prestigious Escuela Superior de Música Reina Sofía when he was 13 to study with Natalia Shakhovskaya. After that he completed his studies at the Kronberg Academy with Frans Helmerson. Mr. Ferrández plays the Stradivarius “Lord Aylesford” (1696) thanks to the Nippon Music Foundation.

指揮/羅伯特．崔維諾 Robert Trevino

Mon, 19 Dec 2016 16:00:00 GMT

「在這位令人興奮的指揮家手中，舞出了令人屏息的舒伯特與馬勒。他更為舒伯特的第四號交響曲創造了名副其實的貝多芬光環，而且這光環漸漸閃耀。在第一樂章和最後樂章裡，崔維諾與慕尼黑愛樂樂團從舒伯特的音樂精神喚起了明確可信的貝多芬版本。」－南德意志報 2015年3月報於慕尼黑「樂曲中的角色完全透過羅伯特．崔維諾展現出來，因著他這樣優異的表現，音樂家們對之後瓦格納的傳譯方式設立了更高的標準。」－阿爾格伊報 2015年9月（班貝格交響樂團羅恩格林）羅伯特．崔維諾迅速成為現今美國最令人期待興奮的指揮家之一。崔維諾透過2013年12月莫斯科大劇院的表演，取代了瓦希里．辛奈斯基，領導出嶄新樣貌的威爾第歌劇唐．卡洛，以空無前例的成功表現，衝入了國際的聚光燈下。熱情的觀眾和俄羅斯新聞都讚賞崔維諾說：「莫斯科自從范•克萊本的演出之後，就沒有其他美國人有過這種規模的成功演出了」。他後來被提名入圍金面具獎的「最佳指揮與新作獎」。從他第一次在法國國際史雲諾夫斯基指揮大賽的獲獎成功演出起，他與世界頂尖交響樂團的合作就只能用引起轟動來形容。初次登臺與蒙特卡洛愛樂管弦樂團合作馬勒的第五號交響曲帶來了遍及歐洲和亞州的巡演計畫，其中包括為新的音樂廳佛羅倫斯五月音樂節管弦樂團的佛羅倫薩音樂廳開幕演出。崔維諾亦在法國其他地方表演，他經常出現在熱狂之日音樂節、拉羅克．翁迪宏音樂節，也帶來德法公共電視台立即重新配置專題報導，以及在法國音樂廣播電台、法國國際廣播電台撥出。在2014/15樂季，可以看見崔維諾有許多的首次登臺合作—與荷蘭廣播愛樂樂團在阿姆斯特丹音樂廳演出布拉姆斯與蕭斯塔科维奇的樂曲，與底特律交響樂團合作。與慕尼黑愛樂樂團的聯票音樂會演出當中，有極美的首次合作，演出舒伯特和馬勒的曲目。在這之後，他獲得新聞界極高的盛讚。在2015/16樂季初，崔維諾回到班貝格交響樂團（演出羅恩格林一劇），亦與舊金山交響樂團及德累斯頓愛樂樂團、倫敦愛樂樂團合作。2015樂季與丹麥國家交響樂團合作電視廣播新年音樂會來畫下句點之外，也在15年樂季中與法國國家管弦樂團首次演出布魯克納第四交響曲而造成轟動迴響。在2015樂季他亦與聖彼得堡愛樂交響樂團、托斯卡納管弦樂團、馬德里RTVE廣播交響樂團、俄羅斯國家愛樂樂團和比利時弗拉芒皇家愛樂樂團合作。他也期待著與柏林廣播交響樂團、日本NHK交響樂團、利物浦皇家愛樂樂團、克利夫蘭管弦樂團、皇家斯德哥爾摩愛樂樂團、法蘭克福廣播交響樂團、多倫多交響樂團、溫哥華交響樂團的合作，並且會回到辛辛那提交響樂團，也在奧斯陸、華盛頓兩地會有歌劇的製作預備。在美國受訓的2011年夏天，崔維諾被指揮家詹姆斯．李汶選上成為檀格塢國際音樂節中指揮家小澤征爾的指揮研習生，在那裡他指揮了馬克．莫里斯的作品米堯的三分鐘歌劇。2009和2010年的夏天，崔維諾與他的導師大衛辛曼學習，在白楊音樂節及音樂學校擔任指揮研習生，他並因著卓越的指揮得到詹姆斯．康倫獎。他亦受邀與邁可．提爾森．湯瑪斯在新世界交響樂團上名家課程。師事萊夫．賽格斯坦，並在赫爾辛基愛樂樂團成為他的助理，協助整個西貝流士交響樂曲的演出期間。崔維諾最近也完成在辛辛那提交響樂團從2011至2015年來美好的四年任期副指揮工作。在這之前2009-2011年他擔任擔任林肯中心紐約市歌劇院的副指揮，美國歌劇迷因著歌劇《唐．喬望尼》和《一個安靜的地方》一劇及他在VOX美國歌劇系列的表現而認識他，他在這期間參與五部新歌劇的世界首演。身為一位熱愛現代音樂的倡導者和表演者，崔維諾已經接受許多委託、首映的合作邀約，並與當今許多領先的作曲家密切合作。他合作過的作曲家有：奧古絲坦．瑞德．托瑪斯、安德烈．普列文、珍妮佛．席格東、柏納．蘭滋、舒拉密．蘭、喬治．沃克、大衛．費爾德及約翰．佐恩等。Robert Trevino Conductor "Breathtaking Mahler... Schubert and Mahler, in the hands of an exciting conductor. It became obvious little by little, as he created a veritable Beethovenian aura for Schubert's Fourth… In the first and last movements [Trevino & The Munich Philharmonic] conjured up an utterly believable vision of Beethoven out of Schubert's spirit. "– Suddeutsche Zeitung / Munich Mar 2015 “The role completely penetrated conductor Robert Trevino… With such a performance, the artists set the bar very high for future Wagner interpretations” – Allgauer Zeitung / Sept 2015 (Bamberg Symphony / Lohengrin).Robert Trevino has rapidly emerged as one of the most exciting American conductors performing today. Trevino burst into the international spotlight with unprecedented success at the Bolshoi Theater in December 2013, when he led a new production of Verdi’s Don Carlo substituting for Vasily Sinaisky. The enthusiastic audience and Russian press praised Mr. Trevino by saying “There has not been an American success of this magnitude in Moscow since Van Cliburn”. He was subsequently nominated for a Golden Mask award for “Best Conductor in a New Production”. Appearances with some of the world’s top orchestras have followed in what can only be described as a sensational rise, since his initial success as a laureate of the Evgeny Svetlanov International Conducting Competition in France. Debuts with the Orchestra Philharmonique de Monte Carlo with Mahler’s Fifth Symphony have led to extensive touring plans throughout Europe and Asia, including inaugurating the new hall, Opera di Firenze of the Maggio Musicale Fiorentino. Elsewhere in France, his regular appearances at La Folle Journee and La Roque D’Antheron, also resulted in immediate reengagements and a feature on the Arte Channel as well as broadcasts on France Musique and Radio France. The 14/15 season saw a number of further major debuts – with the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw in Brahms and Shostakovich, the Detroit Symphony Orchestra, and a magnificent debut in the subscription series of the Munich Philharmonic Orchestra in Schubert and Mahler. Following this, where Robert received the highest accolades from the press, Robert returned to Germany with the Bamberg Symphony Orchestra (“Lohengrin" in concert) at the beginning of the 15/16 season, as well as the San Francisco Symphony and the Dresden & London Philharmonic Orchestras. 2015 closed with the Danish Radio Symphony’s telecast New Year’s concert, and a sensational debut with the Orchestre Nationale de France with Bruckner 4th Symphony. This season also brings him to the St Petersburg Philharmonic, and to the orchestras of Toscana, RTVE Symphony, National Philharmonic of Russia, and Royal Flemish Philharmonic. He also looks forward to conducting the Rundfunk Sinfonieorchester Berlin, NHK Symphony, Royal Liverpool Philharmonic, The Cleveland Orchestra, Royal Stockholm Philharmonic, HR Sinfonieorchester, Toronto Symphony, Vancouver Symphony, and his return to the Cincinnati Symphony, as well as opera productions in Oslo and Washington.Trained in America, in the summer of 2011, Mr. Trevino was selected by James Levine to be the Seiji Ozawa Conducting Fellow at the Tanglewood Music Festival, where he led Mark Morris’ production of Milhaud’s Trios Operas Minutes. In the summers of 2009 and 2010 Mr. Trevino studied with his mentor David Zinman as an Aspen Conducting Fellow at the Aspen Festival and School of Music where he was awarded the James Conlon Prize for Excellence in Conducting. He studied by invitation with Michael Tilson Thomas at the New World Symphony in master classes, and has studied with Leif Segerstam with whom he assisted at the Helsinki Philharmonic in the complete cycle of Sibelius symphonies. Mr. Trevino recently completed a wonderful four-year tenure as the Associate Conductor of the Cincinnati Symphony Orchestra from 2011-2015. Prior to this appointment he served as the Associate Conductor of the New York City Opera at Lincoln Center from 2009 – 2011 where American opera fans know his work on productions of Don Giovanni and A Quiet Place as well as for his performances in VOX: American Opera Series where he worked on the world premieres of five new operas. An avid advocate and performer of contemporary music, Mr. Trevino has commissioned, premiered, and worked closely with many leading composers of today such as: Augusta Read Thomas, Sir Andre Previn, Jennifer Higdon, Bernard Rands, Shulamit Ran, George Walker, David Felder, and John Zorn among others.

次女高音/雷娜塔．波庫比奇 Renata Pokupić

Mon, 19 Dec 2016 16:00:00 GMT

克羅埃西亞的女中音－雷娜塔．波庫比奇以她充滿吸引力並生動又富有情感的巴洛克風詮釋方式，以及古典和花腔的表演曲目；受到許多一流歌劇院和管弦樂團的讚賞與愛戴。雷娜塔無疑是2015-16樂季的一大亮點。在法蘭德斯歌劇院演出莫札特的歌劇《伊多梅尼》擔任伊達曼特一角，與蘇格蘭室內管弦樂團合作歌劇《狄奧多拉》擔任艾琳一角，與古代音樂學院合作《波佩亞的加冕》擔任尼祿一角，與納許合奏團在倫敦威格摩爾音樂廳演出義大利曲目，與島嶼管弦樂團合作巴哈的《聖母讚主曲》，以及和皇家蘇格蘭國家管弦樂團合作貝多芬的《第九號交響曲》。接下來，雷娜塔．波庫比奇將會與鋼琴家羅傑．威格諾斯在多瑙河音樂節合作獨唱。近期的歌劇演出，包含有《費加洛婚禮》裡的凱魯比諾，《浮士德》裡的席貝爾以及在英國柯文特花園的倫敦皇家歌劇院演出《塔梅藍諾》的艾琳一角。雷娜塔．波庫比奇亦在法國的里爾歌劇院的《仙杜拉》擔任主角，在華盛頓國家歌劇院演出《女人皆如此》裡的朵拉貝拉，在比利時的安特衛普、在法國里爾、在法國第戎以及法國伯恩丘都演出過《阿格麗皮娜》裡的尼祿一角。她也在華盛頓國家歌劇院、法蘭德斯歌劇院、里斯本的高秉根樂團、洛杉磯歌劇院都參與演出《費加洛婚禮》；她亦在明尼蘇達樂廳的《玫瑰騎士》一劇擔任奧克塔文伯爵一角，在法蘭克福歌劇院演出《奧蘭多的狂怒》的布拉達曼特一角，在芝加哥歌劇院及里昂歌劇院皆演出過<狄托的仁慈》，前為塞斯托一角、在里昂則是演出安尼奧一角。在格蘭奇公園歌劇院則擔任了義大利作曲家卡伏利所寫的《Eliogabalo》中的主角。雷娜塔．波庫比奇也受邀到全球各地的許多舞臺上，近期她在澳洲首次亮相與墨爾本交響樂團合作演出《浮士德的天譴》中瑪格麗特一角，也與卑爾根愛樂樂團演出白遼士的另一作品《羅密歐與茱麗葉》，與比利時的Collegium Vocale Gent樂團和柏林德意志交響樂團演出德孚札克的《聖母悼歌》。與巴黎管弦樂團及香榭麗舍管弦樂團演出舒伯特降E調的《彌撒》，與Hofkapelle Esterházy演出海頓的《Scena di Berenice》，在德國哥廷根的韓德爾音樂節演出韓德爾的<約書亞>一劇。與蘇格蘭室內管弦樂團合作《羅西尼／雷斯畢基詠嘆》，在奧地利薩爾斯堡與創和聲之環古樂團演出安弗西的《路西奧．錫拉》一劇中賽西奧一角。與巴黎管弦樂團演出布魯克納的《F小調彌撒》，與巴哈合唱團演出《聖馬太受難曲》，與古代音樂學院演出《Imeneo》一劇並與啟蒙時代管弦樂團共同巡演《向洛林．亨特利．伯森致敬》。之前雷娜塔．波庫比奇也在聖但尼音樂節演出《懺悔者大衛》，與荷蘭鹿特丹愛樂樂團共同演出《聖馬太受難曲》。她也與巴黎室內管弦樂團演出海頓的《Paukenmesse》、莫札特的《加冕彌撒》以及海頓的《聖母悼歌》。在BBC逍遙音樂會演出莫札特的《安魂曲》，並在Le Concert d’Astrée的十週年紀念音樂會亮相。在之前的樂季，蕾娜塔．波庫匹茲也與馬修古樂團在馬德里演出《奧蘭多的狂怒》中Alcina一角，與波昂的貝多芬交響樂團演出貝多芬的《第九號交響曲》。與伯明翰城市交響樂團演出馬勒的《第二號交響曲》，與蘇格蘭室內管弦樂團合作《Pulcinella》。與北方交響樂團演出海頓的《創世紀》，與倫敦愛樂樂團演出《以利亞》，與馬修古樂團演出巴哈的《聖誕神曲》；也與Les Talens Lyriques合作裴高雷西的《聖母悼歌》。她亦與許多首屈一指的指揮合作如: 庫特．馬祖爾、大也和士、長野健、梅茲馬赫、亞尼克．內傑．瑟昆、路易．朗格莱、法比歐‧畢昂迪、約翰．艾略特‧加德納、威廉．克利斯帝、保羅．麥克里希、羅耶爾、艾曼紐．哈伊姆、胡賽、利茲、尚-克里斯多弗．史賓諾西、勞倫斯．卡明斯以及克莉絲汀．柯林。作為一個十分成功的音樂家，雷娜塔．波庫比奇長期與聞名國際的鋼琴家羅傑．威格諾斯合作。他們一起在倫敦威格摩爾音樂廳、紐約弗里克收藏館、多瑙河音樂節、杜布羅夫尼克夏日音樂節、巴斯莫札特音樂節、代爾夫特室內音樂節以及在北愛爾蘭的唐帕特里克音樂廳都有合作演出。兩人近期的合作計畫，包含了馬勒、托馬謝克、布拉姆斯、布里頓、舒曼和佛瑞的曲子。並且他們最近也為海波唱片發行了一張托馬謝克的專輯。Renata Pokupić Mezzo SopranoCroatian mezzo-soprano Renata Pokupić is praised for her engaging and expressive interpretation of baroque, classical and coloratura repertoire, and is much sought after by major opera houses and orchestras.Highlights of the 2015-16 season include Idamante in Mozart Idomeneo for Opera Vlaanderen, Irene Theodora with the Scottish Chamber Orchestra, Nerone L’incoronazione di Poppea with the Academy of Ancient Music, an Italian programme with Nash Ensemble at Wigmore Hall, CPE Bach’s Magnificat with the Insula Orchestra, and Beethoven Symphony No.9 with the Royal Scottish National Orchestra. Pokupić will also join Roger Vignoles for a recital at the Danube Festival.Recent operatic engagements include Cherubino Le nozze di Figaro, Siebel Faust and Irene Tamerlano at Royal Opera House, Covent Garden, title role Cendrillon for Opéra de Lille, Dorabella Così fan tutte for Washington National Opera, and Nerone Agrippina in Antwerp, Lille, Dijon and Beaune. She has also sung Cherubino for Washington National Opera, Opera Vlaanderen, Gulbenkian Lisbon, and Los Angeles Opera; Octavian Der Rosenkavalier for Minnesota Orchestra, Bradamante Orlando Furioso for Oper Frankfurt, Sesto La clemenza di Tito for Chicago Opera Theater, Annio La clemenza di Tito for Opéra de Lyon and the title role in Cavalli Eliogabalo at Grange Park Opera.Much in demand on the concert platform, she recently made her Australian debut as Marguerite La damnation de Faust with Melbourne Symphony Orchestra, sang Berlioz Roméo et Juliette with the Bergen Philharmonic Orchestra and Dvorak Stabat Mater with Collegium Vocale Gent as well as DSO Berlin. She has also sung Schubert Mass in E flat with Orchestre de Paris and Orchestre des Champs-Elysées, Haydn Scena di Berenice with Hofkapelle Esterházy, Handel Joshua with Handel Festival Göttingen,Rossini and Respighi arias with Scottish Chamber Orchestra, Cecilio in Anfossi’s Lucio Silla at Mozarteum Salzburg with Le Cercle de l’Harmonie, Bruckner Mass in F minor with Orchestre de Paris, St Matthew Passion with the Bach Choir, Tirinto Imeneo with the Academy of Ancient Music and an extensive tour of ‘Tribute to Lorraine Hunt Lieberson’ with the Orchestra of the Age of Enlightenment.Previously she sang Davide Penitente at Festival de Saint-Denis, St Matthew Passion with Rotterdam Philharmonic, Haydn Paukenmesse, Mozart Coronation Mass and Haydn Stabat Mater with the Orchestre de Chambre de Paris, Mozart Requiem at the BBC Proms, and appeared in Le Concert d’Astrée’s 10th anniversary concert.In previous seasons she has also sung Alcina Orlando Furioso with Ensemble Matheus in Madrid,Beethoven Symphony No.9 with Orchester Beethoven Bonn, Mahler Symphony No.2 with the City of Birmingham Symphony Orchestra, Pulcinella with the Orchestre Philharmonique de Strasbourg, Mozart and Rossini arias with the Scottish Chamber Orchestra, Haydn The Creation with Northern Sinfonia, Angel Elijah with the London Philharmonic Orchestra, Bach Christmas Oratorio with Ensemble Matheus, and Pergolesi Stabat Mater with Les Talens Lyriques. She works with such leading conductors as Kurt Masur, Kazushi Ono, Kent Nagano, Ingo Metzmacher, Yannick Nézet-Séguin, Louis Langreé, Fabio Biondi, John Eliot Gardiner, William Christie, Paul McCreesh, Jérémie Rhorer, Emmauelle Haïm, Christophe Rousset, Carlo Rizzi, Jean-Christoph Spinosi, Laurence Cummings and Christian Curnyn.An accomplished recitalist, Pokupić works regularly with the internationally acclaimed Roger Vignoles. They have appeared together at the Wigmore Hall, The Frick Collection New York, Danube Festival, Dubrovnik Summer Festival, Petworth Festival,Bath Mozartfest, Delft Chamber Festival, and the Great Hall in Downpatrick, Northern Ireland. Their recent programmes have included works by Mahler, Tomášek, Brahms,Britten, Schumann and Faure. They also have also recently released an album of songs by Václav Tomášek for Hyperion Records.

