指揮/羅伯特．崔維諾 Robert Trevino
「在這位令人興奮的指揮家手中，舞出了令人屏息的舒伯特與馬勒。他更為舒伯特的第四號交響曲創造了名副其實的貝多芬光環，而且這光環漸漸閃耀。在第一樂章和最後樂章裡，崔維諾與慕尼黑愛樂樂團從舒伯特的音樂精神喚起了明確可信的貝多芬版本。」－南德意志報 2015年3月報於慕尼黑
「樂曲中的角色完全透過羅伯特．崔維諾展現出來，因著他這樣優異的表現，音樂家們對之後瓦格納的傳譯方式設立了更高的標準。」－阿爾格伊報 2015年9月（班貝格交響樂團羅恩格林）
羅伯特．崔維諾迅速成為現今美國最令人期待興奮的指揮家之一。
崔維諾透過2013年12月莫斯科大劇院的表演，取代了瓦希里．辛奈斯基，領導出嶄新樣貌的威爾第歌劇唐．卡洛，以空無前例的成功表現，衝入了國際的聚光燈下。熱情的觀眾和俄羅斯新聞都讚賞崔維諾說：「莫斯科自從范•克萊本的演出之後，就沒有其他美國人有過這種規模的成功演出了」。他後來被提名入圍金面具獎的「最佳指揮與新作獎」。從他第一次在法國國際史雲諾夫斯基指揮大賽的獲獎成功演出起，他與世界頂尖交響樂團的合作就只能用引起轟動來形容。初次登臺與蒙特卡洛愛樂管弦樂團合作馬勒的第五號交響曲帶來了遍及歐洲和亞州的巡演計畫，其中包括為新的音樂廳佛羅倫斯五月音樂節管弦樂團的佛羅倫薩音樂廳開幕演出。崔維諾亦在法國其他地方表演，他經常出現在熱狂之日音樂節、拉羅克．翁迪宏音樂節，也帶來德法公共電視台立即重新配置專題報導，以及在法國音樂廣播電台、法國國際廣播電台撥出。
在2014/15樂季，可以看見崔維諾有許多的首次登臺合作—與荷蘭廣播愛樂樂團在阿姆斯特丹音樂廳演出布拉姆斯與蕭斯塔科维奇的樂曲，與底特律交響樂團合作。與慕尼黑愛樂樂團的聯票音樂會演出當中，有極美的首次合作，演出舒伯特和馬勒的曲目。在這之後，他獲得新聞界極高的盛讚。在2015/16樂季初，崔維諾回到班貝格交響樂團（演出羅恩格林一劇），亦與舊金山交響樂團及德累斯頓愛樂樂團、倫敦愛樂樂團合作。2015樂季與丹麥國家交響樂團合作電視廣播新年音樂會來畫下句點之外，也在15年樂季中與法國國家管弦樂團首次演出布魯克納第四交響曲而造成轟動迴響。在2015樂季他亦與聖彼得堡愛樂交響樂團、托斯卡納管弦樂團、馬德里RTVE廣播交響樂團、俄羅斯國家愛樂樂團和比利時弗拉芒皇家愛樂樂團合作。他也期待著與柏林廣播交響樂團、日本NHK交響樂團、利物浦皇家愛樂樂團、克利夫蘭管弦樂團、皇家斯德哥爾摩愛樂樂團、法蘭克福廣播交響樂團、多倫多交響樂團、溫哥華交響樂團的合作，並且會回到辛辛那提交響樂團，也在奧斯陸、華盛頓兩地會有歌劇的製作預備。
在美國受訓的2011年夏天，崔維諾被指揮家詹姆斯．李汶選上成為檀格塢國際音樂節中指揮家小澤征爾的指揮研習生，在那裡他指揮了馬克．莫里斯的作品米堯的三分鐘歌劇。2009和2010年的夏天，崔維諾與他的導師大衛辛曼學習，在白楊音樂節及音樂學校擔任指揮研習生，他並因著卓越的指揮得到詹姆斯．康倫獎。他亦受邀與邁可．提爾森．湯瑪斯在新世界交響樂團上名家課程。師事萊夫．賽格斯坦，並在赫爾辛基愛樂樂團成為他的助理，協助整個西貝流士交響樂曲的演出期間。
崔維諾最近也完成在辛辛那提交響樂團從2011至2015年來美好的四年任期副指揮工作。在這之前2009-2011年他擔任擔任林肯中心紐約市歌劇院的副指揮，美國歌劇迷因著歌劇《唐．喬望尼》和《一個安靜的地方》一劇及他在VOX美國歌劇系列的表現而認識他，他在這期間參與五部新歌劇的世界首演。身為一位熱愛現代音樂的倡導者和表演者，崔維諾已經接受許多委託、首映的合作邀約，並與當今許多領先的作曲家密切合作。他合作過的作曲家有：奧古絲坦．瑞德．托瑪斯、安德烈．普列文、珍妮佛．席格東、柏納．蘭滋、舒拉密．蘭、喬治．沃克、大衛．費爾德及約翰．佐恩等。
Robert Trevino
Conductor
"Breathtaking Mahler... Schubert and Mahler, in the hands of an exciting conductor. It became obvious little by little, as he created a veritable Beethovenian aura for Schubert's Fourth… In the first and last movements [Trevino & The Munich Philharmonic] conjured up an utterly believable vision of Beethoven out of Schubert's spirit. "– Suddeutsche Zeitung / Munich Mar 2015
“The role completely penetrated conductor Robert Trevino… With such a performance, the artists set the bar very high for future Wagner interpretations” – Allgauer Zeitung / Sept 2015 (Bamberg Symphony / Lohengrin).