指揮/保羅．麥克里希 Paul McCreesh

Mon, 19 Dec 2016 16:00:00 GMT

高秉根管弦樂團的首席指揮與藝術顧問/加布里耶樂手與合唱團的藝術總監保羅．麥克里希－加布里耶樂手與合唱團的創辦人與藝術總監。在1982年麥克里希與跟他一起到世界各地巡演並贏得多項獎項的樂手們共同創立了這個樂團。2013年，他也擔任位於里斯本的高秉根樂團中的首席指揮與藝術顧問。他與高秉根樂團的樂手們合作過許多樣貌的音樂，從古典時期一直到19世紀、20世紀的樂曲，特別著重於演奏交響樂曲目、神劇以及音樂會的歌劇。麥克里希與世界聞名的高秉根合唱團也十分緊密。麥克里希也擔任許多遍及全球的一流管弦樂團及合唱團的客席指揮，他合作過的有最近期的萊比錫布管弦樂團、柏林音樂廳、卑爾根愛樂樂團、東京都交響樂團、香港愛樂樂團、雪梨交響樂團、韋爾比耶音樂節以及英國北方交響暨管弦樂團。另外他也定期並時常與聖保羅和巴賽爾室內管弦樂團合作演出。麥克里希在各歌劇院都確立了良好的聲譽，並且在馬德里皇家劇院、丹麥皇家劇院、法國喜歌劇歌劇院、法蘭德斯歌劇院、韋爾比耶音樂節等地都指揮出許多傑出的作品。2011年，麥克里希與加布里耶樂手與合唱團、英國最大古典樂品牌Signum Classics以及他在2006至2012擔任藝術總監的Wratislavia Cantans音樂節一起合作推出了自己的唱片品牌－翼獅。到目前為止，他們已經發行了7張專輯，最近的一張是在2015年發行的韓德爾《L’Allegro, il Penseroso ed il Moderato》。值得一提的是，他們發行的布列頓《戰爭安魂曲》贏得了2014年BBC音樂雜誌獎，孟德爾頌《以利亞》贏得2013年金音叉獎，重新錄製他早期的加布里耶之輯－新威尼斯的加冕1595則贏得了2013年的留聲機獎。翼獅唱片因著他與德意志留聲機公司合作的大量作品而能穩固建立，特別是贏得留聲機獎的海頓《創世紀》一輯。麥克里希為音樂創作注入的熱情與活力是廣為人知的。他非常熱情地與年輕的音樂家們合作，使得通往古典音樂之路更加寬廣，他也定期與青年管弦樂團和合唱團合作，一有機會就為建立新的教育活動付出行動。 Paul McCreeshConductorPrincipal Conductor and Artistic Advisor, Gulbenkian Orchestra / Artistic Director, Gabrieli Consort & PlayersPaul McCreesh is the founder and Artistic Director of the Gabrieli Consort & Players which he established in 1982 and with whom he has toured world-wide and made many award-winning recordings. In 2013 he became Principal Conductor and Artistic Adviser of the Gulbenkian Orchestra (Lisbon) with whom he is conducting a wide range of music from the classical period through to the nineteenth and twentieth century, focusing in particular on symphonic repertoire, oratorio and opera in concert,working closely with the world-renowned Gulbenkian Choir.McCreesh has guest conducted many of the major orchestras and choirs across the globe, including most recently the Leipzig Gewandhaus, Berlin Konzerthaus, Bergen Philharmonic, Tokyo Metropolitan Symphony, Hong Kong Philharmonic, Sydney Symphony, Verbier Festival and Royal Northern Sinfonia orchestras, and St Paul and Basel Chamber Orchestras, with whom he enjoys regular and ongoing collaborations.McCreesh has established a strong reputation in the opera house and has conducted productions at the Teatro Real Madrid, Royal Danish Opera, Opera Comique, Vlaamse Opera and at the Verbier Festival. In 2015/16 he will conduct Britten’s A Midsummer Night’s Dream at Bergen Opera, and he will return to Vlaamse Opera for a production of Idomeneo.In 2011 McCreesh launched his own record label, Winged Lion, in collaboration withthe Gabrieli Consort & Players, Signum Classics and the Wratislavia Cantans Festival, where he was Artistic Director between 2006 and 2012. To date they have made seven recordings, most recently Handel L’Allegro, il Penseroso ed il Moderato, released in 2015. Other highlights include Britten War Requiem (BBC Music Magazine Award 2014), Mendelssohn Elijah (Diapason d’Or Award 2013), Berlioz’s gargantuan Grande Messe des Morts (BBC Award 2012), and a reworking of his earlier Gabrielidisc, A New Venetian Coronation 1595 (Gramophone Award 2013). The Winged Lionrecordings build on his large catalogue of recordings with Deutsche Grammophon, which includes the Gramophone Award-winning Haydn Creation.McCreesh is well-known for the energy and passion that he brings to his music- making, and is especially enthusiastic about working with young musicians and broadening access to classical music; he works regularly with youth orchestras and choirs and is active in building new educational initiatives whenever possible.

低音提琴/卓涵涵 Han Han Cho

Mon, 19 Dec 2016 16:00:00 GMT

「在本張唱片（Poetic Schumann at 39）中,卡爾與卓涵涵二重奏的抒情演繹遠遠越過舒曼所做的鋼琴原作,卓涵涵的自然詮釋,音樂性渾然天成,她成熟的音樂敏銳度不僅與其師並駕齊驅,甚至開創出一個屬於她自己的傳奇。」2010－國際低音提琴雜誌卓涵涵為臺北市立交響樂團（TSO）低音提琴首席。回國後室內樂演出包含與臺灣純絃的演出，2014和2013於關渡藝術節的演出。曾與新店高中協奏演出庫賽夫斯基低音提琴協奏曲，與Taiwan Connection節慶樂團協奏演出波特西尼之夢遊女幻想曲，於北京國際低音提琴音樂節舉辦講座音樂會…等演出。樂團經歷方面，卓涵涵曾任美國拉荷亞節慶樂團首席、國家交響樂團低音提琴副首席。波士頓環球報樂評曾讚譽卓涵涵之首席領導能力。卓涵涵於2013年擔任國際低音提琴協會（International Society of Bassists）15至18歲組低音提琴比賽主席。個人比賽方面，卓涵涵曾獲得日本泉之森低音提琴國際比賽第三名。求學階段曾獲得國立臺北藝術大學協奏曲比賽弦樂組冠軍、臺北市立交響樂團協奏曲比賽低音提琴組冠軍、五度臺灣音樂比賽低音提琴組冠軍。卓涵涵為2008年教育部留學獎學金獲獎人，2010年美國加州大學聖地牙哥分校演奏博士畢業，返臺後曾於北京低音提琴音樂節與美國舊金山國際低音提琴協會年會舉行獨奏會，在Taiwan Connection音樂節、美國聖地牙哥拉荷亞音樂節、加拿大維多利亞音樂節等演出獨奏或室內樂。國際媒體報導方面，臺灣表演藝術雜誌、英國低音提琴雜誌Double Bassist、國際低音提琴雜誌Bass World和2008年國際低音提琴協會月曆International Society of Bassists曾專文介紹卓涵涵，在2004年，國際低音提琴協會於2004年贈琴與卓涵涵。專輯出版方面，2004年卓涵涵出版個人實況音樂會DVD《現代音樂晚安故事集（Contemporary Bedtime Stories）》（2005, Lemur Music）。2007年與低音提琴大師蓋瑞卡爾Gary Karr錄製CD 《39歲舒曼作品集（Poetic Schumann at 39）》（2009, Amati Productions），於2009年出版。這些出版品均受到國際低音提琴雜誌佳評。Han Han ChoDouble Bass“...both Karr and Han Han Cho interpret the lyricism to levels probably not conceivable by Schumann in its original setting for piano. Han Han Cho’s effortless execution along with an innately mature musical sensibility allows her to keep pace with a legend, and maybe even start one of her own.”－Bass World, 2010Han Han Cho is presently the principal bassist of Taipei Symphony Orchestra (TSO). Some of her chamber music performances after returning to Taiwan include those with Taiwan Pure Strings and at the Kuandu Arts Festival in 2013 and 2014. She has joined Hsin Tien Senior High School to play the Double Bass Concerto Op. 3 by Sergey Alexandrovitch Koussevitzky, and performed Bottesini’s La Sonnambula Fantasy with the Taiwan Connection Chamber Orchestra. She has also held concerts and lectures at the Beijing International Double Bass Festival. She had been the principal in La Jolla, US, and the assistant principal bassist of Taiwan’s National Symphony Orchestra. The Boston Globe has praised highly of Cho’s capacity to lead as a principal.Cho acted as the chair of International Society of Bassists (ISB) Double Bass Performance Competition for the age 15-18 Division in 2013. In terms of personal achievements in competitions, she has been the recipient of multiple international awards and honors, including the third prize at Japan’s Izuminomori International Double Bass/ Cello Competition. When she was still attending school, she won the first place of the strings division in the concerto competition of National Taiwan University of Arts, the first place of the double bass division in the concerto competition of TSO, and was a five-time-champion of the double bass division in the National Student Competition of Music.Cho won the Government Scholarship to Study Abroad in 2008 and in 2010, she received her PhD in performance in University of California, San Diego. After returning to Taiwan, she has held recitals at the Beijing International Double Bass Festival, the annually held ISB convention in San Francisco, and performed in Taiwan Connection Music Festival, in La Jolla in the US, and Victoria in Canada. She was a featured artist in several music publications, including Taiwan’s Performing Arts Review, UK’s Double Bassist, the Bass World, and the ISB calendar in 2008. In 2004, Cho received a bass as an honor from the ISB. In regard to her records, Cho released her live concert DVD titled Contemporary Bedtime Stories with Lemur Music in 2004, and Poetic Schumann at 39, a two-disc set featuring double bass virtuoso Gary Karr with Amati Production in 2009. These records have received excellent reviews from Bass World.

法國號、自然號/理查．貝利斯 Richard Bayliss

Mon, 19 Dec 2016 16:00:00 GMT

理查．貝利斯、德里克．泰勒和安德魯克拉克三人，過去於英國倫敦的皇家音樂學院 (RAM) 修讀法國號。這段期間，貝利斯在RAM 弦樂隊出任獨奏、在海頓的協奏曲擔任雙號，也在布里頓的小夜曲出任男高音、法國號與弦樂器。而作為一位獨奏家，貝利斯曾與BBC交響樂團以及聖馬丁學院樂團合作演出。除此之外，貝利斯也曾經與許多英國於這個領域當中，數一數二的樂團合作，包括英國皇家愛樂樂團、北愛爾蘭阿爾斯特管弦樂團、倫敦莫札特演奏樂團、英國室內管弦樂團、挪威廣播交響樂團，古爾基本安樂團等等，亦曾經擔任蘇格蘭室內樂團之客座首席。不僅如此，身為天生法國號演奏者的貝利斯，也曾於加百利樂團、英國巴洛克獨奏家、倫敦韓德爾樂團、古代音樂學院等，出任首席的角色。理查德同時也是歌里亞德管樂五重奏樂團的創始成員之一，可以經常於英國的BBC第三電臺，以及經典FM的頻道上聽見他們的作品。Richard BaylissFrench Horn、Natural HornRichard studied the horn at the Royal Academy of Music (RAM) in London with Derek Taylor and Andrew Clark. During this time he appeared as soloist with the RAM String Orchestra in Haydn's Concerto for two horns and Britten's Serenade for tenor, horn and strings. As a soloist, Richard has performed with the BBC Symphony Orchestra and the Academy of St Martin in the fields Richard has performed with many of the UK’s leading Orchestras, including the Royal Philharmonic Orchestra, Ulster Orchestra, London Mozart Players, English Chamber and has performed as guest principal with Scottish Chamber Orchestras, the Norwegian radio orchestra and the Gulbenkian Orchestra, and as a natural horn player he has performed as principal with the Gabrieli Consort, English Baroque Soloists, London Handel Orchestra, and the Academy of Ancient Music. Richard is a founding member of the Galliard Ensemble Wind Quintet, with whom can often be heard in the UK on BBC Radio 3 and Classic FM.

法國號、自然號/蓋文．愛德華斯 Gavin Edwards

Mon, 19 Dec 2016 16:00:00 GMT

出生在斯坦斯特德，一個位於一座風車旁邊，全家都熱愛藝術的大家庭。他的父母親是眾所皆知的圖書插畫師，而他的家人也都擅長演奏樂器，不過當中只有他的哥哥演奏中提琴。愛德華斯還記得當他四歲的時候，曾經在電視上看到一場音樂會，當時便對這種法國號的樂器留下了深刻的印像。因此，當他得到了內倫敦教育局所給予的學習機會時，便開始了他在哈博戴斯阿斯克學校，向理查德．馬丁學習法國號的學習生涯。很快地，愛德華斯搬到了位於皮姆利科的青年音樂中心，並在那裡接受戈登．卡爾的音樂指導。在此之後，愛德華斯獲得了進入市政廳音樂及戲劇學院的就讀機會。在學院裡，愛德華斯首先向理查德．比斯學習，接著再向安東尼．基德爾學習。而在市政廳音樂及戲劇學院學習的這段期間，愛德華斯遇見了擔任古代音樂學院法國號首席的霍爾斯特德，於是便開始向霍爾斯特德學習自然號。然後，透過將愛德華斯送到遙遠的西班牙，出任西班牙特內里費交響樂團的法國號首席，霍爾斯特德讓加文開始了正式的音樂職業生涯。對此，愛德華斯自己解釋成「在大西洋中間的一顆小小的石頭，就是一個讓人可以發生所謂早期失誤的好地方！」不過惱人的是，他在那裡也只待了一季（生活實在太輕鬆愜意了！）然後便返回英國，繼續跟隨著霍爾斯特德，並且加入了漢諾威樂團，當時漢諾威樂團正在進行收錄一系列的貝多芬交響樂。在當時的這段期間，對所有的樂團來說，其實正是一個黃金時期，因為所有的樂團唱片公司，都希望能在新發行的唱片中，聽見嶄新且令人興奮的演出表現。當時愛德華斯很快地便成為了參與許多黃金時期之「期間性」合奏的固定合作演奏者，出任了漢諾威樂隊、英國巴洛克獨奏家、革命浪漫管弦樂團、啟蒙時代管絃樂團、古樂學會樂團、Florilegium樂團，以及古典歌劇等等的法國號主力首席。Gavin EdwardsFrench Horn、Natural HornBorn next to a windmill in Stansted to a large and artistic family, his parents are well known book illustrators and his family all play instruments, except his elder brother who played the viola. Gavin remembers seeing a concert on television when he was four years old and was really impressed with the horns. So, when he was given the chance by the Inner London Education Authority, he started to learn the horn with Richard Martin at Haberdashers Aske’s school. Soon Gavin moved on to the Centre for Young Musicians at Pimlico where he was taught by Gordon Carr. After this, Gavin gained a place at the Guildhall School of Music and Drama, where he studied firstly with Richard Bissell and then with Anthony Chiddel. During his time at the Guildhall, Gavin met Anthony Halstead, who was Principal Horn with the Academy of Ancient Music and started to learn the Natural Horn with him. It was Anthony Halstead who started Gavin in the profession by sending him as far away as possible to play as Principal Horn with the Orchestra Symphonica de Tenerife. Gavin reasoned that “A small rock in the middle of the Atlantic was a good place to make those early mistakes!” Annoyingly, He stayed there for only one season (Life was too easy!) before returning to haunt Mr. Halstead, joiming the Hanover Band as it was recording its’ series of Beethoven Symphonies. This period was a golden time for all the orchestras as the recording companies wanted new and exciting performances to release on the new Compact Discs. Gavin was soon working as a regular player with all the “period” ensembles, becoming principal horn with The Hanover Band, The English Baroque Soloists, The Orchestre Revolutionnaire et Romantique, The Orchestra of the Age of Enlightenment, The Academy of Ancient Music, Florilegium, and Classical Opera.

男低音/賽巴斯汀．霍勒契克 Sebastian Holecek

Mon, 19 Dec 2016 16:00:00 GMT

奧地利男低音暨男中音賽巴斯汀．霍勒契克，於2013年在柯芬園皇家歌劇廳的首次演出，擔任《魔笛》中的寺廟的發言人，自此之後，便於該劇院演唱《弄臣》的蒙特隆伯爵。在2016/17樂季，他將重返演出《紐倫堡的名歌手》的柯特納。霍勒契克出生在維也納，就讀於維也納音樂暨表演藝術大學，並在義大利追隨男中音吉諾．貝奇學習。他是維也納人民歌劇院的其中一員，他曾經演出過《卡門》的埃斯卡米諾、《蝙蝠》的艾森史坦男爵、《托斯卡》的斯卡皮亞男爵、《外套》的米歇爾和《莎樂美》的先知受洗者約翰。他詮釋莫札特歌劇的男中音、男低中音角色特別為人所知，並且在維也納國立歌劇院、維也納人民歌劇院、柏林國立歌劇院，也在馬德里、巴賽隆納、杜塞道夫、巴黎、蒙地卡羅和聖地亞哥演唱《魔笛》的巴巴吉諾、《費加洛的婚禮》的費加洛和《唐．喬望尼》的男主角。除此之外，他曾在巴伐利亞國立歌劇院演出《沒有影子的女人》的靈魂傳遞者、在維也納國立歌劇院飾演《納克索斯島上的阿麗雅德妮》的哈烈金、在斯特拉斯堡歌劇院飾演《漂泊的荷蘭人》的荷蘭人、在薩爾茲堡音樂節上和聖賽西莉業學院管弦樂團合作表演《費德里奧》的唐．費南多和唐．皮扎羅。霍勒契克常現身在音樂會之中，他曾經在紐約卡內基音樂廳、維也納金色大廳和維也納音樂廳。他的專輯包括《唐．喬望尼》和《魔笛》的DVD，CD包括《魔笛》、《仙女》、施雷克爾歌劇《Irrelohe》和《Christophorus》。他曾因飾演《莎樂美》的施洗者約翰榮獲奧地利音樂劇場 - Goldenen Schikaneder獎項。Sebastian HolecekBassAustrian bass-baritone Sebastian Holecek made his Royal Opera Covent Garden debut in 2013 as Speaker of the Temple (Die Zauberflöte) and has since sung Count Monterone (Rigoletto) for the Company. In the 2016/17 Season he returns to sing Fritz Kothner (Die Meistersinger von Nürnberg).Holecek was born in Vienna and studied at the University of Music there and in Italy with Gino Bechi. He is a member of the Vienna Volksopera, where his roles have included Escamillo (Carmen), Eisenstein (Die Fledermaus), Scarpia (Tosca), Michele (Il tabarro) and Jokanaan (Salome). He is particularly well-known for his interpretation of Mozart baritone and bass-baritone roles and has sung Papageno (Die Zauberflöte), Figaro (Le nozze di Figaro) and Don Giovanni for opera houses including Vienna State Opera, Vienna Volksoper, Berlin State Opera and in Madrid, Barcelona, Düsseldorf, Paris, Monte Carlo and Santiago. Other engagements include Spirit Messenger (Die Frau ohne Schatten) for Bavarian State Opera, Harlequin (Ariadne auf Naxos) for Vienna State Opera, the Dutchman (Der fliegende Holländer) for Opéra national du Rhin, Don Fernando (Fidelio) for the Salzburg Festival and Don Pizarro (Fidelio) with the Accademia Nazionale di Santa Cecilia.Holecek appears widely in concert, in venues including Carnegie Hall, New York, and the Vienna Musikverein and Konzerthaus. His recordings include DVDs of Don Giovanni and Die Zauberflöte and CDs of Die Zauberflöte, Die Feen, Irrelohe and Christophoros. His awards include the Goldenen Schikaneder for his performances as Jokanaan.

男高音/祖拉．祖拉畢許弗利 Zurab Zurabishvili

Mon, 19 Dec 2016 16:00:00 GMT

祖拉．祖拉畢許弗利1973年9月1日出生於喬治亞。1988年至1994年於第比利斯國立音樂學院修習聲樂，師事安娜．施赫拉迪。1994年在薩爾茲堡莫札特音樂大學研習聲樂，師事瑪莎．夏普。2002年6月取得傑出文憑及藝術碩士。曾在大師班指導祖拉畢許弗利的聲樂家包括維克爾和米爾恩斯（薩爾茲堡）、紐巴（尼斯）、帕塔．伯奇拉瑟（薩爾茲堡），並接受里卡多．倫巴第的私人授課。2002年起私下向薩爾茲堡莫札特音樂大學的榮譽教授漢娜．路德維希學習聲樂技巧、詮釋及演戲。2003年獲得奧地利榮譽獎。2005年二度獲得塔利亞維尼國際聲樂大賽首獎。2003至2006年成為奧格斯堡劇院之簽約歌者。2006至2007樂季加入達姆斯塔特國立劇院。2010至2011樂季起登上德國埃森的阿爾托劇院。祖拉畢許弗利曾在下列劇院登臺演唱：雅典的希臘國家劇院、柏林德意志歌劇院、波昂劇院、凱姆尼茲劇院、哥本哈根皇家歌劇院、杜塞爾多夫萊茵河畔德意志歌劇院、埃森的阿爾托劇院、格拉茲歌劇院、漢諾威國立歌劇院、因斯布鲁克的第羅爾州立劇院、卡爾斯魯厄的巴登州國立劇院、曼海姆國家劇院、慕尼黑加特納廣場國立劇院、臺北國家歌劇院、第比利斯歌劇院、特拉維夫的以色列歌劇院、都靈皇家劇院、威瑪德意志國家劇院、威斯巴登國立劇院、克羅埃西亞的薩格勒布國家劇院、瑞士蘇黎世歌劇院。Zurab ZurabishviliTenorZurab Zurabishvili was born on September 1, 1973 in Tbilisi, Georgia. 1988-1994 voice study at Tbilisi Conservatory with Prof. Ana Chikhradze. 1994 voice study at Mozarteum Salzburg with Prof. Martha Sharp. June 2002, diploma with excellence and Master of Arts.Master classes with Bernd Weikl and Sherrill Milnes in Salzburg, Laurenne Nubar in Nizza, Paata Burchuladze in Salzburg and private study with Riccardo Lombardi.　Since october 2002 private study in vocal technique, interpretation and acting with Hanna Ludwig, professor emeritus at the University Mozarteum Salzburg.He is the winner of the Austrian Prize Honor in 2003, and two-time winner of the 11th "Ferruccio Tagliavini" International Voice Competition in 2005. He was engaged as a member of the ensemble of Theater Augsburg from 2003　to 2006, of Staatstheater Darmstadt from 2006 to 2007 and of the Aalto Musiktheater Essen from 2010 to 2013.As a guest artist he has also appeared with Greek National Opera Athens, Deutsche Oper Berlin, Theater Bonn, Theater Chemnitz, Royal Opera House Copenhagen, Deutsche Oper am Rhein Düsseldorf, Aalto-Musiktheater Essen, Oper Graz, Staatsoper Hannover, Tiroler Landestheater Innsbruck, Badisches Staatstheater Karlsruhe, Nationaltheater Mannheim, Staatstheater am Gärtnerplatz München, National Theater Taipei, Tbilisi Opera, Israeli Opera Tel Aviv, Teatro Regio Turin, Deutschen Nationaltheater Weimar, Staatstheater Wiesbaden, National Theater Zagreb, Opernhaus Zürich.

次女高音/娜瑪．高曼 Na’ama Goldman

Mon, 19 Dec 2016 16:00:00 GMT

出生於以色列，2012年娜瑪．高曼在非常短的時間內接演以色列瑪薩達藝術節，丹尼爾．奧倫所指揮的《卡門》女主角，傑出的表現為人稱道，旋即獲邀至以色列歌劇院擔任主要角色。其中包括《塞維亞的理髮師》中的羅西娜，《唐．喬望尼》的愛爾維拉，《納布科》中的菲妮娜，《費加洛的婚禮》的凱魯比諾，《弄臣》的瑪達蕾娜和《羅密歐與茱麗葉》的史黛芬諾。除此之外，其他重要的經歷為，擔任在以色列歌劇院《灰姑娘》的主角；在韋克斯福德音樂節上擔任馬里奧特《莎樂美》的主角，在特內里歌劇院擔任《女人皆如此》的朵拉貝拉，在上海巴洛克藝術節《朱利奧•塞薩爾》歌劇中擔任的柯妮莉亞；在義大利佩薩羅羅西尼歌劇節出演《蘭斯之旅》的瑪切莎．梅莉畢和在瓦隆皇家歌劇院演出的《納布科》歌劇中擔任次女菲妮娜。維也納音樂廳演出海頓的清唱劇《納克索斯的阿莉安娜》，並在格林德伯恩歌劇節同時擔任《卡門》和《碧翠絲與班尼狄克》中的主角。娜瑪．高曼於梅特歌劇院成員，詮釋過《維特》中的夏綠蒂、《糖果屋》中的韓塞爾、《蝙蝠》中的歐羅夫斯基王子，也在《魔笛》中的侍女。她也和許多著名的指揮合作過，包括：大衛．安格斯、費德里克．查斯林、卡羅．戈爾茨坦、露契亞諾．迪．馬提諾、丹尼爾．奧倫、喬治．佩利凡尼安、大衛．斯特恩、克麗．林恩．威爾遜、奧伯托．傑達和尼古拉．柏洛發等。她也和許多導演合作過，包括：尼古拉‧柏洛發、克爾斯滕．哈姆斯、約翰．路易格林達、強卡洛．德爾．莫納科、亞歷山德羅．德雷非、馬李斯．楚林斯基和安德里斯．扎格爾斯等。未來計劃在特內里費禮堂演出《卡門》、古諾歌劇《浮士德》，和在以色列歌劇院演出《仲夏夜之夢》的赫米婭。Na’ama GoldmanMezzo SopranoBorn in Israel, she stepped in at very short notice to sing the title role of Carmen at the Massada Festival in 2012 under Daniel Oren, making such a big impression that she was immediately engaged for leading roles by Israeli Opera. These comprise Rosina in Il Barbiere di Siviglia, Donna Elvira in Don Giovanni, Fenena in Nabucco, Cherubino in Le Nozze di Figaro, Maddalena in Rigoletto, and Stéphano in Roméo et Juliette. Among other important engagements are the title role of in La Cenerentola at Israeli Opera, the title role of Mariotte’s Salome at the Wexford Festival, Dorabella in Così fan tutte for Ópera de Tenerife, Cornelia in Giulio Cesare at the Shanghai Baroque Festival, Marchesa Melibea in Il Viaggio a Reims at the Rossini Opera Festival Pesaro and Fenena in Nabucco at Opéra Royal de Wallonie. She also appeared at the Wiener Konzerthaus in Haydn’s cantata Arianna a Naxos and was engaged by the Glyndebourne Festival Opera to cover both the title role of Carmen and Béatrice Béatrice et Bénédict.Whilst a member of the Meitar Opera Studio, Na’ama Goldman performed many roles including Charlotte in Werther, Hänsel in Hänsel und Gretel, Orlofsky in Die Fledermaus and Zweite Dame in Die Zauberflöte.Among the notable conductors with whom she has appeared are David Angus, Frederic Chaslin, Carlo Goldstein, Luciano di Martino, Daniel Oren, George Pehlivanian, David Stern, Keri Lynn Wilson, Alberto Zedda and Nicola Berloffa. Directors with whom she has collaborated include Nicola Berloffa, Kirsten Harms, Jean-Louis Grinda, Giancarlo del Monaco, Alessandro Talevi, Mariusz Trelinski and Andrejs ŽagarsFuture plans include Carmen for Ópera De Tenerife, Siébel in Faust and Hermia in A Midsummer Night’s Dream for Israeli Opera.