Robert Trevino has rapidly emerged as one of the most exciting American conductors performing today.
Trevino burst into the international spotlight with unprecedented success at the Bolshoi Theater in December 2013, when he led a new production of Verdi’s Don Carlo substituting for Vasily Sinaisky. The enthusiastic audience and Russian press praised Mr. Trevino by saying “There has not been an American success of this magnitude in Moscow since Van Cliburn”. He was subsequently nominated for a
Golden Mask award for “Best Conductor in a New Production”. Appearances with some of the world’s top orchestras have followed in what can only be described as a sensational rise, since his initial success as a laureate of the Evgeny Svetlanov International Conducting Competition in France. Debuts with the Orchestra Philharmonique de Monte Carlo with Mahler’s Fifth Symphony have led to extensive touring plans throughout Europe and Asia, including inaugurating the new hall, Opera di Firenze of the Maggio Musicale Fiorentino. Elsewhere in France, his regular appearances at La Folle Journee and La Roque D’Antheron, also resulted in immediate reengagements and a feature on the Arte Channel as well as broadcasts on France Musique and Radio France.
The 14/15 season saw a number of further major debuts – with the Netherlands Radio Philharmonic at the Amsterdam Concertgebouw in Brahms and Shostakovich, the Detroit Symphony Orchestra, and a magnificent debut in the subscription series of the Munich Philharmonic Orchestra in Schubert and Mahler. Following this, where Robert received the highest accolades from the press, Robert returned to Germany with the Bamberg Symphony Orchestra (“Lohengrin" in concert) at the beginning of the 15/16 season, as well as the San Francisco Symphony and the Dresden & London Philharmonic Orchestras. 2015 closed with the Danish Radio Symphony’s telecast New Year’s concert, and a sensational debut with the Orchestre Nationale de France with Bruckner 4th Symphony. This season also brings him to the St Petersburg Philharmonic, and to the orchestras of Toscana, RTVE Symphony, National Philharmonic of Russia, and Royal Flemish Philharmonic. He also looks forward to conducting the Rundfunk Sinfonieorchester Berlin, NHK Symphony, Royal Liverpool Philharmonic, The Cleveland Orchestra, Royal Stockholm Philharmonic, HR Sinfonieorchester, Toronto Symphony, Vancouver Symphony, and his return to the Cincinnati Symphony, as well as opera productions in Oslo and Washington.
Trained in America, in the summer of 2011, Mr. Trevino was selected by James Levine to be the Seiji Ozawa Conducting Fellow at the Tanglewood Music Festival, where he led Mark Morris’ production of Milhaud’s Trios Operas Minutes. In the summers of 2009 and 2010 Mr. Trevino studied with his mentor David Zinman as an Aspen Conducting Fellow at the Aspen Festival and School of Music where he was awarded the James Conlon Prize for Excellence in Conducting. He studied by invitation with Michael Tilson Thomas at the New World Symphony in master classes, and has studied with Leif Segerstam with whom he assisted at the Helsinki Philharmonic in the complete cycle of Sibelius symphonies.
Mr. Trevino recently completed a wonderful four-year tenure as the Associate Conductor of the Cincinnati Symphony Orchestra from 2011-2015. Prior to this appointment he served as the Associate Conductor of the New York City Opera at Lincoln Center from 2009 – 2011 where American opera fans know his work on productions of Don Giovanni and A Quiet Place as well as for his performances in VOX: American Opera Series where he worked on the world premieres of five new operas. An avid advocate and performer of contemporary music, Mr. Trevino has commissioned, premiered, and worked closely with many leading composers of today such as: Augusta Read Thomas, Sir Andre Previn, Jennifer Higdon, Bernard Rands, Shulamit Ran, George Walker, David Felder, and John Zorn among others.