女高音/艾嘉．米高拉 Aga Mikolaj

Mon, 19 Dec 2016 16:00:00 GMT

前慕尼黑巴伐利亞國立歌劇院團員，艾嘉．米高拉師事於伊莉莎白•舒瓦茲柯芙，並擔任莫札特歌劇女主角而享負盛名。現在累積寬廣而多元的曲目，包括理查．史特勞斯、威爾第和華格納歌劇的主要角色，讓她在歐洲、美國和日本都獲得高度評價。其職業生涯中的亮眼表現包括，首次在巴黎歌劇院和史卡拉歌劇院演出《魔笛》、柏林國家歌劇院、森柏歌劇院演出《唐．喬望尼》、葛萊德伯恩音樂節演出《女人皆如此》和蒙地卡羅歌劇院演出《法斯塔夫》。其他值得注意的表演，包括：參與導演迪米崔．策尼亞柯夫在莫斯科大劇院劇院製作的歌劇《唐．喬望尼》，飾演唐納．安娜，在德國埃森阿爾托劇院飾演《紐倫堡的名歌手》的伊娃，以及在慕尼黑巴伐利亞國立歌劇院演出《萊茵黃金》的佛萊亞。她還與杜達美所指揮的洛杉磯愛樂合作，飾演《唐．喬望尼》的愛維拉，並在小澤征爾的指揮下，與維也納國家歌劇院日本巡迴演出。2013年，艾嘉．米高拉參與巴倫波因指揮的《指環》系列，在史卡拉歌劇院、柏林國家歌劇院和倫敦BBC 逍遙音樂節中皆成功演出。作為一位圓熟的音樂表演者，艾嘉．米高拉曾在大西洋兩岸演出馬勒、貝多芬、舒伯特、史特勞斯、威爾第、潘德列斯基和席曼諾夫斯基等作曲家的經典名曲。本樂季她返回皇家音樂廳管弦樂團，在馬庫斯．史坦茲的指揮下世界首演德特勒夫．格蘭內特的《安魂曲》，並且與指揮詹姆斯．費德克和海牙市立管弦樂團合作理查．史特勞斯《最後四首歌》。其他演出包括與指揮詹姆斯．康倫、義大利國家廣播交響管弦樂團合作貝多芬第九號交響曲；與蒙特卡羅愛樂樂團演出由展路易吉．展梅蒂指揮的《莊嚴彌撒》，以及與國立里昂管弦樂團演出由安德里斯．波嘉指揮的《威森東克之歌》。近期的舞臺演出，艾嘉．米高拉回到東京新國立劇場，在由安德理亞．荷穆齊製作，以及特林克斯的歌劇《費加洛的婚禮》中，飾演伯爵夫人。Aga MikolajSopranoA former member of Munich’s Bayerische Staatsoper, Aga Mikolaj studied with the late Dame Elisabeth Schwarzkopf and built her reputation on Mozart’s leading ladies. Having now amassed a wide and varied repertoire including principal roles by Richard Strauss, Verdi and Wagner, she has gone on to enjoy operatic success throughout Europe, the USA and Japan. Highlights of an extensive career include debuts at Opéra national de Paris and Teatro alla Scala (Die Zauberflöte), Staatsoper unter den Linden, Semperoper Dresden (Don Giovanni), at Glyndebourne Festival (Cosí fan tutte) and at Opera de Monte Carlo (Falstaff). Further notable appearances have included a role debut as Donna Anna (Don Giovanni) in Dmitri Tcherniakov's production at the Bolshoi Theatre, Eva (Die Meistersinger) at the Aalto Theater in Essen and Freia (Das Rheingold) at the Bayerische Staatsoper. She has also sung Donna Elvira with the Los Angeles Philharmonic under Gustavo Dudamel and on tour with the Wiener Staatsoper in Japan under Seiji Ozawa. In 2013, Aga Mikolaj appeared as part of Daniel Barenboim’s triumphant Ring Cycle at Teatro alla Scala, Berliner Staatsoper and as part of London’s BBC Proms.A consummate concert artist, Aga Mikolaj has performed on both sides of the Atlantic in works by composers such as Mahler, Beethoven, Schubert, Strauss, Verdi, Penderecki and Szymanowski. This season she returns to the Royal Concertgebouw Orchestra for the world premiere of Detlev Glanert’s Requiem under Markus Stenz, and to The Hague with the Residentie Orkest for Vier letzte lieder conducted by James Feddeck. Elsewhere Mikolaj sings Beethoven’s Symphony No.9 with the Orchestra Sinfonica Nazionale della Rai under James Conlon, Missa Solemnis under Gianluigi Gelmetti with Orchestre Philharmonique de Monte-Carlo and Wesendonck Lieder with Orchestre National de Lyon under Andris Poga.On stage, Aga Mikolaj returns to the New National Theatre Tokyo as Contessa in Andreas Homoki’s production of Le nozze di Figaro under Constantin Trinks.

指揮/湯瑪斯．桑德霖 Thomas Sanderling

Mon, 19 Dec 2016 16:00:00 GMT

歌劇雜誌「...管弦樂的襯和－引人注目、令人回味、強烈的描繪－在這戲劇性的一景扮演重要的角色。在人聲和管弦樂之間取得典範般的平衡，是魏因貝格作品最強烈的特色，湯瑪斯．桑德霖精湛的指揮下，在這裡被精彩的複製。」－克里斯多福．巴蘭坦維也納國家歌劇院《魔笛》「...這位從柏林來的新指揮，給了我們一個奧妙的莫札特...驚為天人！」－維也納信使報（Wiener Kurier）湯瑪斯．桑德霖成長於聖彼得堡，正是其父－知名指揮家庫特．桑德霖（Kurt Sanderling）擔任常任指揮的聖彼得堡愛樂樂團的所在地。他畢業於聖彼得堡音樂院，並繼續在柏林音樂學院學習指揮，24歲時擔任哈雷歌劇院的音樂總監。25歲時，他就曾指揮過東德所有頂尖的管弦樂團和歌劇院，包括德勒斯登國立歌劇院樂團和萊比錫布商大廈管弦樂團等。他在柏林喜歌劇院的演出，贏得了柏林評論人獎。他錄製蕭斯塔科维奇的《米開朗基羅組曲》（首演錄音）的專輯，使他成為指揮家卡拉揚與伯恩斯坦的助理指揮。1980年代初期，他成為柏林國家歌劇院的常任客席指揮，也讓他在維也納國家歌劇院首次登臺演出的《魔笛》大獲成功。維也納國家歌劇院立即邀請他指揮《費加洛婚禮》－在偉大的指揮家卡爾‧貝姆去世後首度再次製作這齣歌劇。他曾贏得了許多大賽首獎，並且以指揮德國、俄羅斯及法國管弦樂曲目聞名於世。他曾指揮的管弦樂團有：BBC蘇格蘭交響樂團、巴爾的摩交響樂團、巴伐利亞廣播交響樂團、挪威卑爾根愛樂、伯恩茅斯交響樂團、捷克愛樂、達拉斯交響樂團、柏林德意志交響樂團、德勒斯登國立歌劇院樂團、德勒斯登愛樂、萊比錫布商大廈管弦樂團、英國哈雷管弦樂團、赫爾辛基愛樂、柏林音樂廳管弦樂團、倫敦愛樂、蒙特婁交響樂團、北德廣播交響樂團、奧斯陸愛樂管絃樂團、愛樂管弦樂團、匹茲堡交響樂團、皇家利物浦愛樂、英國皇家愛樂、荷蘭廣播愛樂、皇家斯德哥爾摩愛樂、聖彼得堡愛樂、莫斯科柴科夫斯基廣播交響樂團、溫哥華交響樂團、科隆西德廣播交響樂團。他也是德國各廣播管弦樂團的常任客席指揮、新西伯利亞愛樂樂團的首席客席指揮、俄羅斯國家愛樂樂團的首席客席指揮，以及大阪交響樂團獎授他終身桂冠音樂總監，並在與這個樂團合作中，三年內贏得了兩次大阪評論家大獎。他曾指揮的蕭斯塔科维奇曲目首演：長久以來，他與蕭斯塔科维奇及其家人關係緊密，且與其遺孀伊莉娜‧蕭斯塔科维奇也有密切合作。由於他贏得東德的指揮大賽，因此應葉夫蓋尼‧史維特拉諾夫的邀請，在莫斯科指揮俄羅斯國家交響樂團的演出，進而認識了德米特里‧蕭斯塔科维奇。他的表現令蕭斯塔科維奇印象深刻，委託他將第13號和第14號交響曲的翻譯成德文，並指揮了這兩個作品的德國首演。他還指揮了《米開朗基羅組曲》的世界首演錄音，並在隨後的兩首英國歌曲首演音樂會，負責撰寫原始英文文本：六首英國浪漫詩和英美民間歌曲，在慕尼黑巴伐利亞廣播交響樂團合作，兩首皆為現場錄音，並在2012年由Orfeo唱片發行。在伊莉娜‧蕭斯塔科维奇的遊說下，編製了義大利原始版本的《米開朗基羅組曲》並提獻給她。Thomas Sanderling ConductorOpera Magazine“…Orchestral accompaniment-compelling , evocative, strongly delineating - is a vital part of the dramatic action.An exemplary balance between voices and orchestra is a striking feature of Weinberg’s score, and under Thomas Sanderling’s masterful direction is thrillingly reproduced here. ”Christopher BallantineWiener Staatsoper - Die Zauberflöte“…a new conductor from Berlin gave us a Mozart full of mysteries…Astonishing!”- Wiener Kurier He grew up in St Petersburg, where his father, the celebrated conductor Kurt Sanderling, was permanent conductor of the St Petersburg Philharmonic Orchestra. He graduated from the Music School of the Leningrad Conservatory and went on to study conducting at the Hochschule für Musik in East Berlin, becoming Music Director of the Halle Opera at 24 years old. By his mid-twenties he was conducting in all East Germany’s principal orchestras and opera houses, including the Dresden Staatskapelle and the Leipzig Gewandhaus and won the Berlin Critic’s Prize for his opera performances at the Komische Oper Berlin. His CD of Shostakovich’s Michelangelo Suite (premiere recording) directly lead to his becoming assistant to both Herbert von Karajan and Leonard Bernstein. In the early 1980s he became permanent guest conductor of the Deutsche Staatsoper Unter Den Linden, which led to his successful debut at the Wiener Staatsoper, conducting Die Zauberflöte. Immediately afterwards the Wiener Staatsoper invited him to conduct Le Nozze di Figaro – the first performance after the death of the great Karl Böhm. He has won many prizes and a competition and is particularly renowned for the German, Russian and French orchestral repertory. Among the orchestras he has conducted are:BBC Scottish; Baltimore Symphony; Bayerische Rundfunk Symphony Orchestra; Bergen Philharmonic; Bournemouth Symphony; Czech Philharmonic; Dallas Symphony; Deutsches Symphonie Orchester; Dresden Staatskapelle; Dresden Philharmonic; Gewandhaus Orchestra Leipzig; Halle Orchestra UK; Helsinki Philharmonic; Konzerthausorchester Berlin; London Philharmonic; Montreal Symphony; NDR Hamburg Symphony Orchestra; Oslo Philharmonic; Philharmonia Orchestra; Pittsburg Symphony; Royal Liverpool Philharmonic; Royal Philharmonic; Radio Philharmonic Hilversum; Royal Stockholm; St Petersburg Philharmonic; Tchaikowsky Radio Symphony, Moscow; Vancouver Symphony; WDR Symphony Cologne. He is also a regular guest conductor of radio orchestras in Germany. He is principal guest conductor of the Novosibirsk Philharmonic Orchestra, principal guest conductor of the National Philharmonic Orchestra of Russia and the Osaka Symphony awarded him the title of Music Director Laureate for his Lifetime. With this Orchestra he won the Grand Prix of the Osaka Critics twice in three years.Shostakovich Premieres he has conducted:He has enjoyed a close relationship with Shostakovich and his family for many years and still works in close collaboration with Irina Shostakovich. He originally met Dmitri Shostakovich whilst making his Moscow debut, conducting the State Orchestra of Russia, on the invitation of Evgeny Svetlanov, as a result of winning a conducting competition in East Germany. Greatly impressed, Shostakovich entrusted him with the translation into German of the texts of the 13th and 14th Symphonies and he conducted the German premieres of both works. He also conducted the world premiere recording of the Michelangelo Suite followed by a concert of the premiere of two British song cycles for which he was responsible for setting the original English text:Six Romances on Verses of British Poets and Anglo-American folk Songs, with the Symphony Orchestra of the Bavarian Radio in Munich, both recorded live and released on the Orfeo Label in 2012. At the instigation of Irina Shostakovich he made an Italian original version of the Michelangelo Suite, which is dedicated to her.

小提琴/陳銳 RAY CHEN

Mon, 01 Aug 2016 16:00:00 GMT

西貝流士夢想成為一名小提琴大師。陳銳用他無懈可擊的技巧與豐富的聲響，在維也納金色大廳以輝煌奪目的演出實踐了這個夢想。─ KURIER
他那兼具質感又光芒耀眼的音色極為動人。─《華盛頓郵報》
跳躍的音色，蕩漾的情緒，陳銳的藝術性熱烈表露無遺。 ─《泰晤士報》
開頭的幾個音下去，就知道接下來毫無疑問是一場特別的音樂盛宴。─ THE STRAD
陳銳以他的演奏突破了所有古典樂中的無形屏障。─《聖地牙哥論壇報》
陳銳的巨星魅力如同他所演奏的拉羅《西班牙交響曲》般熠熠生輝、光彩耀人。─《蘇格蘭人報》

贏得2009年伊麗莎白女王音樂大賽和2008年曼紐因音樂大賽的陳銳，可說是當代最引人注目的小提琴新秀之一。小提琴大師凡格羅夫表示，「陳銳在在表現了自己是一個執著於追求完美的音樂家，他的音色優美，有活力，又不失輕盈。他已集所有音樂詮釋技巧於一身。」

陳銳曾在索尼唱片發行三張連樂評人都讚譽有佳的專輯：一張名為「炫技」的巴哈／法朗克／維尼亞夫斯基作品集；與指揮丹尼爾‧哈汀及瑞典廣播交響樂團錄製的孟德爾頌／柴可夫斯基小提琴協奏曲。這兩張成功的錄音，被The Strad雜誌及留聲機雜誌評為「最值得矚目的音樂家」。其中，傑出的「炫技」亦榮獲極具聲望的回聲音樂獎。他的第三張專輯，與指揮艾森巴哈及石勒斯威格─荷仕登音樂節管弦樂團合作錄製的莫札特專輯則於2014年1月發行。

陳銳持續獲得來自世界各地的樂迷及音樂家肯定。2015年法國國慶日，他與指揮加提及法國國家交響樂團一起演出電視轉播音樂會，收看觀眾逾80萬人。

陳銳近期完成了與長野健及哥德堡交響樂團在中國的五座城市巡演，以及與艾森巴哈及倫敦愛樂進行的歐洲巡演。前一個樂季中的另一個亮眼表現是在阿姆斯特丹音樂廳與鹿特丹愛樂演出，並二度與加提及法國國家交響樂團合作。

2012年，他以最年輕獨奏家的身份在諾貝爾獎電視音樂會上為獲獎者及瑞典王室演奏。在卡內基音樂廳，他完成了與皇家斯德哥爾摩愛樂及歐拉默的演出，並與萊比錫布商大廈管弦樂團及夏伊在維也納金色大廳舉辦音樂會，座無虛席，這兩場演出都獲得了極高的呼聲。陳銳也在2012至2015年間身任多特蒙德音樂廳的狂野青年藝術家。

陳銳期望透過社群媒體平台吸引年輕族群，藉此拓展古典音樂的觀眾，他在SoundCloud上已被超過200萬人追蹤。尤其是他自製的一系列幽默且具教育意義的俏皮線上影片，更證明了這個做法的效果。他甚至是第一個以巡演獨奏家身份被義大利最大的出版社「RCS媒體集團」邀請定期撰寫部落格的古典音樂家。致力於突破古典音樂、時尚與流行文化的他獲得Armani的支持，並在最近成為Vogue的精選人物。

生於臺灣、成長於澳洲的陳銳，15歲進入寇提斯音樂院就讀，師事Aaron Rosand且受到青年音樂藝術家協會獎助。目前使用的是曾為匈牙利名小提琴家姚阿幸所擁有的1715年史特拉底瓦里名琴「姚阿幸」，由日本音樂財團贊助提供。

“Sibelius dreamed of a career as a violin virtuoso. Ray Chen is fulfilling this dream with a brilliant debut in the Golden Hall [of Musikverein]. Rock-solid technique and lush sound.” KURIER “The tone he gets is almost human in its slight graininess and glow.” THE WASHINGTON POST “Colors dance, moods swing, and Chen’s artistry blazes.” THE TIMES “From the first notes there was no doubt of being in the presence of something special.” THE STRAD “Chen crashes through any supposed barriers erected around classical music with his playing.” THE SAN DIEGO TRIBUNE “Ray Chen’s rock star charm was as winning as his smouldering delivery of Lalo’s Symphonie espagnole.” THE SCOTSMANWinner of the Queen Elisabeth (2009) and Yehudi Menuhin Competitions (2008), Ray Chen is among the most compelling young violinists today. “Ray has proven himself to be a very pure musician with great qualities such as a beautiful youthful tone, vitality and lightness. He has all the skills of a truly musical interpreter,” said the great Maxim Vengerov. Ray has released three critically acclaimed albums on Sony: a recital program “Virtuoso” of works by Bach, Tartini, Franck, and Wieniawski, and the Mendelssohn and Tchaikovsky concertos with Swedish Radio Orchestra and Daniel Harding. Following the success of these recordings, Ray was profiled by The Strad and Gramophone magazines as “the one to watch”. “Virtuoso” was distinguished with the prestigious ECHO Klassik award. His third recording, an all-Mozart album with Christoph Eschenbach and the Schleswig-Holstein Festival Orchestra, was released in January 2014. Ray continues to win the admiration of fans and fellow musicians worldwide. On Bastille Day in 2015, he joined Daniele Gatti and the Orchestre National de France for a televised concert on the Champs-de-Mars in Paris in front of an audience of over 800,000. Ray recently completed a five-city tour of China with the Gothenburg Symphony and Kent Nagano as well as a European tour with the London Philharmonic and Christoph Eschenbach. Other highlights of the past season include his debuts with the Rotterdam Philharmonic, a recital at the Amsterdam Concertgebouw and a second engagement with Gatti and the Orchestre National de France. In 2012 he became the youngest soloist ever to perform in the televised Nobel Prize Concert for the Nobel Laureates and the Swedish Royal Family. His Carnegie Hall debut with the Royal Stockholm Philharmonic and Sakari Oramo, as well as his sold-out Musikverein concert with the Gewandhaus Orchestra and Riccardo Chailly were met with standing ovations. Ray was a Junge Wilde artist at the Konzerthaus Dortmund between 2012 and 2015. Followed by over 2 million people on SoundCloud, Ray Chen looks to expand the classical music audience by increasing its appeal to the young generation via all available social media platforms. In particular his series of quirky, self- made online videos has proven an effective tool in broadening the reach of classical music through humor and education. He is the first ever classical musician to be invited to write a regular blog about his life as a touring soloist for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). In his unstinting efforts to break down barriers between classical music, fashion and pop culture, he is supported by Giorgio Armani and was recently featured in Vogue magazine. Born in Taiwan and raised in Australia, Ray was accepted to the Curtis Institute of Music at age 15, where he studied with Aaron Rosand and was supported by Young Concert Artists. He plays the 1715 “Joachim” Stradivarius violin on loan from the Nippon Music Foundation. This instrument was once owned by the famed Hungarian violinist, Joseph Joachim (1831-1907).

指揮/史提芬‧史托爾泰茲 Stefan Soltesz

Mon, 01 Aug 2016 16:00:00 GMT

史提芬‧史托爾泰茲常以客席指揮身分在維也納國家歌劇院及歐洲各大歌劇院演出，如羅馬歌劇院、柏林歌劇院、漢堡歌劇院、慕尼黑歌劇院、法蘭克福歌劇院、科隆歌劇院、瑞士日內瓦大劇院、莫斯科大劇院、布達佩斯歌劇院。此外，也在阿姆斯特丹荷蘭劇院、畢爾包劇院、巴黎歌劇院、倫敦科芬園皇家歌劇院、卡塔尼亞的貝里尼劇院、布宜諾斯艾利斯的科隆劇院、華盛頓和舊金山歌劇院、蘇黎世歌劇院、日本新國立劇場，以及在台北、法國蒙佩里耶、普羅旺斯艾克斯、以及芬蘭薩翁里納及巴登巴登等地的藝術節。2014年首次在華沙大劇院演出華格納歌劇《羅恩格林》。史托爾泰茲1949年出生於匈牙利的尼賴吉哈佐，並在孩童期間搬到維也納。他在維也納音樂藝術學院修習指揮，師事漢斯‧史羅瓦斯基教授，在學期間他也同時修習作曲和鋼琴。1971年，史托爾泰茲在維也納歌劇院開展開指揮生涯第一步，之後他陸續在維也納國家歌劇院擔任音樂指導及指揮(1973年至1983年)，以及在格拉茲劇院擔任客席指揮(1979年到1981年)。於1978、1979及1983年裡，擔任貝姆、杜南憶及卡拉揚等指揮大師的音樂助理。史托爾泰茲也曾擔任漢堡國家歌劇院 (1983年至1985年) 及德國柏林德意志歌劇院(1985年至1997年)的常任指揮。在德國布倫斯維克州立劇院擔任五年音樂總監之後(1988年至1993年)，他接著出任比利時安特衛普法蘭德斯歌劇院的首席指揮(1992年至1997年)。1997年至2003年間，史托爾泰茲出任德國埃森愛樂的音樂總監，以及阿爾托劇院的藝術總監。史托爾泰茲有許多重要的錄音作品及音樂會，包括在柏林、德勒斯登、日內瓦、漢諾威、漢堡、米蘭、慕尼黑、巴黎、羅馬、巴勒摩、都靈、名古屋、布達佩斯、維也納、及莫斯科。所錄製的專輯，歌劇包含：普契尼、加札尼加、亞歷山大•哲林斯基，以及其他交響樂作品。他跟貝爾格及亨策的錄音作品，獲得2010年葛萊美獎及ICMA國際音樂大獎提名。在巴登-巴登音樂節裡演出的理查‧史特勞斯歌劇《莎樂美》及在阿爾托歌劇院演出的德布西歌劇《佩利亞與梅麗桑》都已錄製成DVD發行。史托爾泰茲現為奧地利藉，並居住在柏林。

Stefan Soltesz is a frequent guest conductor at the Vienna State Opera and at the major opera houses throughout Europe, for instance at the Teatro dell’Opera di Roma, the state opera houses in Berlin, , Hamburg and Munich, the opera houses of Frankfurt and Cologne, Grand Théâtre de Genève, Bolshoi Theatre Moscow and Hungarian State Opera in Budapest. He has also appeared at Netherlands Opera Amsterdam, Bilbao Opera, Paris Opéra, Royal Opera House Covent Garden in London, Teatro Bellini in Catania, Teatro Colón in Buenos Aires, Washington and San Francisco opera houses, Zürich Opera, New National Theatre Tokyo, and at the festivals in Taipei, Montpellier, Aix-en-Provence, Baden-Baden, Pisa and Savonlinna. He gave his debut at the Teatr Wielki in Warsaw with Wagner’s “Lohengrin” in 2014.Stefan Soltesz was born in Nyiregyhaza (Hungary) in 1949 and moved as a child to Vienna. He studied conducting with Hans Swarowsky at the Vienna Academy of Music, where he also had training in composition and piano. His artistic career was launched in 1971, as conductor at the Theater an der Wien, followed by engagements as coach and conductor at the Vienna State Opera (1973-1983) and as guest conductor at the Opera House in Graz (1979-1981). During three editions of the Salzburg Festival, in 1978, 1979 and 1983, he worked as a musical assistant to Karl Böhm, Christoph von Dohnányi and Herbert von Karajan.Maestro Soltesz held the position of regular conductor at the Hamburg State Opera (1983-1985) and at the Deutsche Oper Berlin (1985-1997). He served as general music director of the State Theatre of Brunswick from 1988-1993 and as chief conductor of the Flemish Opera in Antwerp and Ghent from 1992-1997. From 1997 to 2013 he has served as the general music director of the Essener Philharmoniker and as artistic director of the Essen opera house Aalto Theater. Stefan Soltesz has led radio performances and concerts in Berlin, Dresden, Genoa, Hanover, Hamburg, Milan, Munich, Paris, Rome, Palermo, Turin, Nagoya, Budapest, Vienna and Moscow. His discography includes operas by Giacomo Puccini, Giuseppe Gazzaniga and Alexander von Zemlinsky, as well as various symphonic works. His recording of music by Alban Berg and Hans Werner Henze won a Grammy nomination as well as an ICMA nomination. Strauss’ “Salome” from the Baden-Baden festival and Debussys’s “Pelléas et Mélisande” from Aalto Theater were published as DVD.Stefan Soltesz holds Austrian citizenship and lives in Berlin.

次女高音/米夏埃拉‧瑟林格 Michaela Selinger

Mon, 01 Aug 2016 16:00:00 GMT

米夏埃拉‧瑟林格的歌唱生涯始於2004年在日內瓦大劇院演出《帕西法爾》，擔綱「花之少女」一角。這位奧地利的聲樂家在2005-2010年曾為維也納國家歌劇院的成員。自此之後，她展開了她的國際演唱之路，包括歌劇及音樂會演出，足跡遍及蘇黎士歌劇院、格林德本藝術節、萊茵歌劇院、里昂歌劇院、東京新國家劇院、維也納金色大廳、維也納音樂廳及薩爾茲堡音樂節。她曾擔綱演出許多歌劇的要角，包括：史特勞斯《玫瑰騎士》中的奧克塔文伯爵、《納克索斯島上的阿麗雅德妮》中的作曲家、莫札特《費加洛婚禮》中的凱魯比諾，以及《依多美尼歐》中的伊達孟特。在2013/14樂季中，她完成了她的美國首演，與芝加哥交響樂團及指揮家穆蒂同台，她的羅馬首演則是在聖塞西莉亞學院管弦樂團。她曾與指揮家史提芬‧史托爾泰茲合作，在盧森堡大劇院演出《玫瑰騎士》中的奧克塔文伯爵一角，在埃森阿爾托劇院演出馬斯奈歌劇《維特》中的夏綠蔕。她也曾與維也納交響樂團及指揮家艾弗‧博爾頓合作，演出莫札特「安魂曲」。在2014/15樂季，瑟林格與指揮家穆蒂合作，在羅馬歌劇院擔綱莫札特《費加洛婚禮》中的凱魯比諾，也在萊比錫歌劇院演出《納克索斯島上的阿麗雅德妮》中的作曲家。她在維也納金色大廳演出貝多芬第四號交響曲，也在埃森阿爾託劇院參與《依多美尼歐》的全新製作演出。瑟林格在2015夏天的薩爾茲堡藝術節中與薩爾茲堡室內樂團、指揮家路易斯‧蘭格里及荷賽普‧卡巴耶‧多明尼克合作，分別演出莫札特C小調彌撒曲及莫札特安魂曲。未來她將與兩位最重要的新世代導演策尼亞柯夫（在里昂歌劇院演出蕭斯塔科維契《馬克白》）及楚林斯基（在華沙歌劇院演出華格那《崔斯坦與伊索德》）合作。此外，她將再次參與薩爾茲堡音樂節，參與史特勞斯《達妮之愛》的2016全新製作演出。

Michaela Selinger started her career in 2004 at the Grand Theatre of Geneva in Wagners Parsifal as Flower Maiden.The Austrian artist was member of the Vienna State Opera (Director Ioan Holender) from 2005 to 2010. Since then an international career has developed including opera and concert appearances, amongst others, at Opera Zurich, Glyndebourne Festival, Opéra du Rhin, Opéra du Lyon, New National Theatre Tokio, Vienna Musikverein, Vienna Konzerthaus and Salzburg Festival. Her most important parts in opera include Octavian in Strauss' Rosenkavalier, Komponist in Strauss' Ariadne auf Naxos, Cherubino in Mozarts Le Nozze and Idamante in Mozarts Idomeneo. In the last season 13/14 she gave her US debut with Chicago Sinfony Orchestra and Maestro Muti and her debut at Accademia di Santa Cecilia in Rome. She sang Octavian in Strauss' Rosenkavalier at the Grand Théatre de Luxembourg with Stefan Soltesz and Charlotte in Massenets Werther in a new production at the Aalto Theatre Essen. At the Vienna Konzerthaus she sang in Mozarts Requiem together with Vienna Sinfonic Orchestra and Ivor Bolton.The season 14/15 led Michaela Selinger to the Opera di Roma, where she was performing Cherubino in Mozarts Le Nozze with Maestro Muti. For the Opera Leipzig she sang Komponist in Strauss' Ariadne auf Naxos. At the Vienna Musikverein she performed in Beethoven IX. Sinfony. She sang Idamante in a new production at the Aalto Theatre Essen, in Mozarts Mass in c minor and Mozarts Requiem with the Camerata Accademica Salzburg conducted by Louis Langrée and Josep Caballé Domenech as well as for the Salzburg Festival in Summer 2015. Future engagements will bring the cooperation with two of the most important stage directors of the young generation, Dmitri Tcherniakov (Shostakovich Lady Macbeth at Lyon Opera) and Mariusz Trelinski (Wagners Tristan at Warsaw Opera). Moreover she will be guesting again at the Salzburg Festival in the new production of Strauss' "Liebe der Danae" in 2016.

長笛/游雅慧 Christine Yu

Mon, 01 Aug 2016 16:00:00 GMT

長笛演奏家游雅慧已經以無數的獎項、精湛的演奏樹立了她獨特的風格與影響力。游雅慧擁有先後在「維也納國立音樂院」以及「法國里昂國立高等音樂院」接受完整訓練之罕見學習經歷，是極難得能夠將德奧傳統音色與法國式長笛風格融會貫通的長笛演奏家。初由陳澄雄老師啟蒙學習長笛，十四歲獲全省音樂比賽少年組長笛冠軍，隨即以「資賦優異兒童」身分保送出國，以鋼琴與長笛雙主修考入維也納國立音樂學院（Hochschule für Musik und darstellende Kunst）演奏及教育科。師事維也納愛樂交響樂團長笛首席Wolfgang Schulz及Barbara Gisler。在維也納期間，加入 ”維也納長笛九重奏”（Ensemble Vienna Flutist）巡迴演出並灌錄唱片；被國際蕭邦音樂協會評選為「東方優秀青年音樂家」。曾以十九歲最年輕參賽者身分，於義大利Ancona國際音樂大賽中入圍總決賽（Finalist）。1986年取得維也納國立音樂學院長笛教育科文憑，次年以「特優成績」取得維也納國立音樂學院長笛演奏科文憑。在充分領會德奧音樂系統的精髓之後，游雅慧為求一窺法式風格堂奧，於1987年前往巴黎拜法國大師Alain Marion為師，並考入法國里昂高等音樂學院暨瑞士日內瓦音樂院，在Maxence Larrieu門下繼續深造。於1989年與其師Alain Marion應邀回國於國家音樂廳同台演出長笛二重奏，同年6月並以最高成績通過日內瓦音樂院高等文憑考試。游雅慧以其早慧的音樂天份融合德奧傳統與法式風格之外，也致力創新自己的長笛語法，並且持續不懈的以協奏曲、獨奏以及室內樂等不同形式的演奏來提昇長笛音樂的欣賞層次。1990年獲兩廳院甄選為「樂壇新秀」，赴布達佩斯與匈牙利交響樂團（Hungarian State Symphony Orchestra）合作錄製個人長笛專輯唱片，並受華航之邀，赴吉隆坡舉行個人長笛獨奏會。1995年起以多面向之曲目定期推出個人「長笛經典系列」音樂會。2003年應兩廳院之邀參與「獨奏家系列」演出，2008年與國際知名長笛家Patrick Gallois及臺北市立交響樂團合作演出杜普勒雙長笛協奏曲。其他曾經合作協奏曲之音樂團隊包括維也納音樂院，台師大，東吳與輔仁大學交響樂團等等。多樣化的曲目與深邃的詮釋廣受愛樂者好評。在教育與傳承的工作上，游雅慧以其獨特的親和力與對音樂的熱情指導並培植新生代長笛好手，而為全方位推廣長笛藝術與普及音樂欣賞之教育目標，2007年「游雅慧長笛藝術」正式成立，跨界呈現全新製作，蔚為國內藝壇生力軍。游雅慧的音樂專業亦獲得國際肯定。2009-2011年夏天，獲《歐洲藝術音樂節》之邀，於德國《萊比錫全歐音樂節》，奧地利維也納《歐洲藝術音樂營》及法國《 Pablo Casals音樂節》演出，並舉辦長笛大師班。游雅慧擔任台北市立交響樂團長笛首席職務迄今已超過二十年，除了服務於北市交此優秀團隊外，她亦兼任台師大，台藝大，東吳與輔仁大學音樂系暨研究所副教授。基於教育理念，游雅慧極關切國內音樂學子的國際視野，她經常邀請歐洲各大樂團首席及音樂院教授不定期舉辦大師班及講座，為提昇台灣音樂教育不遺餘力。

指揮/江靖波 Ching-Po (Paul) Chiang

Mon, 01 Aug 2016 16:00:00 GMT

兩度獲得全國音樂比賽小提琴獨奏以及室內樂第一名，而後赴美雙修小提琴與管弦樂團指揮，江靖波於1998年返台創辦【樂興之時】管弦樂團，致力於提升樂團素質及觀眾之鑑賞力。其現場錄音之「蕭斯塔可維奇第五號交響曲」已成為紐約「朱麗亞音樂院」權威教授之指定教材。丹麥國家廣播公司曾以專題報導的方式介紹了江靖波以及【樂興之時】，並於北歐五國轉播其整場音樂會實況。2002年，江靖波奪得於德國法蘭克福舉辦之首屆「Sir Georg Solti指揮大賽」銅牌（首獎從缺），並為入圍準決賽12人中唯一的亞洲人。獲獎後江靖波卻仍專心致力深耕華人精緻音樂，多年來發表無數兩岸作曲家的新作，並選擇紮根台灣，在台北東吳大學長期任教，培育後進。國際方面，2008年率【樂興之時】赴德國擔任Young Euro Classic音樂節開幕音樂會之演出，以馬勒第五號交響曲以及賴德和教授融和東、西方美學的作品獲得柏林聽眾滿場起立致敬。隨後於義大利歌劇之都Verona以及Trieste的首演皆獲極大成功。近年如於紐約卡內基廳的首演以及與以色列交響樂團、墨西哥國立交響樂團的合作，或率【樂興之時】遠赴南非擔任"來自地極藝術節"之駐節樂團均獲廣大迴響。2015年起，江靖波成為希臘頂尖樂團Thessaloniki State Symphony Orchestra 之首席客座指揮。Paul Chiang made his New York CARNEGIE HALL debut on 19 June 2007, conducting the NEW ENGLAND SYMPHONIC ENSEMBLE in the 2,804 seat Isaac Stern Auditorium, Greeted with standing ovations from the audience. Other major orchestras conducted by Paul Chiang include DANISH NATIONAL RADIO SYMPHONY, FRANKFURT OPERA's ORCHESTRA, STAATSPHILHARMONIE RHEINLAND-PFALTZ (Germany), ISRAEL SYMPHONY ORCHESTRA, THESSALONIKI STATE SYMPHONY ORCHESTRA (Greece), STATE OPERA & BALLET THEATRE OF MONGOLIA, NATIONAL SYMPHONY ORCHESTRA of TAIWAN, TAIPEI SYMPHONY ORCHESTRA, NATIONAL TAIWAN SYMPHONY ORCHESTRA, TAIPEI CHAMBER ORCHESTRA SOLOISTS, TANGLEWOOD MUSIC CENTER ORCHESTRA, GRAND TETON FESTIVAL ORCHESTRA in the USA (whose Artistic Director is Donald Runnicles: General Music Director of the San Francisco Opera, and Deutsche Oper Berlin) which Paul Chiang led on a national USA tour in 1993, Taiwan International Music Festival Orchestra, as well as numerous others. Worth mentioning is that Greece’s leading orchestra the Thessaloniki State Symphony Orchestra has just named Paul Chiang as their most favored guest conductor of the past decade in 2010.In September 2002, Paul Chiang participated in the inaugural International Sir GEORG SOLTI Competition for Conductors in Frankfurt, Germany, where 186 of the world's finest future conductors competed, Paul Chiang was awarded and won the third prize. No first prize was awarded in this Edition.Also In 2002, Denmark’s DANISH RADIO produced a special program focusing on Paul Chiang - the conductor, and the orchestra he established since 1998 - the Philharmonia Moments Musicaux, from Taiwan. Danish Radio consequently aired throughout Scandinavia an entire concert recorded live in Taipei (Taiwan), which included works by Atterberg, Nielsen, and Sibelius.Paul Chiang and his orchestra Philharmonia Moments Musicaux embarked on their first European tour in August 2007. Their concerts in Italy were covered extensively by the Italian Press and were featured in Italy’s main newspapers - La Repubblica and Corriere de la Sera. The orchestra and Paul Chiang also received a 3 minute spot on RAI 3 Italian television, during its cultural news. Other concerts which Paul Chiang conducted in Italy and Germany included the music festival Musica sul Largo - Azeglio, MASSA CARRARA THEATRE, Palo de Colle Festival, and a SOLD OUT Italian Opera Gala evening in the German city of Mulheim an der Ruhr at the Europa FREILICHTBUEHNE Arena.Paul Chiang and his Philharmonia Moments Musicaux returned to Europe in August 2008, with a critically acclaimed appearance at the Berlin Konzerthaus, performing Gustav Mahler's Symphony No. 5 in C sharp minor, and the German premiere of Lai Deh-Ho's “Moments Musicaux, Concerto for pipa, bamboo flute, xiao and chamber orchestra”, during the Berlin Young Euro Classic Festival, which also featured renowned conductors such as Dennis Russell Davies, Heinrich Schiff, Vasily Petrenko, Jac van Steen, and Muhai Tang.Paul Chiang’s concert in Berlin was highly praised; reviews appeared in all the three largest newspapers in Germany:“What’s the most impressive is how this orchestra, established in 1998 by Paul Chiang, dare perform such a symphony traditionally dubbed an ironclad tank. Paul Chiang, the conductor, like a giant tree robustly rooted onto the podium, drained the music among his fingers from the orchestra after the outstanding solo given by the trumpeter.” Frankfurter Allgemeine Zeitung, 3 August 2008, No. 31“Philharmonia Moments Musicaux…. astonished all the audience by guesting the opening concert…. . The ninth Euro Classic [Festival] would have been much less spectacular without Philharmonia Moments Musicaux”“.... Some audience even acclaimed that this concert was like the music fairytale in the summer, and it was in effect! This performance was a gift given by heaven. ... Paul Chiang, an experienced, sophisticated and passionate musician and all these characters featuring in the orchestra he has conducted.” Berlin Morning Post Sunday, 3 August 2008Paul Chiang is currently Artistic Director of Philharmonia Moments Musicaux, and Principal Guest Conductor of Thessaloniki State Symphony Orchestra of Greece.

女高音/張莉 Lily Zhang

Mon, 01 Aug 2016 16:00:00 GMT

旅美女高音歌唱家張莉：美國威廉蒙.佩大學、美國林肯大學音樂表演榮譽藝術博士，美國科羅拉多州立大學聲樂教授，中國人民解放軍藝術學院客座教授，四川音樂學院歌劇系原主任、教授、研究生導師。先後師從高芝蘭、王秉銳、美國大都會歌劇院女高音歌唱家瑪蒂爾.羅蘭德夫人。曾在歌劇《雷雨》（與上海歌劇院合作「2001上海之春國際音樂節」擔任A組一號「繁漪」）、《江姐》、《唐璜》、《藝術家的生涯》、《茶花女》、《蝴蝶夫人》等經典歌劇中扮演女主角。2003.4.20應邀擔任美國好萊塢波爾復活節日出盛典音樂會主題歌獨唱及領唱，為此，美國南加州影視委員會授予張莉「第66屆世界影視、音樂、表演藝術斯卡莫超級明星金星金環獎」；為表彰張莉對聲樂藝術和文化交流公益活動的貢獻，2006.2.16美國國會議員戴安‧華森博士在華盛頓國會山向張莉頒發美國國會嘉獎。2008年9月應邀在北京國家大劇院與中央歌劇院交響樂團合作，成功舉辦了獨唱音樂會及聲樂大師班。同年10月3日被底特律南園市政府命名為「張莉日」。2012年，三百多年來首位華人歌唱家應邀在布拉格捷克總統出席的：「捷克共和國國家新年音樂會」上擔任主唱；2013年8月以及2014年8月進入紐約林肯中心擔任音樂會主唱。2014年3月及7月再次在布拉格斯美塔那音樂廳與北捷克愛樂成功合作。同年9月應邀在奧地利參加紀念貝多芬專場音樂會，在《貝九》中擔任女高音領唱；2015年9月26日為配合習近平主席訪美，應邀登上美軍軍艦「勝利號」獨唱；2016年2月3日應邀在中國國家大劇院新春音樂會上擔任獨唱。CCTV音樂頻道以及國際頻道為張莉專訪六集與三集：「旅美歌唱家張莉的故事」。Li Zhang (Lily Zhang), Professor of Voice of Sichuan Conservatory of Music and Colorado State University; Honorary Doctor of Music Education and Performance Degree, Lincoln Christian University, USA; Honorary Doctor of Music and Arts Degree, William Penn University, USA; Solo Recital and Master Class at China National Grand Theater, Beijing, China in 2008; “Super Star Halo Award”, the Southern California Motion Picture Council, Hollywood, USA; “Certification of Award”, Capitol Hill, Washington D.C., USA; “Lily’s Day”, City of Southfield, Detroit, USA. Lily has been the heroine of both Chinese and western operas for “Thunder Storm”, “Don Giowanni”,“La Boheme”,“La Traviata”, “Madam Butterfly”, “Sister Jiang” and etc; the No.1 heroine, Fan Yi of “Thunder Storm” for its initial opera at 2001 Shanghai International Spring Music Festival; Leading solo of theme song, the 81 Annual Hollywood Bowl Sunrise Services, Hollywood, USA; Solo and Duo, 2012 Prague New Year Concert (Czech President special concert), Prague, Czech Republic; Solo, Chinese New Year Concert, CCTV and Chinese Qiaolian Association, Beijing, China; Concert of Lincoln Center New York, USA in 2013 and 2014; two times concerts with North Czech Philharmonic Orchestra, Smetana Hall, Prague, Czech Republic; Leading soprano, Beethoven’s Ninth Symphony in Vienna, Austria in 2014; Solo, Mahler “Un Mitternacht”,Colorado Percussion & Wind Festival, Pueblo, USA.Lily has been voice judge in the US and China. The recent is the Judge of the Final of North America for 2015 Shuilifang Championship of Oversea Chinese Youth Voice Competition in the US. And as a judge of the third voice compitition in HK at the July 2015. Many successful concerts, master classes and demonstration singing at universities and conservatories in the US and China including the Juilliard School in New York.

男中音/巫白玉璽 Wu Bai-Yu-Hsi

Mon, 01 Aug 2016 16:00:00 GMT

「他的聲音一直都無可挑剔，而此次的演技又再創高峰」；Feature, Sep. 2008，Taipei Times （台北時報）。男中音巫白玉璽出生於台灣宜蘭，父親來自中國哈爾濱，母親是台灣泰雅族原住民，在這樣的血統裡，發展出的聲音特質兼併了北國的豪邁與高山的濃情。三十年豐富的演唱經歷與在舞台上憾動人心的戲劇天份，使他成為台灣最具份量與魅力的男聲樂家，國家戲劇院賦予「台灣首席男中音」之封號。一九八四年畢業於國防大學音樂系，師事聲樂教育家戴序倫老師，一九八五年參加台灣音樂比賽及台北市傳統藝術季民歌大賽均獲首獎；一九八九年獲選為台灣第一屆國家戲劇院歌劇工作室成員，並隨德國導演Dr. Bernhard Hermich、Mr.Winfried Bauerfeind 及義大利唱法指導 Joseph Giardina、德國Herman Bauer、Frank Maus 等教授，研習歌劇理論及舞台表演，隨後便展開職業演唱工作。一九九三年因個人專業領域特殊成就，獲國家特准以在職身份赴義大利米蘭深造留學，一九九六年順利取得義大利國立米蘭威爾第音樂院演唱家文憑，師事歌劇女高音Marcella De Osma 與米蘭史卡拉歌劇院男中音Ernesto Panariello 門下，並以聲樂九分，舞台滿分之優異成績畢業於該校。留義期間曾受邀至各大城市參與演出，期間曾於米蘭聖羅蘭索教堂、米蘭市立療養院、布雷西亞市政廳演出，一九九五年更獲得貝爾加摩市音樂協會最佳歌劇演唱殊榮。回台後即不斷受各機關單位邀請，與重要樂團每年都有多次合作經驗，一九九八年八月受邀至美國華盛頓喬治梅森大學及匹茲堡大學演唱，並獲頒表演藝術榮譽獎；同年十二月受韓國歌劇協會邀請至漢城及釜山兩地巡迴演唱，獲頒表演藝術榮譽獎。二OO二年七月受邀至日本東京市立音樂廳演唱台灣歌曲，並獲頒文化交流感謝狀，二OO四年受邀至香港文化中心演唱愛國歌曲等，在世界各地均獲得熱烈迴響。歸國至今將近二十年，幾乎每年都受邀演出大型歌劇，並擔任主要角色，每場演出均獲得觀眾之喜愛與肯定。男中音巫白玉璽音色渾厚高亢，演唱技巧於古典、浪漫與寫實風格之間運用自如，舞台演技精湛，屢為國內外指揮家及導演指定演出。巫白玉璽老師目前任教於實踐大學、國防大學、及培德高職音樂班。曾演出之西洋歌劇計有：莫札特：女人皆如此（Così fan tutte_Guglielmo）、唐喬凡尼（Don Giovanni_Don Giovanni）、費加洛婚禮（Le nozze di Figaro_Il Conte）裴高雷西：管家女僕（La sereva padrona_Umberto）董尼才第：拉梅莫爾的露琪亞（Lucia di Lammermoor_Enrico）威爾第：弄臣（Rigoletto_Rigoletto）/ 茶花女（La Traviata_Germon）/ 假面舞會（Un ballo in maschera_Riccardo）/ 遊唱詩人（Il Trovatore_Conte di Luna）普契尼：蝴蝶夫人（Madame butterfly_Sharpless）、波希米亞人（La Bohème_Marcello）、瑪儂•雷斯考（Manon Lescaut_Lescaut）、強尼史濟奇（Gianni Schicchi_Gianni Schicchi）雷昂卡伐洛：丑角（I Pagliacci_Tonio、Silvio）馬斯康尼：鄉村騎士（Cavalleria rusticana_Alfio）華格納：萊茵黃金（Das Rheingold_Donner）、諸神的黃昏（Götterdämmerung_Gunther）小約翰史特勞斯：蝙蝠（Die Fledermaus_Eisenstein）布烈頓：諾亞方舟（Noah_Noah）沃爾夫費拉里：蘇珊納的秘密（Il segreto di Susanna_Count Gil）“Wu Bai-Yu-Hsi was a vocal tour de force，simultaneously mercurial and assured …”Taipei Times in Asia Opera dissertate, July 2004。 Wu Bai-Yu-Hsi, a baritone opera singer in Taiwan, the impressive effect of his full, resounding voice and natural ease on stage have combined to make him one of the most captivating performers on Taiwan. He graduated from the Milan National Academy of Music in Italy in 1996. He received many invitations to perform while traveling in Italy during which he was received enthusiastically by Italian audiences. He was honored by the Opera Association of Bergamo with the award as “Best Opera Singer” in 1994.Wu Bai-Yu-Hsi has 25 years of experience performing both on Taiwan and around the world. He has performed with many well-known conductors, symphonies, and choruses。He has performed such operas as:Mozart : Cosi fan tutte (Gugliemo、Don Alfonso)、Don Giovanni (Don Giovanni)、Le nozze di Figaro (Il Conte) / Pergoles : La serva Padrona (Uberto) / Donizetti : Lucia di Lammermoor (Enrico) / Verdi : Rigoletto (Rigoletto) / Puccini : La Bohème (Marcello)、Madama Butterfly (Sharpless)、Gianni Schicchi (Gianni Schicchi)、Manon Lescaut (Lescaut) / Leoncavallo : Pagliaci (Tonio、Silvio) / Mascagni : Cavalleria Rusticana (Alfio) / Wolf Ferrari : Il segreto di Susanna (Count Gil) / Wagner : Das Rheingold (Donner)、Götterdämmerung (Gunther) / J.Strauss : Die Fledermaus (Eisenstein) / Britten : Noah’s Ark (Noah)

青韵合唱團

Mon, 01 Aug 2016 16:00:00 GMT

青韵合唱團前身為台大之建中、北一女校友合唱團，至今已有四十三年歷史，於1973年擴大吸收社會上愛好音樂之校友，並定名「青韵合唱團」，為台灣歷史悠久的合唱團之一。歷年承蒙陳建中、饒韻華、陳樹熙、陸蘋、洪綺玲、李葭儀、翁佳芬、戴怡音、張成璞等老師指導，音樂品質穩定成長。目前青韵合唱團又分為大團、室內團及草莓團。大團由張成璞老師帶領，積極嘗試不同風格的曲目，並固定舉辦年度音樂會，及與建中、北一女學弟妹交流。室內團於2003年成立，由翁佳芬老師指揮，致力於小而精緻的合唱音樂，亦曾多次發表委託創作作品。草莓團則由創團時期的資深團員組成，於2002年9月成立，由李葭儀老師帶領，使團員能夠定期交流音樂與彼此間的情誼。這次演出，是以青韵草莓團為演出主體。走過台灣合唱四十多年，藉著歌唱，每位團員在各自的生命經歷裡，找到相同的感動與記憶。青韵合唱團將持續結合青年愛樂者，傳播並推廣合唱音樂。期許我們能憑藉對合唱的熱情與執著，繼續前行，喚醒並傳承社會對於藝術活動的關注，為這塊土地的音樂發聲。

政大校友合唱團

Mon, 01 Aug 2016 16:00:00 GMT

民國66年，一群剛離開學校合唱團不久，對於合唱依然戀戀不捨的人，抱著「繼續唱一輩子」的癡情，成立了政大校友合唱團，忽焉四十載，華髮已生，熱情未減，始終堅持著那份對傳統合唱的執著。每個星期六上午，固定聚集在政大藝文中心練習，聘請專業指導老師，涉獵中外藝術、宗教、民謠、流行各類合唱歌曲，除了每兩三年的定期成果發表演唱外，也時常參加海內外各種形式的合唱演出，不論練唱認真的程度以及上台演出的水準，都絲毫不減當年。四十年來，成員不再只是政大校友，而是聚集了許多熱愛合唱的歌友；合唱團不再只是練唱，而是隨時分享生活中所有的樂趣。歲月不曾磨損我們心中對合唱的熱愛，那個當年「唱一輩子」的念頭，而今，已不再是夢想。

指揮/霍華德‧葛瑞菲斯 Howard Griffiths

Mon, 01 Aug 2016 16:00:00 GMT

霍華德‧葛瑞菲斯出生於英格蘭，於倫敦皇家音樂學院求學。1981年起移居瑞士。霍華德‧葛瑞擔任蘇黎世室內樂團藝術總監超過10年，並長以客席指揮的身份與世界著名樂團合作。包括倫敦皇家愛樂、法國國家交響樂團、莫斯科廣播柴可夫斯基交響樂團、以色列愛樂、啟蒙時代管弦樂團、華沙愛樂交響樂團、瑞士巴賽爾交響樂團、倫敦莫札特演奏家樂團、西班牙國立管弦樂團，以及許多德國境內的廣播樂團，如漢堡北德廣播交響樂團、斯圖加特廣播交響樂團、科隆西德廣播交響樂團、波蘭室內樂團，以及英國室內樂團和皇家北方交響樂團。1996年至2006年，葛瑞菲斯擔任蘇黎世室內樂團藝術總監及首席指揮，成功地延續該樂團在各方面追求卓越的傳統。同時帶領該樂團巡迴於歐洲、美國及中國，在瑞士國內外皆獲得觀眾及樂評的熱烈迴響。自2007/2008年樂季起，葛瑞菲斯成為法蘭克福市立交響樂團的藝術總監。就任的第一場音樂會即獲得樂評讚賞，葛瑞菲斯立即確立了法蘭克福市立交響樂團接下來的方向，德國梅可須線上報紙讚其「一個輕盈、自如且透亮的音樂之旅。（中略）有別於強烈情感及豐沛的直率表現，通常隱匿淹沒在平滑音海中的細微音色變化及主題的發展突然變得明顯而容易聽見。那使得我們更好奇想聽到更多葛瑞菲斯詮釋版本的演出。」2013-2018年，他將繼續擔任這份職務。葛瑞菲斯也致力定期演出現代音樂作品。包括在作曲家漢斯‧維爾納‧亨策本人出席其作品安魂曲的瑞士首演音樂會指揮蘇黎世新樂團演出，葛瑞菲斯亦長期與作曲家如索菲婭‧阿斯戈托芙娜‧古拜杜麗娜、喬治‧克倫姆、阿福‧佩爾特及烏利契歐‧卡蓋爾密切合作。葛瑞菲斯對新穎前衛的演出計畫總是抱持著開放的態度。例如他指揮巴塞爾交響樂團合作演出馬勒第八號交響曲千人交響曲，演出者超過一千人。葛瑞菲斯與蘇黎世室內樂團也成功演繹跨界音樂會，包括阿根廷單簧管家吉奧拉‧費德曼、吉普賽小提琴家羅比‧拉卡托許、土耳其演員布汗‧歐薩爾及爵士鋼琴家阿布杜拉‧伊布拉因。葛瑞菲斯與蘇黎世室內樂團演出卓別林電影中的電影配樂，並同步搭配大螢幕播放電影，大獲成功。錄製超過100張唱片，無數個唱片公司包括華納、環球、德國CPO唱片公司、索尼與德國Koch唱片公司共同見證了葛瑞菲斯寬廣的藝術領域。這些錄音包括瑞士及土耳其的現代作曲家以及後來再發現的十八、十九世紀音樂的首演錄音。葛瑞菲斯所灌錄貝多芬學生費迪南德‧里斯的八首交響曲全集錄音獲得世界各地樂評好評。英國音樂雜誌《Classic CD》讀者票選葛瑞菲斯所灌錄之英國作曲家芬濟的錄音為該類別中的「年度古典唱片」。葛瑞菲斯與無數知名藝術家合作。包括莫里斯‧安德烈、凱瑟琳‧芭特爾、約夏‧貝爾、魯道夫‧布赫賓德、奧古斯汀‧杜梅、詹姆士‧高威、布魯諾‧李奧納多‧蓋爾伯、依芙琳‧葛蘭妮、艾迪塔•葛貝洛、米夏‧麥斯基、奧利‧穆斯托寧、拉貝克姊妹、普雷特涅夫、朱利安‧拉赫林、列賓、瑪麗亞‧若昂‧皮耶絲、法佐‧賽伊、吉爾‧夏漢、齊赫梅爾。除了與知名音樂家及樂團的合作外，葛瑞菲斯也致力培養潛力新生代音樂家，2000年起在奧芬劇院基金會所設置的青年獨唱家基金擔任藝術總監。葛瑞菲斯獲英國伊莉莎白女王所頒發之大英帝國勳章，表揚他對瑞士音樂文化生活的貢獻。Howard Griffiths was born in England and studied at the Royal College of Music in London. He has lived in Switzerland since 1981. Howard Griffiths was the Artistic Director of the Zurich Chamber Orchestra for ten years and has appeared as a guest conductor with many leading orchestras all over the world. These include the Royal Philharmonic Orchestra London, the Orchestre National de France, Radio Moscow’s Tchaikovsky Symphony Orchestra, the Israel Philharmonic Orchestra, the Orchestra of the Age of Enlightenment, the Warsaw Philharmonic, the Basle Symphony Orchestra, the London Mozart Players, the Orquesta Nacional de España, various radio orchestras in Germany (NDR, SWR and WDR), the Polish Chamber Orchestra, as well as the English Chamber Orchestra and the Northern Sinfonia.Howard Griffiths was Artistic Director and Principal Conductor of the Zurich Chamber Orchestra from 1996 to 2006, and successfully continued its long tradition of excellence in every respect. His work with the orchestra also involved extended tours of Europe, the United States and China, which were enthusiastically received by audiences and critics alike, both in Switzerland and abroad.Since the season 2007/08 he is Artistic Director of the Brandenburg Staatsorchester. His first concert of the season met with critical acclaim, and Howard Griffiths immediately made it clear which journey he would be embarking on with the Staatsorchester: a journey to lightness, ease and transparency. […] Quite apart from all the emotional intensity and expressive simplicity, nuances and thematic developments that would otherwise have been submerged in the smooth sea of notes suddenly became audible. That makes us curious to hear more of Griffiths’ revelatory performances of the repertoire. (MOZ). He renewed the contract in 2013 until 2018.Howard Griffiths is also committed to regular performances of contemporary music. Examples include his direction of the Collegium Novum Zurich at the Swiss première performance of Hans Werner Henze’s Requiem in the presence of the composer and his close collaboration with composers such as Sofia Gubaidulina, George Crumb, Arvo Pärt and Mauricio Kagel.Howard Griffiths is always receptive to new, unconventional projects. Together with the Basle Symphony Orchestra, for example, he conducted Gustav Mahler’s Eighth Symphony – the “Symphony of the Thousand” – with more than one thousand performers. With the Zurich Chamber Orchestra (ZKO), Howard Griffiths realised successful crossover projects, such as with Giora Feidman, Roby Lakatos, Burhan Ocal or Abdullah Ibrahim. Howard Griffiths also enjoyed great success with the ZKO conducting the original music for films by Charles Chaplin, which accompanied the films projected onto the big screen.About 100 CD recordings with various labels (including Warner, Universal, cpo, Sony and Koch) bear witness to Howard Griffiths’ broad artistic range. These recordings include works by contemporary Swiss and Turkish composers as well as première recordings of rediscovered music dating from the 18th and 19th centuries. Howard Griffiths’ recordings of all the eight symphonies by Beethoven’s pupil Ferdinand Ries met with worldwide critical acclaim. Readers of the British magazine Classic CD voted ’ recording of works by Gerald Finzi “Classical CD of the Year” in this category.Howard Griffiths performs with numerous renowned artists, including Maurice André, Kathleen Battle, Joshua Bell, Rudolf Buchbinder, Augustin Dumay, Sir James Galway, Bruno Leonardo Gelber, Evelyn Glennie, Edita Gruberova, Mischa Maisky, Olli Mustonen, Güher and Süher Pekinel, Mikhail Pletnev, Julian Rachlin, Vadim Repin, Maria João Pires, Fazil Say, Gil Shaham and Thomas Zehetmair. Apart from his collaboration with renowned soloists and orchestras, Howard Griffiths is also extremely committed to supporting and promoting young musicians. This is reflected in his work for the Orpheum Foundation for the Advancement of Young Soloists, of which he has been Artistic Director since 2000.In the annual New Year’s Honours List, which is announced on New Year’s Day by Queen Elizabeth II, Howard Griffiths was appointed a Member of the British Empire (MBE) in recognition of his services to musical life in Switzerland.

鼓/艾庫特‧庫瑟拉 Aykut Köselerli

Mon, 01 Aug 2016 16:00:00 GMT

艾庫特，生於1985年的土耳其首都-安卡拉。在2000年，他進入畢爾肯大學（Bilkent University）就讀音樂和表演藝術學院，並專攻打擊樂器的修習。一開始，他就與名列畢爾肯大學最傑出打擊樂教師之一的艾丁‧馬吉德（Aydın Mecid）學習。2001年，他加入畢爾肯青年交響樂團（Bilkent Youth Symphony Orchestra），並且在一年之後就被授予表演嘉賓的身分。在2003年，他完成了高等專業學位課程，又接續在畢爾肯大學音樂與表演藝術學院獲得打擊樂器的學士學位。2004年6月，他以打擊樂手的身分加入安那托利亞青年管弦樂團（Anatolian Youth Orchestra），此樂團是由世界著名的鋼琴作曲家-法佐‧賽依（Fazıl Say）所成立。也因此為艾庫特帶來許多國內外的音樂會演奏機會。當他完成他的學士學位修習，並獲得名譽學位；同時，他也已經擁有許多機會為各國著名樂團演奏，如:德國的法蘭克福廣播管弦樂團（hr-Sinfonieorchester）、法國國立管弦樂團（l'Orchestre National d'Île de France）、法國蒙貝利耶管弦樂團（Orchestre National Montpellier）、海牙管弦樂團（Resident Orkest）、瑞士的蘇黎世室內樂團（Züricher Kammerorchester）、新日本愛樂樂團（New Japan Philarmonic）、德國科隆WDR交響樂團（WDR Sinfonieorchester Köln）、瑞士盧森交響樂團（Luzerner Sinfonieorchester）以及土耳其伊斯坦堡愛樂樂團（Borusan İstanbul Filarmoni Orchestra）。他也曾多次擔任法佐‧賽依眾多曲目的世界首演樂手之一。2005年六月參與第四鋼琴奏鳴曲（4. Piano Concert）的演出、2006年二月參與演出帕塔拉芭蕾組曲（“Patara” ballet suite）、2011年七月參與演出海亞姆單簧管協奏曲（“Hayyam” Clarinet Concerto）。並在2008年二月的後宮的一千零一夜小提琴協奏曲（“1001 Nights in the Harem” Violin Concerto）、2010年三月的伊斯坦堡交響曲（“İstanbul” Symphony）以及2012年三月的黑瑟芬奈伊笛協奏曲（“Hezarfen” Ney Concerto）皆擔任打擊樂器獨奏。而從2013年一月開始，艾庫特也在土耳其的薩姆松市立歌劇院暨芭蕾舞團（Samsun State Opera and Ballet Orchestra）擔任打擊樂手。He was born in Ankara in 1985. In 2000 he was accepted to the Percussion Department of the Faculty of Music and Performing Arts of Bilkent University. He first studied with Aydın Mecid, one of the prominent percussion instructors at Bilkent University. He joined in 2001 Bilkent Youth Symphony Orchestra where he was granted the status of guest performer at Bilkent Symphony Orchestra a year later.He completed his secondary education with a high degree and studied toward his bachelor's degree in percussion in 2003 at the Faculty of Music and Performing Arts of Bilkent University. In June 2004, he joined the Anatolian Youth Orchestra as a percussionist, which was set up by world-renowned piano composer Fazıl Say. This was followed by a series of concerts he gave at home and abroad. By the time he completed his bachelor's degree with an honorary degree, he had already found the opportunity to play in many important orchestras such as hr-Sinfonieorchester, l'Orchestre National d'Île de France, Orchestre National Montpellier, Resident Orkest, Züricher Kammerorchester, New Japan Philarmonic, WDR Sinfonieorchester Köln, Luzerner Sinfonieorchester and Borusan İstanbul Filarmoni Orchestra.In January 2013 he took up his current position as a percussionist at Samsun State Opera and Ballet Orchestra and since then he has been performing in world premiers the recent compositions of Fazıl Say, such as 4. Piano Concerto (June, 2005), "Patara" ballet suite (February, 2006), "Hayyam" Clarinet Concerto (July, 2011), "1001 Nights in the Harem" Violin Concerto (Soloist / February, 2008), "İstanbul" Symphony (Soloist / March, 2010), "Hezarfen" Ney Concerto (Soloist / March, 2012), Symphony No.2 "Mesopotamia" (op.38/June, 2012), Symphony No.3 "Universe" (op.43/October, 2012) and "Sait Fâik" (op.51/June, 2014).

笛/布裘‧卡烈妲 Burcu Karadağ

Mon, 01 Aug 2016 16:00:00 GMT

布裘，生於1979年的伊斯坦堡。小學畢業之後，她進入土耳其的ITU音樂學院（ITU Music Conservatory）修習樂器培訓。她特別專精於奈伊笛（盧笛）的吹奏，這是一種在土耳其傳統音樂中很常用到的基本樂器。即使在土耳其，這種樂器通常是由男性演奏者吹奏的；但在短短的時間之內，她依然成為了土耳其眾多卓越的奈伊笛演奏家之一。1996年，她進入研究所更多研習樂器培訓課程，並且順利的在2000年畢業。在研習的過程中她也與十分著名的土耳其傳統音樂演奏家—尼爾茲‧薩穎（Niyazi Sayın）、薩利‧比金（Salih Bilgin）、埃羅爾，薩穎（Erol Sayan）學習。布裘也與許多世界著名的音樂家們合作過，她合作的知名音樂家們有:法佐‧賽依（Fazıl Say）、吐盧‧提爾龐（Tuluğ Tırpan）、艾瑞內爾（Sertap Erener）、崔洛克‧古圖（Trilok Gurtu）、馬丁‧葛魯賓格（Martin Grubinger）、布爾汗•奧卡爾（Burhan Ocal）、安潔莉卡‧艾芭什（Angelika Akbar）、伊珊‧歐茲根（İhsan Özgen）、呂迪格‧奧帕曼（Rudiger Oppermann）、昂德‧福肯（Önder Foçan）以及歐克‧特米茲（Okay Temiz）。1999年，她以奈伊笛樂手身份加入土耳其之聲--伊斯坦堡電台（TRT Istanbul Radio），並且在電台和電視上都大放異彩。2004年，她也開始在哈里奇大學的土耳其音樂學院(Haliç University, Turkish Music Conservatory)教書。布裘在德國曼海姆市為賽伊的黑瑟芬奈伊笛協奏曲（“Hezarfen” Ney Concerto）世界首演吹奏奈伊笛，也曾經和許多不同的管弦樂團或樂手在法國、德國、義大利、盧森堡、比利時、埃及、澳洲、亞塞拜然、瑞士以及阿曼等地舉辦過音樂會。現在，她持續與她的樂團布裘‧卡烈妲計畫（“Burcu Karadağ Project”）及其他樂團在各地演出。She was born in Istanbul, in 1979. After elementary school, she attended ITU Conservatory, Instrumental Training Department. She specialized in “ney” (reed flute), which is one of the basic musical instruments of Classical Turkish Music. In a short time, she has become one of the outstanding ney players in Turkey, even though the instrument is generally played by male musicians.In 1996, she attended Graduate School at the same department (Instrumental Training Department) and graduated in 2000. She Studied with Niyazi Sayın, Salih Bilgin and Erol Sayan.She has made performances with lots of world-wide famous musicians such as Fazıl Say, Tuluğ Tırpan, Sertap Erener, Trilok Gurtu, Martin Grubinger, Burhan Ocal, Angelika Akbar, İhsan Özgen, Rudiger Oppermann, Önder Foçan, Okay Temiz.In 1999, she joined TRT Istanbul Radio as Ney artist. She has made a lot of performances in radio and television. In 2004, she started to teach at Haliç University, Turkish Music Conservatory.She gave concerts in France, Germany, Italy, Luxemburg, Belgium, Egypt, Austria, Azerbaijan, Switzerland, and Oman with different orchestras and musicians and this year she played for the world premier of Say’s new piece Concerto for Ney named “Hezarfen” at Mannheim. Nowadays, she continues her performances with her band “Burcu Karadağ Project” and different bands.

琴/哈坎‧岡格什 Hakan Güngör

Mon, 01 Aug 2016 16:00:00 GMT

哈坎，生於1973年的土耳其首都-安卡拉。他的第一堂音樂課是從他的烏德琴音樂家父親-阿里‧歐斯曼‧岡格許（Ali Osman Güngör）來的。而他第一堂的卡隆琴課，則是跟烏贊‧可汗（Ozhan Kayhan）學習的。在1990年初，他便開始在土耳其格濟大學（Gazi University）就讀音樂系，在1992年他便進入ITU音樂學院（ITU Music Conservatory）修習作曲的課程。在六年之內，他跟著許多著名的音樂家或教授學習，像是:亞夫‧奧祖司督（Yavuz Ozustun）、奈伊‧耶夫祖魯（Nail Yavuzoglu）、伊彌‧撒比吐魯（Emin Sabitoglu）、莫吐‧吐魯（Mutlu Torun）、瑟拉哈廷‧以西利（Selahattin Icli）、魯伊‧阿揚基（Ruhi Ayangil）以及埃羅爾‧狄倫（Erol Deran）。他在這些音樂家和教授身上學到諸多的技巧像是:聲樂、作曲、和聲和對位、卡隆琴的技巧、歐洲古典音樂以及土耳其傳統音樂。他的作曲風格，以及他飽滿的聲音，和他乾淨又柔和的撥弦技巧，使他成為非常獨特的音樂家。他也被認為是卡隆琴的音樂演奏名手。從1993年起，哈坎也和許多世界知名的音樂家合作，如: 約第‧沙瓦爾（Jordi Savall）、馬友友（Yo-Yo Ma）、雷諾‧加西亞‧馮（Renaud Garcia-Fons）、法佐‧賽依（Fazıl Say）、歐克‧特米茲（Okay Temiz）以及庫什‧阿古納什（Kudsi Ergüner）。並且在和庫什‧阿古納什合作兩個不同的項目時，哈坎也和勞勃‧威爾森（Robert Wilson）以及卡洛琳‧卡爾森（Carolyn Carlson）一起合作。哈坎不僅參與了他們的音樂會，並且也在歐洲和土耳其參與他們多張CD的錄製。除了舉辦各個音樂會之外，他同時也在哈里奇大學（Halic University）擔任教育專員，並且在伊斯坦堡電台（Istanbul Radio House）擔任卡隆琴樂手。He was born in Ankara at 1973. He received his first music lessons from his father, oud player Ali Osman Güngör and his first Kanun lessons from Ozhan Kayhan. At 1990 initially, he studied at the music department of Gazi University and then at 1992, he passed to Composition Department of ITU Turkish Music Conservatory.During six years, he followed the courses of named musicians and professors such as Yavuz Ozustun, Nail Yavuzoglu, Emin Sabitoglu, Mutlu Torun, Selahattin Icli, Ruhi Ayangil, Erol Deran about solfege, composition, harmony and counterpoint, technics of Kanun, European classical music and Turkish classical music.His melodic style, his rich sound as well as, the clearness and tenderness of his Mezrab (plectrum) make him very unique. He is considered a virtuoso of this instrument.Since the 1993 he collaborated with world famous musicians such as; Jordy Saval, Yo-Yo Ma, Renaud Garcia-Fons, Fazıl Say, Okay Temiz and Kudsi Ergüner and during Ergüner's two different projects he worked with Robert Wilson and Carolyn Carlson. He participated their concerts and played in their CDs made in Europe and Turkey.Beside giving concerts, he is a teaching specialist at Halic University and he works at Istanbul Radio House as a Kanun player.

小提琴/平夏斯‧祖克曼Pinchas Zukerman

Mon, 01 Aug 2016 16:00:00 GMT

平夏斯‧祖克曼在國際樂壇屹立不搖四十年餘。他的音樂天才、驚人的技巧、無法動搖的藝術高度讓樂評與聽眾嘆為觀止。他也無私的奉獻給下一代音樂家，透過他的魅力和熱情啟發年輕藝術家。他對於作育英才的熱情拓及倫敦、紐約、中國、以色列及渥太華。無論是作為小提琴家、中提琴家、指揮家、音樂教育家還是室內樂演奏家，祖克曼都備受尊敬。2016/17樂季已是祖克曼擔任英國皇家愛樂管弦樂團首席客席指揮的第八個年頭，也是他在阿德雷德交響樂團的第二年擔任駐團藝術家，年演出逾百餘場音樂會。2017年1月，他擔任紐澤西交響樂團冬季藝術節的藝術總監。客席指揮及獨奏演出包括克里夫蘭管弦樂團、波士頓、匹茲堡及蒙特婁交響樂團，海外包括柏林及以色列愛樂、薩爾茲堡室內樂團、雪梨交響樂團、韓國室內樂團、日本東京愛樂及宮崎藝術節節慶樂團。本季於歐洲的獨奏會則與鋼琴家布朗夫曼搭檔，並與自己的三重奏演出室內樂音樂會。過去十年間，祖克曼被公認是指揮與演奏一樣卓越的音樂家，他帶領無數世界頂尖樂團，並且曲目範疇廣泛。他也是一位勤學不倦並富於創新精神的教育家，他於曼哈頓音樂院擔任「祖克曼表演計畫」主持人，熱切投入於藝術課程的遠距教學技術。他於1999至2015年間擔任加拿大國家藝術中心管弦樂團（NAC）音樂總監，建立起NAC教育中心，以及音樂夏令營，投注於年輕演奏家、作曲家、和指揮的訓練。現任NAC榮譽指揮，以及青少年藝術計畫藝術總監。1948年出生於特拉維夫，1962年赴美國茱莉亞音樂院，追隨葛拉米安（Ivan Galamian）。他曾獲得美國國家榮譽藝術獎章、彰顯其藝術成就的「艾薩克‧史坦獎」、獲任為首位「勞力士創藝推薦資助計畫」音樂類別器樂導師。祖克曼眾多的唱片中演繹超過100首曲目，這為他贏得2座葛萊美獎及21項提名。2016年7月發行他的DG和Philips的唱片精選輯，總計收錄22張CD，包含巴洛克、古典與浪漫派協奏曲和室內樂。2016年秋季由Analekta唱片發行全巴洛克專輯，與加拿大國家藝術中心管弦樂團、大提琴家阿曼達‧佛希斯、雙簧管查爾斯‧哈曼共同合作韓德爾、巴赫、韋瓦第、泰勒曼與塔替尼等。其他近期的錄音發行，包括與佛希斯、加拿大國家藝術中心管弦樂團於渥太華國家藝術中心演出的布拉姆斯第四號交響曲，和雙協奏曲音樂會實況；以及與皇家愛樂管弦樂團合作的艾爾加及佛漢威廉士。無法否認的，祖克曼堪稱三面手：他的小提琴演奏明亮又繞梁，他的中提琴演奏豐厚且充滿靈性，而他的指揮則是精神豐沛。－舊金山紀事報Pinchas Zukerman has remained a phenomenon in the world of music for over four decades. His musical genius, prodigious technique and unwavering artistic standards are a marvel to audiences and critics. Devoted to the next generation of musicians, he has inspired younger artists with his magnetism and passion. His enthusiasm for teaching has resulted in innovative programs in London, New York, China, Israel and Ottawa. The name Pinchas Zukerman is equally respected as violinist, violist, conductor, pedagogue and chamber musician.Pinchas Zukerman's 2016-2017 season, his eighth as Principal Guest Conductor of the Royal Philharmonic Orchestra in London and his second as Artist-in-Association with the Adelaide Symphony Orchestra, includes over 100 concerts worldwide. In January 2017, he serves as Artistic Director of the Winter Festival for three weeks of concerts and educational residency activities with the New Jersey Symphony Orchestra. Guest conducting and soloist engagements include the Cleveland Orchestra and Boston, Pittsburgh and Montreal Symphonies, plus overseas appearances with the Berlin and Israel Philharmonics, Camerata Salzburg, Sydney Symphony, Korean Chamber Orchestra, Tokyo Philharmonic Orchestra and Miyazaki Festival Orchestra. European recitals with pianist Yefim Bronfman and chamber concerts with the Zukerman Trio round out the season.Over the last decade, Pinchas Zukerman has become as equally regarded a conductor as he is an instrumentalist, leading many of the world's top ensembles in a wide variety of the orchestral repertoire's most demanding works. A devoted and innovative pedagogue, Mr. Zukerman chairs the Pinchas Zukerman Performance Program at the Manhattan School of Music, where he has pioneered the use of distance-learning technology in the arts. In Canada, where he served as Music Director of the National Arts Centre Orchestra from 1999-2015, he established the NAC Institute for Orchestra Studies and the Summer Music Institute encompassing the Young Artists, Conductors and Composers Programs. He currently serves as Conductor Emeritus of the National Arts Centre Orchestra, as well as Artistic Director of its Young Artist Program. Born in Tel Aviv in 1948, Pinchas Zukerman came to America in 1962 where he studied at The Juilliard School with Ivan Galamian. He has been awarded the Medal of Arts, the Isaac Stern Award for Artistic Excellence and was appointed as the Rolex Mentor and Protégé Arts Initiative's first instrumentalist mentor in the music discipline. Pinchas Zukerman's extensive discography contains over 100 titles, and has earned him 2 Grammy awards and 21 nominations. His complete recordings for Deutsche Grammophon and Philips were released in July 2016, in a 22-disc set spanning Baroque, Classical and Romantic concertos and chamber music. Fall 2016 sees the Analekta release of “Baroque Treasury” with the National Arts Centre Orchestra, cellist Amanda Forsyth and oboist Charles Hamann in works by Handel, Bach, Vivaldi, Telemann and Tartini. Other recent releases include Brahms’s Symphony No. 4 and Double Concerto with the National Arts Centre Orchestra and Ms. Forsyth, recorded in live performances at Ottawa’s Southam Hall, and an album of works by Elgar and Vaughan Williams with the Royal Philharmonic Orchestra. "There's no denying Zukerman's legitimate claim as a triple threat. His violin playing is bright and sinuous, his viola playing is rich and soulful, and he conducts with an abundance of spirit."- The San Francisco Chronicle

一期一會

Mon, 01 Aug 2016 16:00:00 GMT

交響樂團performer

開季音樂會──瓦格與格斯坦 音樂家簡介

純粹西貝流士 音樂家簡介

聽城─TSO美巡行前音樂會 音樂家簡介

葛林戈斯的夢之樹 音樂家簡介

絕對匈牙利 音樂家簡介

德意志安魂曲 音樂家簡介

鋼琴│基里爾．格斯坦 ‬‬‬Kirill Gerstein

指揮│奧科．卡姆‬‬‬‬‬‬‬‬‬‬ Okko Kamu

小提琴│鮑里斯．貝爾金 Boris Belkin

小提琴│黃俊文 Paul Huang

小提琴│伊利亞．葛林戈斯 Ilya Gringolts

大提琴│奧赫利安．帕斯卡‬‬‬ Aurélien Pascal

女高音│西沃恩．斯塔格 ‬Siobhan Stagg

男中音│克雷希米爾．斯特拉什那 Krešimir Stražanac

國立實驗合唱團 Taiwan National Choir

女高音/安琪拉‧蓋兒基爾 Angela Gheorghiu

鋼琴/法佐．賽依 Fazil Say

大提琴/巴勃羅．費蘭德斯 Pablo Ferrández

指揮/羅伯特．崔維諾 Robert Trevino

次女高音/雷娜塔．波庫比奇 Renata Pokupić

指揮/保羅．麥克里希 Paul McCreesh

低音提琴/卓涵涵 Han Han Cho

法國號、自然號/理查．貝利斯 Richard Bayliss

法國號、自然號/蓋文．愛德華斯 Gavin Edwards

男低音/賽巴斯汀．霍勒契克 Sebastian Holecek

男高音/祖拉．祖拉畢許弗利 Zurab Zurabishvili

次女高音/娜瑪．高曼 Na’ama Goldman

女高音/艾嘉．米高拉 Aga Mikolaj

指揮/湯瑪斯．桑德霖 Thomas Sanderling

小提琴/陳銳 RAY CHEN

指揮/史提芬‧史托爾泰茲 Stefan Soltesz

次女高音/米夏埃拉‧瑟林格 Michaela Selinger

長笛/游雅慧 Christine Yu

指揮/江靖波 Ching-Po (Paul) Chiang

女高音/張莉 Lily Zhang

男中音/巫白玉璽 Wu Bai-Yu-Hsi

青韵合唱團

政大校友合唱團

指揮/霍華德‧葛瑞菲斯 Howard Griffiths

鼓/艾庫特‧庫瑟拉 Aykut Köselerli

笛/布裘‧卡烈妲 Burcu Karadağ

琴/哈坎‧岡格什 Hakan Güngör

小提琴/平夏斯‧祖克曼Pinchas Zukerman

一期一會

開季音樂會──瓦格與格斯坦音樂家簡介

純粹西貝流士音樂家簡介

聽城─TSO美巡行前音樂會音樂家簡介

葛林戈斯的夢之樹音樂家簡介

絕對匈牙利音樂家簡介

德意志安魂曲音樂家簡介